Richard Compton stole his clients' life savings to fund a lavish life in New York City and, although she was never involved in the business, Emma bears the burden of her husband's crimes. She is left with nothing. Only one friend stands by her, a friend she's known since high school, who encourages her to come home to Sonoma County. But starting over isn't easy, and Sonoma is full of unhappy memories, too. And people she'd rather not face, especially Riley Kerrigan. Riley and Emma were like sisters—until Riley betrayed Emma, ending their friendship. Emma left town, planning to never look back. Now, trying to stand on her own two feet, Emma can't escape her husband's reputation and is forced to turn to the last person she thought she'd ever ask for help—her former best friend. It's an uneasy reunion as both women face the mistakes they've made over the years. Only if they find a way to forgive each other—and themselves—can each of them find the life she wants.

    Now she lives in Vermont under the name Maggie Reid, in a small house with her cats and dog. She’s thankful for the new friends she’s made―though she can’t risk telling them too much. And she takes satisfaction in working as a makeup artist at the luxurious local spa, helping clients hide the visible outward signs of their weariness, illnesses, and injuries. Covering up scars is a skill she has mastered.Her only goal is to stay under the radar and make it through her remaining probation. But she isn’t the only one in this peaceful town with secrets. When a friend’s teenage son is thrust into the national spotlight, accused of hacking a powerful man’s Twitter account, Maggie is torn between pulling away and protecting herself―or stepping into the glare to be at their side. As the stunning truth behind their case is slowly revealed, Maggie’s own carefully constructed story begins to unravel as well. She knows all too well that what we need from each other in this difficult world is comfort. But to provide it, sometimes we need to travel far outside our comfort zones.

    Melbourne, 1941. Headstrong young Mae meets and falls head over heels in love with Harry Parker, a dashing naval engineer. After a whirlwind courtship they marry and Mae is heavily pregnant when she hears that Harry has just received his dream posting to HMAS Sydney. Just after Mae becomes a mother, she learns Harry's ship is missing.Meanwhile, Grace Fowler is battling prejudice to become a reporter on the afternoon daily newspaper, The Tribune, while waiting for word on whether her journalist boyfriend Phil Taylor, captured during the fall of Singapore, is still alive.Surrounded by their friends and families, Mae and Grace struggle to keep hope alive in the face of hardship and despair. Then Mae's neighbour and Grace's boss Sam Barton tells Mae about a rumour that the Japanese have towed the damaged ship to Singapore and taken the crew prisoner. Mae's life is changed forever as she focuses her efforts on willing her husband home.Set in inner Melbourne and rural Victoria, We That Are Left is a moving and haunting novel about love and war, the terrifyingly thin line between happiness and tragedy, and how servicemen and women are not the only lives lost when tragedy strikes during war.

    There’s just one problem: she’s engaged to his oldest friend, Rob. So James toasts their union and swallows his desire.As the years pass, James’s dreams always seem just out of reach—he can’t finish that novel, can’t mend his relationship with his father, can’t fully commit to a romantic relationship. He just can’t move on. But after betrayal fractures Lou’s once-solid marriage, she turns to James for comfort.When Lou and James act on their long-standing mutual attraction, the consequences are more heartbreaking—and miraculous—than either of them could have ever anticipated. Then life throws James one more curveball, and he, Rob, and Lou are forced to come to terms with the unexpected ways in which love and loss are intertwined.

    But one moment of weakness leaves Marin unemployed and alone, all in a single day. Then a woman claiming to be Marin's half-sister shows up, and it's all Marin can do not to break down completely. Seeking escape, Marin agrees to a road trip to meet the grandmother she never knew she had. As the summer unfolds at her grandmother's quaint beachside B&B, it becomes clear that the truth of her half-sister is just the beginning of revelations that will change Marin's life forever. THE FOREVER SUMMER is a delicious page-turner and a provocative exploration of what happens when our notions of love, truth, and family are put to the ultimate test.

    Stella Truehart is all alone in the world. Her good-for-nothing husband has died violently at the hands of an unknown assailant. Her mother is dead, her father deserted them before she was born, and now her kindly Truehart grandparents are also in their graves.Private detective Bendigo Barrett has been tasked with finding Stella. He believes his client's intentions are good, but it is evident that someone with darker motives is also seeking her. For her own part Stella is fiercely independent, but as danger mounts she agrees to work with Bendigo and before long they travel together to Sydney to meet his mysterious client where they discover more questions than answers.What role do a stolen precious jewel and a long-ago US Civil War ship play in Stella's story? Will sudden bloodshed prevent the resolution of the mystery and stand in the way of her feelings for Bendigo? It is time, at last, for the truth to be revealed...

    Forced to take her life in a new direction when an injury ends her ballet career, Emma returns to her home in Australia and learns that she has inherited an isolated sheep station from a late grandmother who would impart key lessons about love and motherhood.

    But when the handsome John Beck-a former Methodist preacher turned novice whaler with a mysterious past-arrives at the Davidson's door pleading to join her father's crews, suddenly Mary's world is upended.As her family struggles to survive the scarcity of whales and the vagaries of weather, and as she navigates sibling rivalries and an all-consuming first love for the newcomer John, nineteen-year-old Mary will soon discover a darker side to these men who hunt the seas, and the truth of her place among them. Swinging from Mary's own hopes and disappointments to the challenges that have beset her family's whaling operation, RUSH OH! is an enchanting blend of fact and fiction that's as much the story of its gutsy narrator's coming-of-age as it is the celebration of an extraordinary episode in history.

    Estranged from her parents, and living with her grandfather who is drowning in sadness, Oli faces the reality of life beyond university alone. When she wakes on a boat with no recollection of how she got there, she accepts the help of two strangers who change the course of her future forever. With Mac and Maggie, Oli learns to navigate a life upon open ocean and the world flowers into colours she's never seen before. Four years later, Oli, fluent in the language of the sea, is the only woman among men on a yacht delivery from Noumea to Auckland. In the darkness below deck, she learns that at sea, no one can hear you scream. Moving to London, Oli's life at sea is buried. When she meets Hugo, the wind changes, and her memories are dust blown into shapes. Reminding her of everything. Below Deck is about the moments that haunt us, the moments that fan out like ripples through the deep. So that everything else, becomes everything after.

    Two gorgeous children, a handsome husband, destiny under control. For her real-life alter-ego Beth, things are unravelling. Tensions are simmering with her husband, mother-in-law and even her own mother. Her teenage daughters, once the objects of her existence, have moved beyond her grasp and one of them has shown signs of, well, thoughtlessness ...Then a classmate of one daughter is callously bullied and the finger of blame is pointed at Beth's clever, beautiful child. Shattered, shamed and frightened, two families must negotiate worlds of cruelty they are totally ill-equipped for.This is a novel that grapples with modern-day spectres of selfies, selfishness and cyberbullying. It plays with our fears of parenting, social media and Queen Bees, and it asks the question: just how well do you know your child?

    When respected American jewelry historian, Kate Kirby, receives a call about the Cheapside jewels, she knows she’s on the brink of the experience of a lifetime. But the trip to London forces Kate to explore secrets that have long been buried by her own family. Back in Boston, Kate has uncovered a series of sketches in her great-grandmother’s papers linking her suffragette great-grandmother Essie to the Cheapside collection. Could these sketches hold the key to Essie’s secret life in Edwardian London? In the summer of 1912, impoverished Irish immigrant Essie Murphy happens to be visiting her brother when a workman’s pickaxe strikes through the floor of an old tenement house in Cheapside, near St. Paul’s Cathedral in London. The workmen uncover a stash of treasure—from Ottoman pendants to Elizabethan and Jacobean gems—and then the finds disappear again! Could these jewels—one in particular—change the fortunes of Essie and her sisters? Together with photographer Marcus Holt, Kate Kirby chases the history of the Cheapside gems and jewels, especially the story of a small diamond champlevé enamel ring. Soon, everything Kate believes about her family, gemology, and herself will be threatened. Based on a fascinating true story, The Lost Jewels is a riveting historical fiction novel that will captivate readers from the beginning to the unforgettable, surprising end.

    Even her childhood, where she and her mother were forced to flee Malaya in the fish-stinking hold of a junk in the dying days of colonialism, was fraught with peril.For a time it seemed she would find safe harbour in Tasmania in the arms of wine-maker Peter Torrance, but her restless spirit cannot be contained. Thea’s ambition is to travel the world as a foreign correspondent but Peter is dedicated to his family vineyard in a blue gum valley: it seems their love must fail.Thea makes her name internationally with her coverage of the assassination of President Kennedy then the escalating war in Vietnam, one of the only women in the field. Her job leads her further into peril and death stalks her all the way, until a return to Tasmania opens the door to a new and exciting career.Will this opportunity allow her to become reunited with the man she used to love? Or has that dream vanished, like mist in the valley of blue gums?

    Art will break your heart. There will be glorious days. If you want eternity you must be fearless.' From The Museum of Modern LoveShe watched as the final hours of The Artist is Present passed by, sitter after sitter in a gaze with the woman across the table. Jane felt she had witnessed a thing of inexplicable beauty among humans who had been drawn to this art and had found the reflection of a great mystery. What are we? How should we live?If this was a dream, then he wanted to know when it would end. Maybe it would end if he went to see Lydia. But it was the one thing he was not allowed to do.Arky Levin is a film composer in New York separated from his wife, who has asked him to keep one devastating promise. One day he finds his way to The Atrium at MOMA and sees Marina Abramovic in The Artist is Present. The performance continues for seventy-five days and, as it unfolds, so does Arky. As he watches and meets other people drawn to the exhibit, he slowly starts to understand what might be missing in his life and what he must do.This dazzlingly original novel asks beguiling questions about the nature of art, life and love and finds a way to answer them.

    That was until she ran away, twenty years ago, under a cloud of shame. It's now 1955 and following their mother's death, the Hamilton sisters - Sonnet, Fable and little Novella Plum - have returned to Noah Vale to live near their aunt and uncle.Sonnet, twenty years old and legal guardian to her siblings, has never stepped foot in Noah Vale, yet has been the talk of the town for decades. Fable, at twelve-years-old, is a talented artist and lovelier than even her heartbreaking mother had been. And three year old Plum is just a little girl who's lost her mother and been taken away from the only home she's ever known.As the years pass, the three sisters settle into their new life, working in the town, going to school and swimming in the perfect waterfalls nearby. But suspicion and judgment continue to follow the Hamilton sisters wherever they go. In a small town where everyone thinks they know everything about each other, it's hard to escape the past. And when Fable falls in love with Noah Vale's golden boy, is history destined to repeat itself?Those Hamilton Sisters is a warm, captivating and irresistible story of love, family, secrets and finding your place in the world. For readers of Lucinda Riley and Kate Morton.

    Tabitha Bird has gifted us this wonder’ Cass MoriartyMeet Willa Waters, aged 8 . . . 33 . . . and 93.On one impossible day in 1965, eight-year-old Willa receives a mysterious box containing a jar of water and the instruction: ‘One ocean: plant in the backyard.’ So she does - and somehow creates an extraordinary time slip that allows her to visit her future selves.On one impossible day in 1990, Willa is 33 and a mother-of-two when her childhood self magically appears in her backyard. But she’s also a woman haunted by memories of her dark past – and is on the brink of a decision that will have tragic repercussions . . .On one impossible day in 2050, Willa is a silver-haired, gumboot-loving 93-year-old whose memory is fading fast. Yet she knows there’s something she has to remember, a warning she must give her past selves about a terrible event in 1990. If only she could recall what it was.Can the three Willas come together, to heal their past and save their future, before it’s too late?'A courageous and magical debut novel that reminds us that while we can’t change events from our past, we do have the power to change the story we tell ourselves about them.' Sally Piper