But she had battled the storms of life before, and she would not be intimidated, not by nature’s fury nor by a man, even one who once had her heart….... When the beautiful plantation-born socialite Angelique Latour is swept off her feet and quickly wedded to a swarthy scoundrel, her world is turned upside down. Although schooled to be a charming, proper Creole belle, her fine education does not prepare her for the cruel irony that leaves her penniless and alone. Haunted by loss and betrayal, she refuses to be a victim, tapping into her own resourcefulness to save herself in a world where men traditionally hold the power and position. And just as a unique opportunity for reinvention, redemption, and romance presents itself, forces of nature and the universe plot to spoil her happiness, driving her hopes with a hurricane’s fury into the wide expanse of the Gulf of Mexico. Angelique’s Storm weaves a powerful tale of suspense, treachery, and survival against the backdrop of pre-Civil War South Louisiana

    Four boats. One Grand Canyon. MEN ON BOATS is the true(ish) history of an 1869 expedition, when a one-armed captain and a crew of insane yet loyal volunteers set out to chart the course of the Colorado River.

    Brant’s writing [is] taut, terse and concentrated on exposing the fissures that open in the heroine’s confidence and sense of honor... Grounded has a grimly fresh topicality." - New York Times"Propulsive drama... A fascinating exploration of personality, Grounded is, of course, all the more interesting because the subject of drone warfare is so much in the news... Thought-provoking." - Washington Post"Brant’s sharp-eyed, timely script... lets no one off easy; it forces the audience into a greater awareness of our own complicity in America’s drifts. Clap all you want at the end of the play—and you’ll want to clap a lot—but the game stays with you." - Time Out New York"Brant's drama is ready for prime time... Compelling and provocative." - San Francisco Chronicle"I was blown away... Grounded powerfully focuses on the human element... Don't miss it." - The Nation"Gripping... A play that challenges us to consider the moral and mortal conflict that is so much a part of our dangerous world... Delivers quite the gut punch... Grounded could not be much more timely." - Baltimore SunSeamlessly blending the personal and the political, Grounded tells the story of a hot-rod F16 fighter pilot whose unexpected pregnancy ends her career in the sky. Repurposed to flying remote-controlled drones in the Middle East from an air-conditioned trailer near Vegas, the Pilot struggles through surreal twelve-hour shifts far from the battlefield, hunting terrorists by day and being a wife and mother by night. A tour de force play for one actress, Grounded flies from the heights of lyricism to the shallows of workaday existence, targeting our assumptions about war, family, and the power of storytelling.Winner of the 2012 Smith Prize, a 2013 Scotsman Fringe First Prize, and Shortlisted for the Amnesty International Freedom of Expression Award 2013 at the Edinburgh Fringe Festival, 2013.

    As a young child, Moth's father smiled, tipped his hat and walked away from her forever. The summer she turned twelve, her mother sold her as a servant to a wealthy woman, with no intention of ever seeing her again. These betrayals lead Moth to the wild, murky world of the Bowery, filled with house-thieves, pickpockets, beggars, sideshow freaks and prostitutes, where eventually she meets Miss Everett, the owner of a brothel simply known as "The Infant School." Miss Everett caters to gentlemen who pay dearly for companions who are "willing and clean," and the most desirable of them all are young virgins like Moth. Through the friendship of Dr. Sadie, a female physician, Moth learns to question and observe the world around her, where her new friends are falling prey to the myth of the "virgin cure" - that deflowering a "fresh maid" can heal the incurable and tainted. She knows the law will not protect her, that polite society ignores her, and still she dreams of answering to no one but herself. There's a high price for such independence, though, and no one knows that better than a girl from Chrystie Street.

    Marcus Hubbard, rich, despotic and despised, made a fortune during the Civil War by running the blockade and worse. In his family life he is equally injurious: one son he bulldozes while the other he holds in contempt for his frailty. By Marcus's side stands his mentally deranged wife and, finally, Regina, the adored daughter amoral, conniving, and beautiful as an evil flower. Marcus, it would seem, has been on the top of the heap long enough and someone must depose him. Turning the tables on a tyrant has always made for high drama, and when Hellman puts her brilliant talents to work on such a theme the result is a play of great theatrical intensity.

    Catherine's lack of worldliness prevents her from realizing that the young man proposing to her is not entirely drawn to her by her charm. Catherine's father, a successful doctor, sees through the fortune hunter and forbids the marriage, but his daughter proposes an elopement that fails to materialize because the young man knows most of her expected fortune will go elsewhere if he marries her. Catherine retires into a little world of her own. But the fortune hunter turns up once more and again proposes to her. For a moment, Catherine leads him to believe that she will accept him, but when he calls by appointment, she locks the door, blows out all the lights and allows him to realize that she will not be fooled for the second time.

    In the century since its first performance, The Cherry Orchard has undergone a wide range of conflicting interpretations: tragic and comic, naturalistic and symbolic, reactionary and radical. Beginning with the 1904 premiere at Stanislavsky's Moscow Art Theatre, this study traces the performance history of one of the landmark plays of the modern theatre. Considering the work of such directors as Anatoly Efros, Giorgio Strehler, Peter Brook, and Peter Stein, Chekhov: The Cherry Orchard explores the way different artists, periods and cultures have reinvented Chekhov's poignant comedy of failure and hope.

    "The two rooms of the title are a windowless cubicle in Beirut where an American hostage is being held by Arab terrorists and a room in his home in the United States which his wife has stripped of furniture so that, at least symbolically, she can share his ordeal."Two Rooms received its world premiere at the La Jolla Playhouse in California on June 21, 1988. The cast is two men and two women.

    One of his best-loved and most famous plays, it exposes the lies plaguing the family of a wealthy Southern planter of humble origins.

    For fans of M. L. Stedman's The Light Between Oceans.Margaret Bradley is the most senior associate at a prestigious law firm, and she is on track to make partner. It is the 1970s; her climb up the career ladder in this male-dominated profession has been difficult, but with hard work she has made herself one of the best in it. She is dedicated to her work and is happily married until one day her entire world is shattered by the sudden death of her son Andrew, a military pilot. Now, Margaret lives with a heavy, all-encompassing sense of loss and regret that is pushing her further and further away from the person she once knew herself to be, and from her husband, Jack, a successful geologist and a loving and loyal partner.Consumed by her sorrows Margaret is drawn back to the family summer home in Sweetbarry, a small town off the coast of the North Atlantic, where she spent much of her childhood. Her lifelong best friend, Aileen, is close by. When Aileen's adult son, Danny, is questioned by local police in connection with a violent crime that shocks the community, Margaret provides legal and moral support. And it is while doing so that an opportunity presents itself for her to confront her sorrow. She sees a door opening. A way forward, and she boldly reaches out with an act of courage and humility that has profound consequences.Set against the backdrops of the rugged Atlantic coast, Toronto, and Paris, The Hour of the Fox is emotionally resonant, atmospheric, and unforgettable in its depiction of motherhood and loss.

    The twins are the apple of their parents' eye, and each other's best friend - they always know what the other is thinking. Feisty Rose has a more rebellious nature than her sister, but it's never before interfered with their closeness. However, Rose's secret dissatisfaction with her humdrum lifestyle reaches a head when she meets the rich and handsome Rodger. To the shock of the Flowers family, she elopes with him to Gretna Green. Once Rose has the money and glamour she's always craved, nothing will persuade her to contact her family again; not even her father's death. And then, in the wake of the Wall Street Crash of 1929, everything changes. With her charmed life in shreds and with no one left to turn to, Rose is determined to build bridges those she has hurt the most. But can forgiveness be sought so easily - and can she ever truly escape her troubled past?

    A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.The books in the series will all follow the same structure: a biography of the novelist, including other works, influences, and, in some cases, an interview; a full-length study of the novel, drawing out the most important themes and ideas; a summary of how the novel was received upon publication; a summary of how the novel has performed since publication, including film or TV adaptations, literary prizes, etc.; a wide range of suggestions for further reading, including websites and discussion forums; and a list of questions for reading groups to discuss.

    They moved to America as young boys and helped tame the Wild West with not only their fists, but impeccable manners! In all that time, they kept hearing bits and pieces of a tale their mother told them. Over the years however, not to mention the loss of their mother, they lost most of the story and could only remember one major detail. A crocodile. Oh, and their third cousin the earl of course, who later became a duke, and whose duchy eventually fell to Duncan – but that’s another tale. This tale is something else entirely …Anthony Sayer had toiled for the East India Company for many years and after the death of his father was more than happy to return to England once and for all. Unfortunately, the Company had other ideas for Anthony, ones he wasn’t too thrilled to take on. Little did he know he’d be taking on so much more.Isabelle Bainbridge – better known as Isabelle Painbridge (or Hurricane Isabelle, depending on which circles one ran in) had given up any hopes of marriage. At twenty-six she was considered “on the shelf” by most of the ton and began to despair of ever finding a husband. Enter one Anthony Sayer. He was handsome, an earl and, better yet, available! But when a diary is delivered to her, its secrets turn Isabelle’s life upside down. Wishing to escape the horrible truths of the diary, she heads for India hoping to escape the scandal that will surely follow should anyone learn the book’s secrets. Unfortunately she runs into something else while abroad. Namely, one Anthony Sayer. And he isn’t exactly glad to see her. After all, Anthony has secrets of his own ...Enjoy this clean and wholesome romance full of fun, adventure, and a few critters to boot!

    This epistolary lament -- an unsent letter to a lover who was never quite a lover -- vividly depicts New York and London and a group of friends as they search, sometimes in vain, for a sustaining love in a time of strict societal constraints.

    With its army of volunteers and wounded servicemen, cook Evie Forbes is determined that everyone will be properly provided for, despite the threat of rationing and dwindling supplies. All the while she waits for letters from her fiancé and beloved brother, fighting on the Western Front. Then the worst happens – a telegram arrives with shattering news. And Evie wonders if she’ll have the strength to carry on…