The 31 stories collected here combine Dragnet with The Twilight Zone with Tales from the Crypt in a world filled with aliens, good-time girls, and cocktail-bar nihilism. The stories are hip and funny, with a good dose of wacky 1950s paranoia and the kind of tongue-in-cheek morality that characterized the old E.C. horror comics. The Lloyd Llewellyn stories also trace the development of Clowes's style as a comic artist, from the angular early pieces that show the influence of 1950s advertising style to the grotesque Robert Crumb-inspired style of the more recent work in Eightball. Clowes is one of the most gifted comic-book artists around, and the retro-chic world of Lloyd Llewellyn deserves to be seen by a new generation of readers.

    This volume also includes stories from Gotham Knights #23 and #33, and Solo #1 and #5. Older teens.

    Author Alisa Kwitney explores its beginnings and chronicles the comic's emergence as a unique and undeniable force in the literary world. Richly illustrated, this history shows how Gaiman and The Sandman's gifted artists, such as Dave McKean and Yoshitaka Amano, create a haunting (and haunted) main character who wields immense power. With illustrations never before published, behind-the-scenes stories, handwritten notes, and interviews with Gaiman himself, this volume is a true testament to the dream king and his creator.

    While trying to understand his dissatisfaction with the present, Seth discovers the life and work of Kalo, a forgotten New Yorker cartoonist from the 1940s. But his obsession blinds him to the needs of his lover and the quiet desperation of his family. Wry self-reflection and moody colours characterize Seth's style in this tale about learning lessons from nostalgia. His playful and sophisticated experiment with memoir provoked a furious debate among cartoon historians and archivists about the existence of Kalo, and prompted a Details feature about Seth's "hoax".

    Hitler, Stalin, Churchill, Roosevelt and Mussolini were a gift for them and, as this collection shows, one they weren't about to turn down. This book shows that humour was one of the key weapons of war, with countries using cartoons to demoralise their opponents and maintain morale. Each country had its own style: the British liked understatement, showing people drinking cups of tea while bombs fell, whilst the Germans chose Churchill serving up a cocktail of blood, sweat and tears to an emaciated and sickly British lion. Showcasing the very best cartoons from Britain, the USA, Germany, Russia plus the work of all of WWII's greatest cartoonists, including Bill Mauldin, Fougasse, Emett, David Low and Graham Laidler (Pont), this book is guaranteed to make you laugh.

    The origin of The Flash! The loss of his mother put Barry Allen on the road to becoming a hero, but only when he gains his powers will he understand the most important lesson his must learn.

    It set the foundation for one of the greatest global peace efforts of the twentieth century—the modern Olympic Games. It was a turning point in ancient history. It was also the greatest fear of a man whose legacy will never be forgotten. In 490, an Athenian messenger named Eucles ran over 300 miles to turn the tides of battle, and in so doing preserved ancient Greek civilization from subjugation to the Persian Empire. This is his story.

    No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress--only to resurface with a crooked smile on its face in "Mad "magazine. The story of the rise and fall of those comic books has never been fully told--until "The Ten-Cent Plague." David Hajdu's remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority. When we picture the 1950s, we hear the sound of early rock and roll. "The Ten-Cent Plague "shows how--years before music--comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.

    For the first time, the official sequels to the critically acclaimed show Firefly are collected under one cover!The Serenity rides again, in these official sequels to the critically acclaimed show Firefly, collected for the first time under one cover! Buried histories and secret identities are revealed, along with all the heist-takin’, authority-dodgin’, death-defyin’ space-cowboyin’ you’ve been missing from your life, as this ragtag crew of mercenaries, outlaws, and fugitives travel the stars in search of their next adventure.  Collects the following previously released material:    *   Serenity: Those Left Behind #1-3   *   Serenity: Better Days #1-3   *   “Serenity: The Other Half”   *   “Serenity: Downtime”   *   Serentity: The Shepherd’s Tale   *   Serenity: Float Out #1   *   “It’s Never Easy”

    This third volume collects issues five and six of the popular quarterly series.

    It also addresses such timely issues as the use of cars as weapons of mass murder in places like Charlottesville, VA.

    From glow-in-the-dark cats to Jupiter's diamond showers to the link between dancing goats and the discovery of coffee, here are up to 100 obscure and fascinating facts brought to life in Mike Lowery's quirky, hilarious style. Each illustrated fact is paired with a handwritten web of related tidbits, recreating an entertaining dive down a trivia rabbit hole.

    In other words, perfect." - The Huffington PostAn amusing and captivating tale that's a delightful primer for laughing at the inevitable: If you're a dinosaur, all of your friends are dead. If you're a pirate, all of your friends have scurvy. If you're a tree, all of your friends are end tables. Each page of this laugh-out-loud, illustrated humor book showcases the downside of being everything from a clown to a cassette tape to a zombie. Cute and dark all at once, this hilarious children's book for adults teaches valuable lessons about life.From the sock whose only friends have gone missing to the houseplant whose friends are being slowly killed by irresponsible plant owners (like you), All My Friends Are Dead presents hilariously entertaining stories about life and existential predicaments.The simple yet effective imagery, the personification of inanimate objects, and short, hilarious quips come together to create an amusing adventure through each character's unique grievance and wide-eyed dilemmas.Written by Avery Monsen, an actor, artist, and writer and Jory John, a writer, editor, and journalist. They are friends, and neither is dead. Yet.All My Friends Are Dead is both the saddest funny book and the funniest sad book you'll ever read.Children's book written for adults Displayed in an accessible cartoon form

    Thompson's extraordinary life he was publicly branded a bum, a vandal, a thief, a liar, an addict, a freak and a psychopath. Only some of which are true. Even in the 20th century crowded with celebrity, his legacy remains a brilliantly vital force.The great American iconoclast, the great American outlaw, the great American hedonist... However you choose to view him, Thompson remains the high-water mark for all social commentators the world over, and a truly fearless champion of individual liberties.This is his story... the story of a troubled kid from Louisville, Kentucky, who went on to become an international icon. This is a story that charts the legendary heights of so-called "Gonzo Journalism", plumbs the darkest depths of American politics, and presents a lifestyle beyond imagination."No sympathy for the devil; keep that in mind. Buy the ticket, take the ride."

    Their work looks effortless, but the Bongo gang has shed several droplets of sweat, a few droplets of blood, and perhaps even a couple of tears of joy in the making of these comics.Don't worry, however: All Bongo bodily secretions have been wiped off the original art so as not to distract you from your entertainment experience.As Bart might say, "We're proud of these comics, man." As Lisa might say, "Damn, they're good."And as Marge might say, "I don't want you sitting up in that tree house all day reading comic books! You'll ruin your eyes!"