They demand that Hollywood depict Muslims in a positive light—“just one movie where we're not these two-dimensional al Qaeda stereotypes.” But Damon's concerned they're playing into that same terrorist paradigm, thereby furthering the neoconservative perception of Islam.Meanwhile, Ayyub embarks on a mission to rid the taqwacore scene of a Muslim pop-punk band called Shah 79. Along the way, he makes himself invisible, escapes punk-eating zombies in a mosque off the desert highway, and runs into some psychobilly jinns. Things turn existential when Ayyub finds himself face-to-face with his creator—no, not Allah, but the author.This riotous journey of enlightenment reads like a religious service for teenagers on Halloween. But it isn't all raucous fun; written into his own novel, the author finds he is at the mercy of his creation.

    He has lived grandly and ferociously-and much beyond his means. His close friend Chick has suggested that he put forth a book of his convictions about the ideas which sustain humankind, or kill it, and much to Ravelstein's own surprise, he does and becomes a millionaire. Ravelstein suggests in turn that Chick write a memoir or a life of him, and during the course of a celebratory trip to Paris the two share thoughts on mortality, philosophy and history, loves and friends, old and new, and vaudeville routines from the remote past. The mood turns more somber once they have returned to the Midwest and Ravelstein succumbs to AIDS and Chick himself nearly dies.Deeply insightful and always moving, Saul Bellow's heartfelt novel is a journey through love and memory. It is brave, dark, and bleakly funny: an elegy to friendship and to lives well (or badly) lived.

    Set in seventeenth-century Canada, an evocation of North American origins highlights the men and women who struggled to adapt to the new world even as they clung to the one they left behind.

    But just so tiny and meaningless and—sad-making. And the worst part is, if you go bohemian or something crazy like that, you’re conforming just as much only in a different way.’First published in The New Yorker as two sequential stories, ‘Franny’ and ‘Zooey’ offer a dual portrait of the two youngest members of J. D. Salinger’s fictional Glass family.Franny Glass is a pretty, effervescent college student on a date with her intellectually confident boyfriend, Lane. They appear to be the perfect couple, but as they struggle to communicate with each other about the things they really care about, slowly their true feelings come to the surface. The second story in this book, ‘Zooey’, plunges us into the world of her ethereal, sophisticated family. When Franny’s emotional and spiritual doubts reach new heights, her older brother Zooey, a misanthropic former child genius, offers her consolation and brotherly advice.Written in Salinger’s typically irreverent style, these two stories offer a touching snapshot of the distraught mindset of early adulthood and are full of the insightful emotional observations and witty turns of phrase that have helped make Salinger’s reputation what it is today.

    

    Until one day a letter appears, summoning him to the frozen woods of Vermont. There, Ricky is inducted into a band of paranormal investigators comprised of former addicts and petty criminals, all of whom had at some point in their wasted lives heard The Voice: a mysterious murmur on the wind, a disembodied shout, or a whisper in an empty room that may or may not be from God.Evoking the disorienting wonder of writers like Haruki Murakami and Kevin Brockmeier, but driven by Victor LaValle’s perfectly pitched comic sensibility, Big Machine is a mind-rattling literary adventure about sex, race, and the eternal struggle between faith and doubt.

    it has become synonymous with the establishment. In reevaluating its preoccupation with issues of church and state, Abanes uncovers the political agenda at Mormonism's core: the transformation of the world into a theocratic kingdom under Mormon authority. This illustrated edition has been revised and offers a new postscript by the author.

    Delving deeply into the Mormon ritual of blood sacrifice used in the murders, Rudd, along with his newly discovered half-brother, Lael, becomes swept up in the psychological and atavistic effects of this violent, antique ritual. As the past and the present become an increasingly tangled knot, Rudd is found at the scene of a multiple murder at a remote campsite with minor injuries and few memories. Lyndi, the daughter of the victims, tries to help Rudd recover his memory and, together, they find a strength unique to survivors of terrible tragedies. But Rudd, desperate to protect Lyndi and unable to let the past be still, tries to manipulate their Mormon wedding ceremony to trick the priests (and God) by giving himself and Lyndi new secret names—names that match the killer and the victim in the one hundred-year-old murder. The nightmare has just begun . . .

    This exceptional book by Dag Heward-Mills will teach you what it means to catch the anointing and how you can be anointed for ministry.

    It is as fresh and outrageous today as when it was first published in 1974.Born of a Jewish father and black mother, Oreo grows up in Philadelphia with her grandparents while her mother tours with a theatrical group. Soon after puberty Oreo heads for New York to search for her father, but in the big city she discovers that there are dozens of Sam Schwartzes. Oreo's mission turns into a wickedly humorous picaresque quest, reminiscent of the ancient Greek myth of Theseus. This is an ambitious and playful narrative that challenges not only the accepted notions of race, ethnicity, and identity, but also those of the novelistic form itself.

    Twenty years later, the slaughter was blamed on one man named John D. Lee, previously a member of Brigham Young's inner circle. Red Water imagines Lee's extraordinary frontier life through the eyes of three of his nineteen wives. Emma is a vigorous and capable Englishwoman who loves her husband unconditionally. Ann, a bride at thirteen years old, is an independent adventurer. Rachel is exceedingly devout and married Lee to be with her sister, his first wife. These spirited women describe their struggle to survive Utah's punishing landscape and the poisonous rivalries within their polygamous family, led by a magnetic, industrious, and considerate husband, who was also unafraid of using his faith to justify desire and ambition.

    Written as a series of short vignettes and snatches of overheard conversations, it is as unconventional in style as in substance and strikingly modern in its impact.

    The following stories are included in this collection: "The One Million Pound Bank Note" by Mark Twain"The Celebrated Jumping Frog of Calaveras County" by Mark Twain"A Visit to Niagara" by Mark Twain"Mysterious Visit" by Mark Twain"The Blue Hotel" by Stephen Crane"The Bride Comes to Yellow Sky" by Stephen Crane"The Eyes of the Panther" by Ambrose Bierce"An Occurrence at Owl Creek Bridge" by Ambrose Bierce"The Love of Life" by Jack London"To Build a Fire" by Jack London

    Richard Coles, led a pilgrimage to all the major historic sites of the Holy Land: from Nazareth and the Sea of Galilee in the North, via Jericho and the Jordan River, to Bethlehem and, finally, Jerusalem. All of the pilgrims in his care were practising Christians, except one: the writer Kevin Jackson, a diffident and sympathetic atheist intrigued by the chance to take part in this modern-day version of an ancient act of piety, and to learn some more about his old friend, the media clergyman.Coles to Jerusalem is Kevin Jackson’s light-hearted diary of that pilgrimage, and a close-up portrait of Richard Coles both as priest and as man. As the journey proceeds, Coles reminisces at length about his past life as a rock star and radical gay agitator, his new life as a spiritual leader and a popular broadcaster on BBC radio and television, and the strange, unpredictable path that led him from self-destructive debauchery to faith and vocation.With a lively supporting cast of fellow pilgrims, Coles to Jerusalem ranges among the magnificence of ancient monuments and the banalities of the guided tour, the grim political background of contemporary Israel and the comedy of a group of idiosyncratic English folk abroad, the intensity of worship and the lightness of banter. It will be irresistible to all admirers of Richard Coles, who has contributed a foreword; and a revelation to those who have never encountered his wisdom and warmth.

    The nature of myth and its importance to ancient Greece in terms of storytelling, music, poetry, religion, cults, rituals, theatre, and literature are viewed through works ranging from Homer's Illiad and Odyssey to the writings of Sophocles and Aeschylus. These lectures are an entertaining guide to Greek mythology and a fascinating look into the culture and time that produced these eternal tales.