Clover's suicide appears to be more than it at first seemed; the suspected foul play may involve matters of national importance.Holmes is currently on his Great Hiatus--his three-year absence after Reichenbach Falls during which time the people of London believe him to be deceased. Holmes has faked his own death because, through his powers of ratiocination, the great detective has come to the conclusion that he is a fictional character.This leads to serious complications for James--for if his esteemed fellow investigator is merely a work of fiction, what does that make him? And what can the master storyteller do to fight against the sinister power -- possibly named Moriarty -- that may or may not be controlling them from the shadows?

    The newly minted policemen are met with deep hostility by their white peers and their authority is limited: They can’t arrest white suspects; they can’t drive a squad car; they can’t even use the police headquarters and must instead operate out of the basement of a gym.When a black woman who was last seen in a car driven by a white man turns up fatally beaten, no one seems to care except for Boggs and Smith, two black cops from vastly different backgrounds. Pressured from all sides, they will risk their jobs, the trust the community has put in them, and even their own safety to investigate her death. Their efforts bring them up against an old-school cop, Dunlow, who has long run the neighborhood like his own, and Dunlow’s young partner, Rakestraw, a young progressive who may or may not be willing to make allies across color lines.

    But his plans are derailed when, passing through a country village, he discovers a helpless woman being auctioned off to the highest bidder--by her husband.In order to save her from being violated by another potential buyer, Atlas purchases the lady, Lilliana, on the spot to set her free. But Lilliana, desperate to be with her young sons and knowing the laws of England give a father all parental rights, refuses to be rescued--until weeks later when her husband is murdered and Atlas is the only one who can help clear her name of the crime.Fortunately, Atlas is a master at solving complicated puzzles, both with games and the intricacies of human motivation, and finds himself uniquely suited to the task, despite the personal peril it may put him in. But soon Altas learns the dead man had many secrets--and more than a few enemies willing to kill to keep them quiet--in Murder in Mayfair, the first in a new historical mystery series by D. M. Quincy.

    In the privacy of her studio, she supplements her meager income by taking illicit “boudoir photographs” of the town's local ladies of the night. But when two of her models are found gruesomely murdered within weeks of one another, Sarah begins to suspect it's more than mere coincidence.Teamed with a motley crew of friends--including a street urchin, a gay aristocrat, a Jewish butcher and his wife, and a beautiful young actress--Sarah delves into the crime of the century. But just as she starts unlocking the Ripper's secrets, she catches the attention of the local police, who believe she knows more than she's revealing, as well as from the Ripper himself, now bent on silencing her and her friends for good.Caught in the crosshairs of a ruthless killer, Sarah races through Whitechapel's darkest alleys to find the truth...until she makes a shocking discovery that challenges everything she thought she knew about the case. Intelligent and utterly engrossing, Laura Joh Rowland's Victorian mystery The Ripper's Shadow will keep readers up late into the night.

    Then a talented young female student goes missing on the marsh and Nikki and Joseph find themselves joining forces with a master criminal in their efforts to save her. They need to look behind the masks, but when they do, they find something more sinister and deadly than they ever expected . . .

    Detective-Sergeant Troy starts with the clue of a neatly dismembered corpse leading him into a world of stateless refugees, military intelligence, and corruption all the way to the top of Allied High Command.

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    . .December 1918: As a difficult year draws to a close, there is much to celebrate for nineteen-year-old Phoebe Renshaw and her three siblings at their beloved family estate of Foxwood Hall. The dreadful war is finally over; eldest daughter Julia's engagement to their houseguest, the Marquis of Allerton, appears imminent; and all have gathered to enjoy peace on earth, good will toward men. But the peace of Foxwood Hall is shattered on the morning of Boxing Day, when the Marquis goes missing. Not entirely missing, however, as macabre evidence of foul play turns up in gift boxes given to lady's maid Eva Huntford and a handful of others. Having overheard her sister and the Marquis in a heated exchange the night before, Lady Phoebe takes a personal interest in solving the mystery. As the local constable suspects a footman at Foxwood Hall, Phoebe and Eva follow the clues to a different conclusion. But both young women will need to think outside the box to wrap up this case--before a cornered killer lashes out with ill will toward them. . .

    Hoping to gain some financial independence, she advertises her services as a personal secretary. It is unfortunate that she should discover her first client, Sir Oswald Newbold--explorer, mine magnate and president of the exclusive Explorers and Geographers' Club--dead with a knife in his throat.When Inspector Robert Curran is put on the case, he realizes that he has an unusual witness in Harriet. Harriet's keen eye for detail and strong sense of duty interests him, as does her distrust of the police and her traumatic past, which she is at pains to keep secret from the gossips of Singapore society.When a second body is dragged from the canal, Harriet feels compelled to help with the case. She and Curran are soon drawn into a complex web of stolen gemstones and a mysterious gang of thieves who have no qualms about killing again to protect their secrets.

    It would not be too difficult to imagine someone stood there and watched. I thought of Madeleine Hexham.... I glanced around me. It was likely that I'd been given my predecessor's room and that it was here she had planned her flight into the arms of her mysterious lover." When Lizzie Martin arrives in London in 1864 to become a lady's companion, her first impressions are disturbing. She's barely out of the station when her cab encounters a wagon carrying the remains of a young woman recently dead. At her new home, Lizzie learns that her predecessor, Madeleine Hexham, disappeared without a word of warning. Despite rumors of immoral behavior surrounding the girl's departure, Lizzie is soon persuaded that there's a deeper mystery here. Her suspicions are tragically confirmed when Inspector Benjamin Ross delivers shocking tidings. Lizzie is determined to unravel the truth about the lost Miss Hexham. As, too, is Ben Ross: a man who cares about justice, whatever the class of victim. But they must tread carefully, as a cornered killer is the most dangerous of all...

    In Australia's 1930s the Sinclair name is respectable and influential, yet Rowland has a talent for scandal.Even with thousands of unemployed lining the streets, Rowland's sheltered world is one of exorbitant wealth, culture and impeccable tailoring. He relies on the Sinclair fortune to indulge his artistic passions and friends ... a poet, a painter and a brazen sculptress.Mounting tensions fuelled by the Great Depression take Australia to the brink of revolution.

    But in the dead of night Sir Neville is murdered. Who did it? As suspicion falls on each of the house guests in turn, Knox finds himself faced with deception and betrayal on all sides, and only the enigmatic Angela Marchmont seems to offer a solution to the mystery. This 1920s whodunit will delight all fans of traditional country house murder stories.

    Annabelle Schwartzman has finally found a place to belong. As the medical examiner for the San Francisco Police Department, working alongside homicide detective Hal Harris, she uncovers the tales the dead can’t tell about their final moments. It is a job that gives her purpose—and a safe haven from her former life at the hands of an abusive husband. Although it’s been seven years since she escaped that ordeal, she still checks over her shoulder to make sure no one is behind her.Schwartzman’s latest case is deeply troubling: the victim bears an eerie resemblance to herself. What’s more, a shocking piece of evidence suggests that the killer’s business is far from over—and that Schwartzman may be in danger. In this pulse-pounding thriller from award-winning writer Danielle Girard, a woman must face her worst nightmare to catch a killer.

    Northumberland, 1809: A beautiful young heiress disappears from her locked bedchamber at Linn Hagh.The local constables are baffled and the townsfolk cry ‘witchcraft’.The heiress’s uncle summons help from Detective Lavender and his assistant, Constable Woods, who face one of their most challenging cases: The servants and local gypsies aren’t talking; Helen’s siblings are uncooperative; and the sullen local farmers are about to take the law into their own hands.Lavender and Woods find themselves trapped in the middle of a simmering feud as they uncover a world of family secrets, intrigue and deception in their search for the missing heiress.Taut, wry and delightful, The Heiress of Linn Hagh is a rollicking tale featuring Lavender and Woods—a double act worthy of Holmes and Watson. Revised edition: This edition of The Heiress of Linn Hagh includes editorial revisions.

    Left empty for years, and even their deceased uncle chose to live in a different house, far away from this particular property. But the ramshackle old house, with its rambling charm is the perfect setting for a much-needed holiday for siblings Peter, Celia and Margaret, who have inherited it from their uncle. It wasn't the lack of modern conveniences that made a summer spent at the ancient priory mansion such an unsettling experience. It was the supposed ghost... or whatever was groaning in the cellars and roaming the countryside around Framley Village after dark.But when a murder victim is discovered in the drafty Priory halls, the once unconcerned trio begins to fear that the ghostly rumors are true and they are not alone after all! But traditionally ghosts don't commit murder. And in this case, the things which go bump in the night are deadly. With a killer on the loose, will they find themselves the next victims or will they uncover the true in time? Does the key to the crime lie in the realm of the supernaturalr? Or is the explanation much more down to earth with a more corporeal culpritl of flesh and blood?