Through the voices of undocumented immigrants, border patrol agents, and scorned lovers, award-winning poet Eduardo C. Corral writes dramatic portraits of contradiction, survival, and a deeply human, relentless interiority. With extraordinary lyric imagination, these poems wonder about being unwanted or renounced. What do we do with unrequited love? Is it with or without it that we would waste away?In the sequence “Testaments Scratched into Water Station Barrels,” with Corral’s seamless integration of Spanish and English, poems curve around the surfaces upon which they are written, overlapping like graffiti left by those who may or may not have survived crossing the border. A harrowing second collection, Guillotine solidifies Corral’s place in the expanding ecosystem of American poetry.

    In our ­fields, hedgerows and woodlands, our beaches, cities and parks, an almost imperceptible shift soon becomes a riot of sound and colour: winter ends, and life surges forth once more. Whether in town or country, we all share in this natural rhythm, in the joy and anticipation of the changing year.In prose and poetry both old and new, Spring mirrors the unfolding of the season, inviting us to see what’s around us with new eyes. Featuring original writing by Rob Cowen, Miriam Darlington and Stephen Moss, classic extracts from the work of George Orwell, Clare Leighton and H. E. Bates, and fresh new voices from across the UK, this is an original and inspiring collection of nature writing that brings the British springtime to life in all its vivid glory.“A book to live with and to love… features a wonderfully various array of poetry and prose, from Chaucer to the present day, that allows us to see the arrival and the passing of our most fecund season (and those who have written about it) in fresh and stimulating ways.” –- Matthew Adams, Independent‘[A] tremendous, soul-lifting collection … a profound evocation of what rejuvenation means to the winter-stunned psyche’—Lucy Jones, BBC Wildlife Magazine“The cover of this book is absolutely striking… I couldn't wait to look inside. It is so full of life… Full of perfectly mixed passages of the wonders of nature, this is a book I will turn to each year as the vivacious season of spring approaches.” –- The Book Magnet “A very lovely object … I was captivated by the writing. These were the words of people who wanted to share their experiences of the world around them; some of them wrote to inform, some of them wrote to celebrate, and of course the very best of them did both … There is nothing in it that doesn’t deserve its place, and I can think of nothing that should be there but isn’t. It would make a lovely Easter gift. It’s a book that I know I will enjoy revisiting.” –- Beyondedenrock.com“Everything about this book, from Lynn Hatzius’ gorgeous cover, to the rich cream of the pages, to the meticulously selected content is an invitation … to taste the Spring in the air, to hear the grasses grow, to lose yourself in a vast sky or to watch the farmers at work. The book, like a sparkling Spring stream swollen with meltwater, is just begging for you to dip in.” – Richard Littledale, blogger“An anthology edited by Melissa Harrison was never going to stick to [the] beaten track … important is her imaginative commissioning of new works and choice of previously published pieces. There are several refreshing novelties in this book … Serves to remind us that the future of nature writing – if we must use the label – is under no threat.” – Laurence Rose, thelongspring.comPraise for Summer"A remarkable anthology of abundance capturing both the physical wonders and the psychological enchantments of this glorious season, this book conjures summer in the senses as potently as a field of freshly cut hay. Featuring some of the greatest writers on landscape as well as fantastic new voices, it is a collection that will trigger the memory, evoke new places and people, and help you see afresh the preciousness and precariousness of our natural world." -- Rob Cowen, author of Common Ground“A delightful miscellany of reflections on that loveliest of seasons, summer – packed with insights and encounters with nature from a wide range of authors from Gilbert White and George Eliot to a bevy of young contemporary naturalists” — Stephen Moss, author of Wild Hares and Hummingbirds and Wild Kingdom: Bringing Back Britain’s Wildlife"This book will convince you that summertime is where we truly belong - not through overindulgence in nostalgia, but through realisation of our core values and roots. It will take you home" -- Matthew Oates, author of In Pursuit of Butterflies: A Fifty-year Affair “Lavishly capturing the nature of the season in all its slow, sensual splendour, Summer is a potent reminder of the riches that surround us, and a poignant evocation of all that we cannot bear to lose” – Sharon Blackie, author of If Women Rose Rooted and editor of Earthlines“[A] delicious antidote … a summer collection to wake up a tired imagination, like sunshine warming a plant to coax it into opening.” – Richard Littledale, blogger“I’ve been dipping in and out of this beautiful anthology for some time but didn’t want to post a review until I had read every entry. There are poems, extracts and essays spanning several centuries, so that there is something for every reader in this celebration of the season ... There’s a beauty to this book – from the glorious cover to the simple illustrations like that of the swallow that adorn the inside pages. The writings are all evocative, enlightening, entertaining or thought provoking ... I shall treasure it and return to it again and again ... A perfect gift for any lover of words or nature.” -- Linda’s Book Bag blog“Taken together, these pieces truly give the feeling of an English summer. The older writing is remarkably undated, which contributes to a sense of continuity across the centuries ... These are really rather lovely books. Summer is a perfect bedside companion to dip into as the days warm up. Impossible not to covet the whole four-season set.” – BookishBeck blog“There are so many lovely things that I could pull out from this book … I know that I will enjoy revisiting this beautifully produced anthology” -- Beyondedenrock.com

    The particular poetic phrasing of Wendy Treviño, personal and geopolitical, immediate and speculative, manages to give shape to the multiple ghosts of the future transnational insurrection. "Hugo García Manríquez

    Our way.A poetAn artistOne blackOne whiteTwo voicesOne journey

    At age six she was a Chilean refugee adjusting to life as a Latina in North America. At eighteen she was a revolutionary dissident married to a generous-hearted man she couldn't fully love. In her early twenties she fought to find her voice as an actress and to break away from the stereotypical roles thrust upon her--Housekeeper, Hotel Maid, Mexican Hooker #1--all the while navigating the complex paths of lust and heartbreak. As she grew in her career, Aguirre became a writer, a director, an actress, and then a mother, but alongside her many multi-faceted identities was another that was unbearable to embrace yet impossible to escape; that of the thirteen-year-old girl attacked by one of Canada's most feared rapists. Thirty-three years after the assault, Aguirre decided it was time to meet the man who changed her life.Fierce, funny and enlightening, Aguirre interweaves her account of overcoming the attack that shook her world with a host of stories of life and love. From her passionate but explosive relationship with a gorgeous Argentinian basketball player to the all-consuming days at drama school in Vancouver; from the end of the Chilean revolutionary dream to life among the Chicano theatre scene of Los Angeles; from the child who was made the victim of a terrible crime to the artist who found the courage to confront her assailant, Aguirre tells a story of strength and survival that will leave you speechless.

    Then, in April 1975, Pol Pot's Khmer Rouge army stormed into the city, forcing Ung's family to flee and, eventually, to disperse. Loung was trained as a child soldier in a work camp for orphans, her siblings were sent to labor camps, and those who survived the horrors would not be reunited until the Khmer Rouge was destroyed.Harrowing yet hopeful, Loung's powerful story is an unforgettable account of a family shaken and shattered, yet miraculously sustained by courage and love in the face of unspeakable brutality.

    Then her life was irreversibly transformed—and so was her philosophy. In this wholly unexpected personal account, the author of A Vindication of Love: Reclaiming Romance for the Twenty-first Century (2009) offers us a Vindication of Life as inspiring as it is heartbreaking. The story of Cristina and her little daughter, Eurydice, is a tale of redemption and self-reinvention. It is about expanding definitions of love--and it is about confronting death. Not least, it speaks to us of life’s sweeping ironies: Sometimes bad luck is the new good luck, and the realization of your worst fears may be the greatest gift you can receive.Biography: Nehring first acquired national attention through her fiery criticism in the pages of Harper's Magazine, The Atlantic Monthly and The New York Times Book Review. A "compassionate contrarian," she won many awards for her politically incorrect cultural and literary essays. Her first book, A Vindication of Love (Harper Collins, 2009) argues for a bolder, braver, wilder form of modern loving, drawing extensively on literary and historical analysis. It was published to wide acclaim and translated into several languages. Nehring also works as a travel writer for Condé Nast Traveler, and holds a Ph.D. in English from the University of California, Los Angeles. She lives in Paris and Los Angeles.

    Although it features a clan in which dysfunction was something of a family tradition, Dreaming is no victim's story. With a wry humor and not a trace of self-pity, See writes of fights and breakups and hard times, but also of celebration and optimism in the face of adversity. The story of See's family speaks for the countless people who reached for the shining American vision, found it eluded their grasp, and then tried to make what they had glitter as best they could.

    Martin Luther King, Jr. wrote his Letter from a Birmingham Jail. Much has transpired in the half-century since, and progress has been made in the issues that were close to Dr. King’s heart. Thankfully, the burning crosses, biting police dogs, and angry mobs of that day are long gone. But in their place, passivity has emerged. A passivity that must be addressed.That’s the aim of Letters to a Birmingham Jail. A collection of essays written by men of various ethnicities and ages, this book encourages us to pursue Christ exalting diversity. Each contribution recognizes that only the cross and empty tomb of Christ can bring true unity, and each notes that the gospel demands justice in all its forms. This was a truth that Dr. King fought and gave his life for, and this is a truth that these modern day "drum majors for justice" continue to beat.

    Unfettered by logic or time, she draws us into her private wonderland with no design, yet heeding signs–including a talking sign that looms above her, prodding and sparring like the Cheshire Cat. In February, a surreal lunar year begins, bringing with it unexpected turns, heightened mischief, and inescapable sorrow. In a stranger’s words, “Anything is possible: after all, it’s the Year of the Monkey.” For Smith–inveterately curious, always exploring, tracking thoughts, writing–the year evolves as one of reckoning with the changes in life’s gyre: with loss, aging, and a dramatic shift in the political landscape of America. Smith melds the western landscape with her own dreamscape. Taking us from California to the Arizona desert; to a Kentucky farm as the amanuensis of a friend in crisis; to the hospital room of a valued mentor; and by turns to remembered and imagined places, this haunting memoir blends fact and fiction with poetic mastery. The unexpected happens; grief and disillusionment set in. But as Smith heads toward a new decade in her own life, she offers this balm to the reader: her wisdom, wit, gimlet eye, and above all, a rugged hope for a better world. Riveting, elegant, often humorous, illustrated by Smith’s signature Polaroids, Year of the Monkey is a moving and original work, a touchstone for our turbulent times.

    Since its founding in 1997, Brevity: A Journal of Concise Literary Nonfiction has published hundreds of brief nonfiction essays by writers around the world, each within that strict word count. Over the past 20 years, Brevity has become one of the longest-running and most popular online literary publications, a journal readers regularly return to for insightful essays from skilled writers at every stage of their careers. Featuring examples of nonfiction forms such as memoir, narrative, lyric, braided, hermit crab, and hybrid, The Best of Brevity brings you 84 of the best-loved and most memorable reader favorites, collected in print for the first time. Compressed to their essence, these essays glint with drama, grief, love, and anger, as well as innumerable other lived intensities, resulting in an anthology that is as varied as it is unforgettable, leaving the reader transformed.With contributions from Krys Malcolm Belc, Jenny Boully, Brian Doyle, Roxane Gay, Daisy Hernández, Michael Martone, Ander Monson, Patricia Park, Kristen Radtke Diane Seuss, Abigail Thomas, Jia Tolentino, and so many more, The Best of Brevity offers unparalleled diversity of style, form, and perspective for those interested in reading, writing, or teaching the flash nonfiction form.

    Now this complete illustrated collection of the commentaries that have aired on NPR?s Morning Edition presents Black?s latest dose of medicine for animal and human alike. Ranging from a riotous account of two cowboys chasing down a cow in the nude to a very touching piece about a rancher who loses his wife to cancer and finds out the true worth of his friends and neighbors, Cactus Tracks & Cowboy Philosophy brings together Black?s best-known and most adored work.

    The name alone conjures images of chestnut-lined boulevards, sidewalk cafés, breathtaking façades around every corner--in short, an exquisite romanticism that has captured the American imagination for as long as there have been Americans.In 1995, Adam Gopnik, his wife, and their infant son left the familiar comforts and hassles of New York City for the urbane glamour of the City of Light. Gopnik is a longtime New Yorker writer, and the magazine has sent its writers to Paris for decades--but his was above all a personal pilgrimage to the place that had for so long been the undisputed capital of everything cultural and beautiful. It was also the opportunity to raise a child who would know what it was to romp in the Luxembourg Gardens, to enjoy a croque monsieur in a Left Bank café--a child (and perhaps a father, too) who would have a grasp of that Parisian sense of style we Americans find so elusive.So, in the grand tradition of the American abroad, Gopnik walked the paths of the Tuileries, enjoyed philosophical discussions at his local bistro, wrote as violet twilight fell on the arrondissements. Of course, as readers of Gopnik's beloved and award-winning "Paris Journals" in The New Yorker know, there was also the matter of raising a child and carrying on with day-to-day, not-so-fabled life. Evenings with French intellectuals preceded middle-of-the-night baby feedings; afternoons were filled with trips to the Musée d'Orsay and pinball games; weekday leftovers were eaten while three-star chefs debated a "culinary crisis."As Gopnik describes in this funny and tender book, the dual processes of navigating a foreign city and becoming a parent are not completely dissimilar journeys--both hold new routines, new languages, a new set of rules by which everyday life is lived. With singular wit and insight, Gopnik weaves the magical with the mundane in a wholly delightful, often hilarious look at what it was to be an American family man in Paris at the end of the twentieth century. "We went to Paris for a sentimental reeducation - I did anyway - even though the sentiments we were instructed in were not the ones we were expecting to learn, which I believe is why they call it an education."

    I have plowed and reaped and husked and chopped and mowed, and can any man do more than that? I am as strong as any man that is now' A former slave and one of the most powerful orators of her time, Sojourner Truth fought for the equal rights of black women throughout her life. This selection of her impassioned speeches is accompanied by the words of other inspiring African-American female campaigners from the nineteenth century.One of twenty new books in the bestselling Penguin Great Ideas series. This new selection showcases a diverse list of thinkers who have helped shape our world today, from anarchists to stoics, feminists to prophets, satirists to Zen Buddhists.

    In this stunningly unusual prose debut, Doireann Ni Ghriofa sculpts essay and autofiction to explore inner life and the deep connection felt between two writers centuries apart. In the 1700s, an Irish noblewoman, on discovering her husband has been murdered, drinks handfuls of his blood and composes an extraordinary poem. In the present day, a young mother narrowly avoids tragedy. On encountering the poem, she becomes obsessed with its parallels with her own life, and sets out to track down the rest of the story. A devastating and timeless tale about one woman freeing her voice by reaching into the past and finding another's.