Created by Rick Roberts and Maria Thomas, the Zentangle method is an easy-to-learn, relaxing, and fun way to create beautiful images by drawing structured patterns. The Beauty of Zentangle celebrates this simple but elegant new craft with hundreds of sensational one-of-a-kind designs from around the world.Selected by the editors of Design Originals, the #1 publisher of Zentangle art, this amazing collection of Zentangle-inspired masterpieces encompasses a wide range of styles. Stunning works are included from breakthrough artists and CZTs like Suzanne McNeill, Cindy Shepard, Marie Browning, Sandy Steen Bartholomew, and many more. Their inventive tangles are at the forefront of a new wave of creative expression and personal freedom.

    From a cute chick and a stripy snake to colourful mice and a patchwork tortoise, this title presents 25 knitting patterns for adorable toys for newborns to teens.

    When used effectively, line and mark-making convey texture, tone, form, movement, and mood. With Drawn to Stitch by your side, learn creative uses of line in embroidery and textile art.Artist and teacher Gwen Hedley shares a series of exercises designed to explore line’s potential as well as develop your creativity. Drawn to Stitch also covers line and mark-making tools, materials, and processes, including printing and mixed-media techniques. Gwen explores stitch, explaining how to interpret different line qualities from crisp and sharp to soft and diffused and from raised and overlaid to recessed and inlaid.Full of inspiring ideas, Drawn to Stitch is illustrated with stunning examples of stitched-textile work from leading artists.

    I was sorting through yet another box of yarn that appeared as if by magic, trying to lower the square footage of wool that is all over my living room, and in frustration I yelled out "I have too much yarn!" You could hear crickets chirping in the aftermath--my daughter looked at me as if I had three heads, even the dog cocked her head and started to slink slowly away from the crazy woman. Did I really say I had too much yarn? Was I sick with fever?"

    At the same time, they are not so trendy as to turn off more traditional and/or older knitters, and the technical applications are so clever and unique that even advanced knitters are fascinated by them. Most of the designs - even those that may look complex--are actually fairly easy to create, providing gratifying learning and artistic experiences as well as fast results. Because of the strong technical nature of Loop-d-Loop, it is poised to last much longer than a simple collection of fashionable patterns and to become a standard reference within the knitting community.

    These 30 beautiful red-themed projects help raise awareness of the number-one killer of women today: heart disease. The patterns are all donated by top designers, including Debbie Stoller, Nicky Epstein, Debbie Bliss, Norah Gaughan, Deborah Newton, Melissa Morgan-Oakes, Iris Schreier, Jared Flood, and Ysolda Teague. In addition, the book offers important medical information, a Heart Healthy Resources and Action Plan, and powerful stories from survivors of this deadly ailment.

    Over 500 pages filled with photos, diagrams, and other illustrations.

    1000 Ideas for Creative Reuse contains a cutting edge collection of the most inventive work being made with re-used, upcycled, and already existing materials. The work in this book ranges from clever and humble personal accessories to unique and important large-scale works of art, including paper art, fashion, jewelry, housewares, interiors, and installations.

    Here you will find thirty-three projects, including scarves with one side and one edge, knitted in one fell swoop, like the Fringed Cedar Bark Scarf or the Mercurial Moebius Wraps. . . graceful headwear, like the Beaded Tresses Hat. . . felted footwear both practical and functional, like Sophie's Mermaid Feet . . . the Lost Trail Cape with its four-way convertible collar . . . and the Seven Socklings Necklace. Cat, who is known for her clear and comprehensive instructions both as a workshop teacher and as the author of the best-selling Socks Soar on Two Circular Needles, has taken outdone herself in this full-color, 112 page coffee table quality book. Instructions for the simple technique are illustrated with close-up photos showing every move, almost like a slow motion movie, accompanied by clear descriptions so that learners of all kinds will find it easy to get started. This author of novels (Treasure Forest, first of The Forest Inside trilogy, recently won the Nautilus Award for Young Adult Fiction) and knitting books blends the art of fine story-telling with instruction. In her own words: "Following the unfolding path of a novel is astonishingly similar to following the unfurling flow of a knitting book. Both ask me to simply show up, keyboard or needles in hand, all my senses alert and willing to welcome what wants to meet me. Sometimes I think that it is because I am tame, and so the beautiful creations that populate both novels and knitting books come nibble the grass near my feet. I do not invent any of it. I simply get to be where it is, experiencing it fully so I can share it with you. And if you recognize it, if it sparks something in you, it is because it lives in you too."

    Ideal for both experienced makers as well as younger friendship bracelet makers, Dorothy shows you how to master hundreds of knotting and braiding techniques to create stunning jewelry and accessories. Techniques cover kumihimo (braiding), plaiting, knotting (including macrame) and fusion, with techniques for adding beads, using different cords/wire and attaching findings. Easy to follow step-by-step instruction and photography will help you to learn each of the different techniques. Choose from a selection of project ideas to refine your new skills including jewelry, accessories and home decor to create beautiful gifts and home decorations.

    In the only photo-essay book about the quilts of Gee’s Bend for children, award-winning author Susan Goldman Rubin explores the history and culture of this fascinating group of women and their unique quilting traditions. Rubin uses meticulous research to offer an exclusive look at an important facet of African American art and culture.   In the rural community of Gee’s Bend, African American women have been making quilts for generations. They use scraps of old overalls, aprons, and bleached cornmeal sacks—anything they can find. Their traditions have been passed down through the decades. Much to the women’s surprise, a selection of the quilts was featured in an exhibition at the Museum of Fine Arts, Houston, in 2002. The exhibition then traveled to the Whitney Museum in New York City. “Eye-poppingly gorgeous,” wrote a critic for the New York Times about the exhibition. He continued, “Some of the most miraculous works of modern art America has produced.” The Metropolitan Museum of Art will exhibit its newly acquired collection of Gee’s Bend quilts in 2017.   Rubin is known for producing well-researched, highly praised, and sophisticated biographies of artists and other important figures. Through similar research, The Quilts of Gee’s Bend shares specifics about this rare community and its rich traditions, allowing children to pause to consider history through the eyes of the people who lived it and through a legacy that is passed on to the next generation.   This book should be of great interest to classrooms, libraries, and those interested in African American art in the United States, in addition to quilting, life in early emancipated colonies in the South, and Gee’s Bends importance in the Civil Right’s movement. The quilts and the incredible stories behind them are powerful motivators for anyone who wishes to accomplish anything. A map, directions on how to make a quilt square, endnotes, and an index round out this stunning nonfiction book.

    This work features 21 projects - including quilts, pillows, and soft ornaments - that draw their inspiration from the seasons and offer a fresh, modern take on folk art.

    Exquisite drape married with figure-hugging silhouettes show off a woman’s curves in a most ladylike manner, creating flirtatious and flattering fits to please any knitter. Loosely based on ultra-feminine styles from fashion history, the designs in Romantic Hand Knits have an undeniably modern appeal. • A lace camisole is lengthened and reinvented as a lovely summer slip dress • A late-eighteenth-century corset cover inspires the design for a lacy fitted top with elbow-length sleeves• Silk stockings favored by Elizabethan ladies of the royal court return in a sexy and fresh incarnationWith the new fibers available today, knitting guru Annie Modesitt knits up fabrics that cling delicately to a woman’s body, creating an elegant hand-tailored look. Now every woman will be able to create fitted garments that make her look as pretty, desirable, and sexy as she feels.For knitters who want to heat things up in a whole new way, the alluring designs in Romantic Hand Knits will help them light the fires. An interview with Annie ModesittWhat’s your philosophy on the “romantic look”?There is a certain cultural shorthand that implies that “romantic” means lots of lace, billowy skirts, low-cut bodices, and a little more leg than usual–sexy with an extra layer. But I think that, like everything deeply personal, romance has its own specific look for each person. Romance is not so much about being desirable to another as it is about reveling in and celebrating our own hearts’ desires.In the introduction to Romantic Hand Knits, you say that romance is about dreams and hope, and how in knitting, as in romance, much of the joy is in the dream. How has knitting brought romance into your life?Knitting allows me to enjoy my time, my imagination and my mind more than I might without needles and yarn. When my mind is free–and powerful–the way it feels when I knit, then my soul soars a little and all of this adds a layer of joy to my life. Not to put too fine a point on it, this makes me love life, and love love, in a much deeper way, which in turn makes me more lovable. Nothing is more attractive than a quiet self confidence, which is what I get from knitting.You say in Romantic Hand Knits that the garment that dresses the top of the body sets the tone for the rest of your ensemble–and that this is perfectly demonstrated in the piece you’ve named Ninotchka. Can you elaborate?It’s hard to get away from the fact that the bust area–being the most important fit point on most women’s bodies and also being so near to the face–can send very strong signals. Usually we want these to be good signals: “this is a woman in control of her life and her wardrobe,” “I can trust what this woman tells me,” or “I feel this person is sympathetic and kind.”In Ninotchka, the well-supported bust area adds strength and stability to the design, allowing feminine details like the lace below the bust line and the thin twisted-cord shoulder straps to relax and soften, not weaken, the message this piece sends. “Here’s a woman confident in her femininity, but with a strong foundation.”Any stories to share from the development of Romantic Hand Knits?One of my favorite pieces, Streetcar Named Desire, was briefly a disaster! It was worked up quite beautifully by my knitter, who then attempted to block the piece. I generally like to block and finish most of the garments, and I hardly ever wet block, but in the blocking of this piece an interesting thing occurred. The fitted, springy little cardigan that I designed began to drape and hang in unexpected ways. The piece went from Sandra Dee to Blanche DuBois, and I couldn’t have been happier! It altered the way that I recommended caring for the piece (machine wash instead of dry clean), which, quite honestly, is how most folks want to deal with their clothing.With the addition of a waist tie, which can be moved to different eyelet rows to create a high, low, or natural waistline, the cardigan had an entirely different aspect–a sexier, “floatier,” more intriguing look.Is there a particular type of yarn that works best for this look? Why?I tried very hard to use a variety of fibers that represent a wide variety of price points. I do understand that not every knitter will be able to afford the silk to make Cleopatra, but I felt it was an important, inspiring piece and had to be included in a collection of romantic silhouettes. A firm, machine-washable Egyptian cotton might be a good substitute. One of the most useful skills to develop as a knitter is the ability to substitute yarn–this skill can only be honed with experience. This is why I suggest to new knitters that when they see a ball of yarn they like, they should get it and swatch it right away. Don’t wait for the right project to come along. If you swatch a yarn you love, you may just see that the right project’s been in front of you all along–perhaps in this book–just waiting for you to see the true beauty in the fabric knit from your new skein.Whenever possible I tried to use machine-washable yarns–especially for the skirts! I know that the idea of a hand knit skirt can be daunting–we’re all worried about the stretchy butt-pouch–but knit fabric is resilient and generally bounces back to its original drape. Machine washing a skirt ensures that it will return to its original silhouette.  Is there a philosophy or attitude that each book shares? How is this book different from your other books?If there’s one philosophy that all of my books share, it’s that we all have a bit of genius–of brilliance–in each of us, and if we choose to show it through our knitting, so much the better! We’re all individuals, so we may do things in unusual or nonstandard ways, but that doesn’t make us any less legitimate when we’re knitting (or cooking or sailing).This book is different in that it focuses specifically on clothes for women, and clothes that are intended to be flattering and a little body-conscious at that. My heart is most definitely in this book, which has been in me for a long time. I’m so happy to see it out and looking so beautiful!Do you have a favorite pattern in Romantic Hand Knits, or one that has a special meaning to you?I would have to say the cover skirt is very special to me. I’ve shown that photo to many knitters, and I’ve heard some women say, “I’d make that skirt, if I had that butt!” I really want folks to understand that it’s not so much about having a tiny butt, or the “perfect” butt, as much as it’s about liking the butt you have. There are a lot of ways to get to this Zen place, but if you have the greatest looking figure in the world and you’re not liking it, you may as well wear a sack. Likewise, if you have a less than perfect shape, but you love all the amazing things your body can do and have a fondness for your shape, you’ll look good in an amazing number of things. Confidence is a terrific butt-lift. Plus, the skirt is designed to help trick the eye into seeing the derriere in the most flattering light . . .

    From delicate camisoles to sophisticated jackets, these pieces marry the design details of the forties and fifties with the best of today's yarns and contemporary floral-inspired colors. Inside, readers will find clear, simple instructions and stunning full-color photos of to-die-for pieces including:*sleek crewnecks*lacy, feminine cardigans*textured twin sets*stunning striped sweaters*cabled mittens, Fair Isle gloves and more!As a gift for a friend or an indulgence for yourself, "Vintage Knits" is a must for every knitter's library.

    More than a dozen categories include Alphabet, Asian Chic, Baby, Celebrations, Embellishments, Fruits & Veggies, Space, Trees, Flowers, Winged Wonders, and Woodland Creatures-and each section includes one motif stitched by the author. The motifs on the CD are in simple black lines, so readers can easily manipulate them using their own image-editing software, print them out, and transfer them onto their substrate of choice using the instructions in the book.PROJECTS INCLUDE:Wearables: Jewelry, pajama pants, hat and mittens o Home Décor: Fabric basket, decorative wall hangings, more o Gift Items: Keepsake gift bags