It premiered 37 years ago, in 1973, and, after 31 series it finally came to an end last year – even though all its original protagonists – Compo, Foggy, even Nora Batty – are now dead. Remarkably, for a series of such longevity and international appeal, it is all about elderly people, has little action or plot, and is set and filmed in and around the small Yorkshire town of Holmfirth. Now, Andrew Vine, the deputy editor of Yorkshire’s daily newspaper, has written the definitive history of this television phenomenon. It covers the show’s inauspicious beginnings, with low ratings, its endless reinvention as participants like Bill Owen, Michael Bates, Brian Wilde and Kathy Staff retired or died, the appearance of a string of guest stars from John Cleese and Norman Wisdom to Thora Hird and Russ Abbott (both of whom soon found themselves fixtures in the cast), and the ingenious plot contrivances as the protagonists became too old and frail to attempt any of the slapstick stunts with runaway prams – indeed any outdoor action. Holmfirth is now a year-round tourist attraction, and endless repeats and new DVD box sets will ensure a readership for this book for years to come.

    Its groundbreaking stylistic and thematic devices, boldness and wit earned it an intensely devoted fan base-and as it approached its zenith, attention from media watchdog groups and the Federal Communications Commission. The grim and provocative evolution of the show over its final two seasons polarized its audience, while also breaking new ground for critical and philosophical analysis. The thirteen essays in this collection, divided into the perspectives of feminist, cultural, auteur and fan studies, explore the popular series' conclusion, providing a multifaceted examination of Buffy's most controversial two seasons.

    Recast in L.A., Angel developed its own preoccupations, exploring a darker vision of alienation, atonement and the fight for redemption. The series ended in 2004, but its legion of loyal fans continues to petition the WB network for a new spin-off or motion picture on the "Save Angel" website and other online fansites. This book covers all five seasons, discussing the cinematic aesthetics of Angel, its music, shifting portrayals of masculinity, the noir Los Angeles setting, the superhero, and horror. A complete episode guide is included.

    Published to coincide with Whedon's blockbuster movie The Avengers, it covers every aspect of his work, through insightful essays and in-depth interviews with key figures in the 'Whedonverse'.

    The star of the show, Sarah Michelle Gellar is only 24, but she already has to her credit five films, two soap operas and a global hit-TV show. Buffy fans up and down the country thirst for details about Gellar's life, and this biography will undoubtedly quench that thirst. It's filled with dozens of exclusive photos and original information on every aspect of her career. BITE ME! spotlights Sarah's role in the show and features entertaining commentary on each episode, as well as background information about the stories in them.

    Whedon fans will enjoy a discussion of issues that are both funny and profound, from the significance of Angel's mommy issues and the best way to conduct government experiments on vampires to what could drive a man to become a cannibalistic Reaver and the psychological impact of being one girl in all the world chosen to fight the forces of darkness.

    The anthology’s 18 sometimes funny, always insightful pieces cover Dollhouse from anticipated start to explosive finish. Drawn from an international contest judged by fan favorite Whedon screenwriter Jane Espenson, its essays get right to heart of what Dollhouse viewers loved most about the show.Espenson also acts as the book’s editor, offering context and extra insight on its topics and the show—a role she played in previous anthologies Finding Serenity and Serenity Found, also on Joss Whedon creations.From programmer Topher’s amorality to the accuracy of the show’s neurobiology, Inside Joss' Dollhouse brings Dollhouse back to life with a depth sure to satisfy its many still-mourning fans.

    One of the most distinguishing features of the show is the innovative way its writers play with language--fabricating new words, morphing existing ones, and throwing usage on its head. The result has been a strikingly resonant lexicon that reflects the power of both youth culture and television in the evolution of American slang. Using the show to illustrate how new slang is formed, transformed, and transmitted, Slayer Slang is one of those rare books that combines a serious explanation of a pop culture phenomenon with an engrossing read for Buffy fans, language mavens, and pop culture critics. Noted linguist Michael Adams offers a synopsis of the program's history, an essay on the nature and evolution of the show's language, and a detailed glossary of slayer slang, annotated with actual dialogue. Introduced by Jane Espenson, one of the show's most inventive writers (and herself a linguist), Slayer Slang offers a quintessential example of contemporary youth culture serving as a vehicle for slang.

    Whether you're a seasoned Slayerette or a novice, this bumper guide to the complete seven series is your indispensable companion to Buffy's universe.

    It’s easy to see why. Whedon, who got his start writing for Roseanne, dreamed of writing movie screenplays. He got his shot when he sold his script for Buffy the Vampire Slayer, but the movie fell far short of his hopes for it. After a few years of working as a script doctor, Whedon got the chance to doBuffy again, this time as a TV show.Few expected it to succeed, but Whedon’s humor and intelligence shone through in the scripts, and viewers quickly became attached to the engaging, witty characters. Buffy kept getting better: each season of the show featured a complex story arc possessed of a real sense of danger and further developed the characters. The last few years have brought the Buffy spin-off Angel, the lamentably canceled Firefly (a space western), and the comic book Fray. Engaging and filled with fun quotes, this is a must-read for Whedon’s many fans.

    The authors argue that these works are part of an existentialist tradition that stretches back from the French atheistic existentialist Jean-Paul Sartre, through the Danish Christian existentialist Soren Kierkegaard, to the Russian novelist and existentialist Fyodor Dostoevsky. Whedon and Dostoevsky, for example, seem preoccupied with the problem of evil and human freedom. Both argue that in each and every one of us a demon lies hidden. Whedon personifies these demons and has them wandering about and causing havoc. Dostoevsky treats the subject only slightly more seriously. Chapters cover such topics as Russian existentialism and vampire slayage; moral choices; ethics; Faith and bad faith; constructing reality through existential choice; some limitations of science and technology; love and self-sacrifice; love, witchcraft, and vengeance; soul mates and moral responsibility; love and moral choice; forms of freedom; and Whedon as moral philosopher.

    The weird and wonderful world of the Buffyversewhere the melding of magic and science is an everyday occurrenceprovides a fantastical jumping-off point for looking at complex theories of biology, chemistry, and theoretical physics. From surreal vampires, demons, and interdimensional portals to energy conservation, black holes, and string theory, The Physics of the Buffyverse is serious (and palatable) science for the rest of us. "

    From John Hughes' early films, to the cheerleaders of Bring It On, the films and their characters deal with sex and gender relations, presenting a picture of the hidden life of teenagers. Hit teen films can also promote products, launch bestselling soundtrack albums, and be career-makers for young actors. Kaveney also shows how the teen genre has absorbed classic material in the case of Clueless, has made up gender etiquette manuals like American Pie, and how teen films and TV series deal with the tragic and comic undersides of the American dream.

    What Would Buffy Do? explores the fascinating spiritual, religious, and mythological ideas of television's hit series Buffy the Vampire Slayer--from apocalypse and sacrifice to self-reliance, redemption, and the need for humor when fighting our spiritual battles.

    Jointly written by Lawrence Miles (Faction Paradox), Lars Pearson (Wizard magazine) and Christa Dickson (Metaphorce Designs), this beefy guide also contains information on the Buffy comic and novel series, plus heaps of behind-the-scenes details on this phenomenal TV show.