They should never have stopped. Waiting for them are three heartless men just escaped from prison — each with nothing to lose. And now, with the girls as their hostages, they have everything to gain. They make their stand in an abandoned slaughterhouse, and it is there that Lou Handy, a murderer and the convicts’ ringleader, announces his terms: to kill one captive an hour unless his demands are met.What follows is a twelve-hour siege of noose-tight tension — and a war of nerves between Handy and the FBI’s senior hostage negotiator, Arthur Potter.Dead Silence, based on A Maiden’s Grave, was made into a movie, starring James Garner and Marlee Matlin. It was filmed by HBO in 1997.

    Lillian Adams is going on trial for the murder of her wealthy husband before Judge John Murray, to whom she has been like a daughter since childhood. Despite this long, shared history, both the prosecutor and defense attorney agree that Murray should sit on the case, and Murray himself knows he must. For he believes that if he steps down and another judge is appointed, there will be little hope for Lillian. The prosecutor is a sadistic psychopath who will pervert the law to convict Lillian and do everything in his power to hurt Judge Murray. And Murray must save Lillian.Gerry Spence takes listeners through shocking twists and suspenseful courtroom scenes that only the great maestro of the courtroom himself could create. Court of Lies goes beyond being a great legal thriller. It questions the very basis of our legal system and its ability to discover the truth and deliver justice.

    It took a few years, but now the snobbish white mothers who mistook her for the nanny treat her as one of their own. She's learned to crack their subtle codes, speak their language of fashion and vacations and haircuts. You'd never guess, seeing her at the trendy kids' parties and the leisurely coffee mornings, that her childhood was spent being bullied and being ashamed of her poor Pakistani immigrant parents. When her husband Tom loses his job in finance, he stays calm. Something will come along, and in the meantime, they can live off their savings. But Faiza starts to unravel. Creating the perfect life and raising the perfect family comes at a cost – and the money Tom put aside has gone. Faiza will have to tell him she spent it all.  Unless she doesn't...It only takes a second to lie to Tom. Now Faiza has mere weeks to find $100,000. If anyone can do it, Faiza can.  She's had to fight for what she has, and she'll fight to keep it. But as the clock ticks down and Faiza desperately tries to put things right, she has to ask herself: how much more should she sacrifice to live someone else's idea of the dream life?

    She intends to renovate the ruinous house into a hotel, but the shocking discovery of human remains brings her ambitious restoration plans to an abrupt halt before they even begin. Few physical clues are left to identify the body, but one thing is certain: this person did not die a natural death.Hungry for answers, Hetty discovers that Muirlan was once the refuge of her distant relative Theo Blake, the acclaimed painter and naturalist who brought his new bride, Beatrice, there in 1910. Yet ancient gossip and a handful of leads reveal that their marriage was far from perfect; Beatrice eventually vanished from the island, never to return, and Theo withdrew from society, his paintings becoming increasingly dark and disturbing.What happened between them has remained a mystery, but as Hetty listens to the locals and studies the masterful paintings produced by Theo during his short-lived marriage, she uncovers secrets that still reverberate through the small island community—and will lead her to the identity of the long-hidden body.

    Howard Pink is a wildly successful businessman still struggling to cope fifteen years after his nineteen-year-old daughter disappeared. Beatrice Kizza fled persecution from Uganda where homosexuality is illegal. She now works as a maid at a hotel Howard frequents. Esme Reade, an ambitious staff reporter on a Sunday tabloid, is desperate to get the Howard Pink interview for which all London reporters froth at the mouths. Carol Hetherington, a widow who has time to keep an eye on her neighbors’ actions, makes an astonishing discovery.Paradise City explores what a city means to those who come seeking their fortune or a better life. It is also a story of absence and loss, of how we shape ourselves around the spaces that people leave behind.

    As mummy to 7-year old Ella, surrogate to far too many pets and with a failed marriage under her belt, Mavis knows she needs to make some life-changing decisions. It's time to strike out into the world, to stand on her own two feet … to pursue a lifelong ambition to become a Police Officer. I mean, what could go wrong? Supported by her quirky, malapropism-suffering mum, Mavis throws herself headlong into a world of uncertainty, self-discovery, fearless escapades, laughter and extra-large knickers. And using her newly discovered investigative skills, she reluctantly embarks on a search to find her errant dad who was last seen years before, making off with her mum's much needed coupon for a fabulous foam cup bra all the way from America.Follow Mavis as she tackles everything life can throw at her, and revel in Gina Kirkham's humorous, poignant and moving story of an everyday girl who one day followed a dream.

    Amongst Millbank’s murderers and common thieves, Margaret finds herself increasingly fascinated by an apparently innocent inmate, the enigmatic spiritualist Selina Dawes. Selina was imprisoned after a séance she was conducting went horribly awry, leaving an elderly matron dead and a young woman deeply disturbed. Although initially skeptical of Selina’s gifts, Margaret is soon drawn into a twilight world of ghosts and shadows, unruly spirits and unseemly passions, until she is at last driven to concoct a desperate plot to secure Selina’s freedom, and her own.

    Puritanical fervor has gripped the nation. And in Manningtree, a town depleted of men since the wars began, the hot terror of damnation burns in the hearts of women left to their own devices.Rebecca West, fatherless and husbandless, chafes against the drudgery of her days, livened only occasionally by her infatuation with the handsome young clerk John Edes. But then a newcomer, Matthew Hopkins, arrives. A mysterious, pious figure dressed from head to toe in black, he takes over the Thorn Inn and begins to ask questions about what the women on the margins of this diminished community are up to. Dangerous rumors of covens, pacts, and bodily wants have begun to hang over women like Rebecca--and the future is as frightening as it is thrilling.Brimming with contemporary energy and resonance, The Manningtree Witches plunges its readers into the fever and menace of the English witch trials, where suspicion, mistrust, and betrayal run amok as a nation's arrogant male institutions start to realize that the very people they've suppressed for so long may be about to rise up and claim their freedom.

    She knows which boards will creak. She knows where the gaps are in the walls. She knows which parts can take her in, hide her away. It’s home, after all. The home her parents made for her, before they were taken from her in a car crash. And home is where you stay, no matter what.Eddie is a teenager trying to forget about the girl he sometimes sees out of the corner of his eye. But when his hotheaded older brother senses her, too, they are faced with the question of how to get rid of someone they aren’t sure even exists. And as they try to cast her out, they unwittingly bring an unexpected and far more real threat to their doorstep. Written with grace and enormous heart, Girl in the Walls is a novel about carrying on through grief, forging unconventional friendships, and realizing, little by little, that we don’t need to fear what we do not understand.

    Many call her a witch; others whisper she’s insane. Everyone agrees the vengeance Alvaretta swore at her husband’s death hovers over them all. That vengeance awakens when teenagers stumble upon Alvaretta’s cabin, incurring her curse. Now a sickness moves through the Hollow. Rumors swirl that Stu Graves has risen for revenge. And the people of Crow Hollow are left to confront not only the darkness that lives on the mountain, but the darkness that lives within themselves.“Coffey spins a wicked tale . . . [The Curse of Crow Hollow] blends folklore, superstition, and subconscious dread in the vein of Shirley Jackson’s ‘The Lottery.’”—Kirkus Reviews

    The supernatural occurrences in the old house begin on the very first day, but the reality of the situation takes time for Emma to understand and accept. Her sanity is challenged when she cannot convince her husband that these eerie happenings are actually taking place and Emma even begins to doubt them herself, until the danger becomes very real and her children's lives are now at stake.Emma's love and loyalty are tested as her relationship with her husband continues to disintegrate and she is left to handle the dangerous situation on her own.Even more trouble comes her way when two brothers arrive to help her get rid of the dangerous entities that have taken over her home.Emma must find the courage and resolve within herself to join them as they do battle with the ghosts and demons. But, if they succeed in surviving the evil residing in the house and are able to make it safe once again, will Emma be able to disregard the feelings she now has for one of the brothers and put her children first, giving up her own happiness in return?

    But then a stranger sits next to her on a train to London and explains his plan to propose to the woman of his dreams. Maybe true love does exist after all?When the man accidentally leaves the engagement ring behind, Ruby is determined to save the day. But she hasn't counted on fellow passenger Curtis stepping in and insisting he should be the one to track the stranger down. As summer closes in, the unlikely pair make a promise to reunite the ring with its owner. But can they find their own happy ever after along the way?

    Six months of silence. One last chance. By all appearances, Frank and Maggie share a happy, loving marriage. But for the past six months, they have not spoken. Not a sentence, not a single word. Maggie isn’t sure what, exactly, provoked Frank’s silence, though she has a few ideas.Day after day, they have eaten meals together and slept in the same bed in an increasingly uncomfortable silence that has become, for Maggie, deafening.Then Frank finds Maggie collapsed in the kitchen, unconscious, an empty package of sleeping pills on the table. Rushed to the hospital, she is placed in a medically induced coma while the doctors assess the damage.If she regains consciousness, Maggie may never be the same. Though he is overwhelmed at the thought of losing his wife, will Frank be able to find his voice once again—and explain his withdrawal—or is it too late?

    But once he's met the enigmatic Simone, Harry is intrigued. Just what did happen to Simone's twin sister who disappeared without trace several years before? And what is the Anderson sisters' connection to another set of twin girls, Viola and Sorrel Quinton, born in London on 1st January 1900? All Harry's lines of enquiry seem to lead to the small Shropshire village of Weston Fferna and the imposing ruin of Mortmain House, standing grim and forbidding on the Welsh borders. As Harry delves into the violent and terrible history of Mortmain, in an attempt to uncover what happened to Simone and Sonia and, a century before them, to Viola and Sorrel Quinton, he finds himself drawn into a number of interlocking mysteries, each one more puzzling -- and sinister -- than the last.

    But it seems like too good an opportunity to miss—a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family. What she doesn’t know is that she’s stepping into a nightmare—one that will end with a child dead and herself in prison awaiting trial for murder. Writing to her lawyer from prison, she struggles to explain the unravelling events that led to her incarceration. It wasn’t just the constant surveillance from the cameras installed around the house, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn’t just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn’t even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman, Jack Grant. It was everything. She knows she’s made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn’t always ideal. She’s not innocent, by any means. But, she maintains, she’s not guilty—at least not of murder. Which means someone else is. Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, The Turn of the Key is an unputdownable thriller from the Agatha Christie of our time.