He's an ideal employee: efficient, conscientious, and utterly loyal to the man for whom he kills. It is an existence that encourages solitariness, which Jon has cultivated, until he encounters Andy and Cathy, old friends from school, now married with a child.

    She loves me not. Bo Luxton has it all – a loving family, a beautiful home in the Lake District, and a clutch of bestselling books to her name. Enter Alice Dark, an aspiring writer who is drifting through life, with a series of dead-end jobs and a freeloading boyfriend. When they meet at a writers’ retreat, the chemistry is instant, and a sinister relationship develops… Or does it? Breathlessly pacey, taut and terrifying, Exquisite is a startlingly original and unbalancing psychological thriller that will keep you guessing until the very last page. ‘The characters are so untrustworthy you wont know what to believe, but you won’t put it down till you’ve found out. A superb debut’ Sunday Mirror 'Cunningly constructed and gorgeously written, this is outstanding’ Express 'It’s a remarkable debut in the crowded psychological thriller field, written with great sureness of touch and tone' Times Crime Club ‘Slickly claustrophobic, this arch story of obsessive, forbidden love taken to the extreme will have you squirming in your seat’ Sarah Pinsborough ‘Whip-smart, lushly written and truly page-turning … Sarah Stovell is a thrilling talent’ Holly Seddon ‘A moving, gripping story … twists keep coming till the very last page. I loved it’ Erin Kelly ‘Addictive, terrifying and beautifully written, Exquisite is up there with the best psychological thrillers I’ve ever read. Fucking awesome’ Chris Whittaker

    The three played there as girls until the day that their games uncovered something dark and twisted in the motel's past, something that ruined their friendship forever.Now adult, Piper and Margot have tried to forget what they found that fateful summer, but their lives are upended when Piper receives a panicked midnight call from Margot, with news of a horrific crime for which Amy stands accused. Suddenly, Margot and Piper are forced to relive the time that they found the suitcase that once belonged to Silvie Slater, the aunt that Amy claimed had run away to Hollywood to live out her dream of becoming Hitchcock's next blonde bombshell leading lady. As Margot and Piper investigate, a cleverly woven plot unfolds—revealing the story of Sylvie and Rose, two other sisters who lived at the motel during its 1950s heyday. Each believed the other to be something truly monstrous, but only one carries the secret that would haunt the generations to come.

    Set in a fading family estate nestled within the Chiltern Hills, this is the story of two summers, sixty years apart, woven together to reveal one dramatic family story.

    Early in the 20th century, the town was destroyed for the greater good: bringing water to the millions living downstate. Or at least that’s what the politicians from Manhattan insisted at the time. The local families, settled there since America’s founding, were forced from their land, but they didn’t move far, and some didn’t move at all…Now, a century later, the repercussions of human arrogance are finally making themselves known. An inspector assigned to oversee the dam, dangerously neglected for decades, witnesses something inexplicable. It turns out that more than the village was left behind in the waters of the Chill when it was abandoned. The townspeople didn’t evacuate without a fight. A dark prophecy remained, too, and the time has come for it to be fulfilled. Those who remember must ask themselves: who will be next? For sacrifices must be made. And as the dark waters begin to inexorably rise, the demand for a fresh sacrifice emerges from the deep...

    He's been patiently waiting for twelve years to become a father. But Diane has always been nervous about having children because of her family's dark past. The timing of the pregnancy also isn't ideal - Diane has just been promoted, and Brian is being called away to open a new London office for his company. Fast-forward one year: being a mother has brought Diane a sense of joy that she'd never imagined and she's head over heels for her new baby, Grace. But things are far from perfect: Brian has still not returned from London, and Diane fears leaving the baby for even a moment. As unsettling changes in those around Diane began to emerge, it becomes clear that all is not as it seems. A woman's dark past collides head-on with her mysterious present in this surreal and gripping family drama.

    But when they wake to find two of their own dead and covered in blood, it's clear there's a killer among them.As the police try to unravel the case, Mackenzie launches her own investigation. Before long secrets start to emerge, revealing a sinister web of sins among the original seven friends. The killer is still free. Every one of them is a suspect. And Mackenzie starts to realize that no one is innocent…

    Leaves calmed and trunks stood serene. Where, not a minute before, there had been a suburb, there was now only woodland standing amid ruins…There is no warning. No chance to prepare.They arrive in the night: thundering up through the ground, transforming streets and towns into shadowy forest. Buildings are destroyed. Broken bodies, still wrapped in tattered bed linen, hang among the twitching leaves.Adrien Thomas has never been much of a hero. But when he realises that no help is coming, he ventures out into this unrecognisable world. Michelle, his wife, is across the sea in Ireland and he has no way of knowing whether the trees have come for her too. Then Adrien meets green-fingered Hannah and her teenage son Seb. Together, they set out to find Hannah’s forester brother, to reunite Adrien with his wife – and to discover just how deep the forest goes.Their journey will take them to a place of terrible beauty and violence, to the dark heart of nature and the darkness inside themselves.

    But when a shocking revelation rips apart the family of her closest friend, Sarah finds herself welcoming yet another troubled young boy into her already tumultuous life.Jordan, a quiet, reclusive elementary school classmate of Sarah's son Danny, has survived a terrible ordeal. By agreeing to become Jordan's foster mother, Sarah will be forced to question the things she has long believed. And as the delicate threads that bind their family begin to unravel, all the Ladens will have to face difficult truths about themselves and one another—and discover the power of love necessary to forgive and to heal.

    Three years ago her husband split, leaving her to raise their infant son Ethan alone as she struggled to launch her writing career. Now for the first time in years, things are looking up. She's just sold her first novel, and she and Ethan are going on a much-needed vacation. Everything seems to be going their way, so why can't she stop looking over her shoulder or panicking every time Ethan wanders out of view? Is it because of what happened when Ethan was born? Except Libby's never told anyone the full story of what happened, and there's no way anyone could find her and Ethan at a faraway resort . . . right?But three days into their vacation, Libby's fears prove justified. In a moment of inattention, Ethan wanders into an elevator before Libby can reach him. When the elevator stops and the doors open, Ethan is gone. Hotel security scours the building and finds no trace of him, but when CCTV footage is found of an adult finding the child wandering alone and leading him away by the hand, the police are called in. The search intensifies, a lost child case turning into a possible abduction. Hours later, a child is seen with a woman stepping through an emergency exit. Libby and the police track the woman down and corner her, but she refuses to release Ethan. Asked who she is, the woman replies:"I'm his mother."What follows is one of the most shocking, twist-y, and provocative works of psychological suspense ever written. A story of stolen identity, of surrogacy gone horribly wrong, and of two women whose insistence that each is the "real" mother puts them at deadly cross-purposes, Lost You is sure to be one of 2019's most buzzed-about novels.

    Yet when homicide detective Danny Martell arrives on the scene, he finds the victims have been elaborately made up, with fabric wings attached to their lifeless bodies. The papers have dubbed the killings �the Angel Murders� � but it isn�t long before the crime wave drags Danny into his own personal hell.Soon after the killings begin, Danny�s wife, Linda, abruptly disappears. And when his worst fears are realized, a grief-stricken Danny doubles down on his hunt for the deranged serial killer. But was Linda just a random �angel�? Or was she targeted by a copycat killer with a vendetta against Danny? He vows to uncover the truth, no matter the cost. After all, he has nothing left to lose.

    Katie’s world is shattered by the news that her headstrong and bohemian younger sister, Mia, has been found dead at the bottom of a cliff in Bali. The authorities say that Mia jumped—that her death was a suicide. Although they’d hardly spoken to each other since Mia suddenly left on an around-the-world trip six months earlier, Katie refuses to accept that her sister would have taken her own life. Distraught that they never made peace, Katie leaves her orderly, sheltered life in London behind and embarks on a journey to find out the truth. With only the entries in Mia’s travel journal as her guide, Katie retraces the last few months of her sister’s life and—page by page, country by country—begins to uncover the mystery surrounding her death. . . . Weaving together the exotic settings and suspenseful twists of Alex Garland’s The Beach with a powerful tale of familial love in the spirit of Rosamund Lupton’s Sister, Swimming at Night is a fast-paced, accomplished, and gripping debut novel of secrets, loss, and forgiveness.

    . .Vowing to make a fresh start, Sarah McAdams has come home to renovate the old Victorian mansion where she grew up. Her daughters, Jade and Gracie, aren't impressed by the rundown property on the shores of Oregon's wild Columbia River. As soon as they pull up the isolated drive, Sarah too is beset by uneasy memories--of her cold, distant mother, of the half-sister who vanished without a trace, and of a long-ago night when Sarah was found on the widow's walk, feverish and delirious. Ever since the original mistress of the house plunged to her death almost a century ago, there have been rumors that the place is haunted. As a girl, Sarah sensed a presence there, and soon Gracie claims to see a lady in white running up the stairs. Still, Sarah has little time to dwell on ghost stories, between overseeing construction and dealing with the return of a man from her past. But there's a new, more urgent menace in the small town. One by one, teenage girls are disappearing. Frantic for her daughters' safety, Sarah feels her veneer cracking and the house's walls closing in on her again. Somewhere deep in her memory is the key to a very real and terrifying danger. And only by confronting her worst fears can she stop the nightmare roaring back to life once more. . .

    At least that is what the police assume, and I am playing the part of grieving widower with enthusiasm and success... It was I who killed her." Thus begins the much-hyped first novel by 20-year-old Oxford undergraduate Richard Mason. Your typical murder mystery The Drowning People is not, for we are given the identity of the killer--the who--immediately. The puzzle in this introspective novel is why--why did 70-year-old James Farrell murder his aristocratic wife, Sarah? The answer lies nearly 50 years into the past as the book ranges from Prague to London, from France to a remote castle in Cornwall. At its core is an intoxicating love affair between 22-year-old James, a talented violinist and hopeless romantic, and Ella Harewood, an American heiress to an English title, trapped by her heritage and destiny. A beautifully written exploration of self-absorbed first love and its tragic consequences, The Drowning People soars beyond the highest of expectations placed upon it.

    Within a balance of terror and innocence, he bears silent witness to ghosts of the dead and the cruelties of a teenage killer while local justice plays out in a community carved from legacies of coal mining and religion.