We are lucky that she did so, since among the results were these short stories of rare quality. In their use of dreams, ancient anecdote, and ruined or dilapidated buildings ('Florence Flannery', 'The Fair Hair of Ambrosine') they are at times in the finest tradition of The Castle of Otranto and the Gothic revival which had chilled the blood of the British public a hundred and fifty years earlier. But her stories are more subtle in their construction, and often use simple materials ('The Crown Derby Plate', Elsie's Lonely Afternoon'), interweaving their terror and mystery with the commonplace of everyday life. Their mastery of detail, sureness of expression and acute reading of human nature give them a sinister force, which is realistic and unnerving, yet at the same time tinged with pity and compassion.

    He quickly secures a job as cook for the wealthy Hill family, winning their hearts and stomachs with his delectable dishes, and before long he has everyone around him eating out of his hand. But Conrad has a sinister, inscrutable plan in view, and after becoming master of their palates, next may be their souls . . . A mouth-watering blend of delicious black humor and Kafkaesque horror story, The Cook (1965) is a dark fable "beginning in a vein of innocent fairy tale and ending with satanic revels" (The Observer). Long out of print, this cult classic returns in a new edition featuring Milton Glaser's iconic dust jacket art from the first edition. "I have much enjoyed The Cook, for I am very fond of Satan. My congratulations to Mr. Kressing on his achievement."—John Fowles "A finely wrought, captivating tale of suspense - a superior entertainment."—Detroit News "I haven't been so gripped by any first novel since Lord of the Flies."—Irving Wardle, The Observer "A fable, part diabolique, part diversion ... high originality, some style, and a come-on which assures that it will be read at one sitting."—Kirkus Reviews

    I speak to people and yet they do not speak back. I hear the conversations of people and yet they hear nothing of me. I simply do not exist in their world. They do not see me. They do not hear me. They do not fear me. And yet, they should. I never meant for any of this to happen. I'm not a monster, after all. But that doesn't mean I won't stop at nothing to hide my secret or to feel as though I belong. And to think, all of this could have been avoided. All it took was for someone to say they wanted me. From Matt Shaw, the author of 'Sick B*stards' comes a new psychological horror. Part fact, Part fiction. A story that comes with a strong warning that, if you're easily shocked or offended, some scenes will upset you.

    except for one man... a monstrous Japanese soldier, seven feet tall, reduced to something less than human by his circumstances, a calculating killer the peasants call the amok.....

    Alas, life is complicated in mid-1950s USA when you’re child heirs to the throne of Sword Enterprises, a corporation that has enshrined Machiavelli’s The Prince as its operating manual and whose patriarch believes, Now I am become Death, the destroyer of worlds, would be a swell company logo. Consider also those long, cruel winters at the Mountain Leopard boarding school for assassins in the Himalayas, or that Dad may be a supervillain, while an uncle occasionally slaughters his nephews and nieces for sport; and the space flight research division of Sword Enterprises “accidentally” sent a probe through a wormhole into outer darkness and contacted an alien god. Now a bloodthirsty cult and an equally vicious rival firm suspect the Tooms boys know something and will spare no expense, nor innocent life, to get their claws on them. Between the machinations of the disciples of black gods and good old corporate skullduggery, it’s winding up to be a hell of a summer vacation for the lads.

    Prime Evil: New Stories by the Masters of Modern Horror

    'The Wanderer' is a weird document. On a dying Earth, in the far-flung future, a man, an immortal, types the tale of his aeon-long life as prey, as a hunted man; he tells of his quitting the Himalayas, his sanctuary for thousands of years, to return to his birthplace, London, to write the memoirs; and writes, also, of the night he learned he was cursed with life without cease, an evening in a pub in that city, early in the twenty-first century, a gathering to tell of eldritch experiences undergone. Is 'The Wanderer' a fiction, perhaps Peterkin's last novel, or something far stranger? Perhaps more 'account' than 'story'?

    Reprint. TV tie-in.

    Moving into a former storage building on the farm of Sarr and Deborah Poroth, he expects to spend a productive summer free from essentially all distractions - he is quite wrong in this assumption. Meanwhile, in New York, the rather reserved Carol Conklin goes about trying to survive in the big city on a small income from her job at a library. She meets Jeremy in New York just before he leaves for the summer, and a connection is made which will find the couple developing a romantic relationship on somewhat strange terms. What Jeremy and Carol do not know is that this relationship is the work of a strange, little old man known as Mr. Rosebottom. Rosie is actually the Old One working to bring his master back after a very long absence, and Jeremy and Carol are the unsuspecting keys to his success

    But he also has a dark side. When his girlfriend Jennifer laughs at his impotence, he lashes out in a violent rage, knocking her unconscious. At the suggestion of his employer, Andrew heads to an isolated cottage in the dark Welsh countryside to take a break and get a grip on himself. In the woods, he discovers the grotesque stinkhorn mushroom, whose phallic shape seems to rise in obscene mockery of his own shortcomings. But the stinkhorn gives him an idea, a way to win Jennifer back. As the seeds of obsession take root in Andrew’s mind, he embarks on a nightmarish quest, with unexpected and horrifying results. Stephen Gregory earned worldwide acclaim with his first novel, The Cormorant (1986), which won the Somerset Maugham Award and was adapted for a BBC film. In The Woodwitch (1988), his second novel, Gregory once again proves himself a master of disturbing and unsettling horror.

    It chronicles their experiences in parallel over the course of six years, unfolding the independent challenges they face while struggling to survive worlds apart from each other. This book club pick inspires readers to see that love, friendship, and faith can survive in spite of the most terrible circumstances.Dani and Keely imagined that life was more magical than others believed. If they had to be summed up, their one plus one would equal three. Together, they became something greater. It was twin sisters against the world. But the world had different plans. The man followed them to their secret tree house that unusually warm day in September. He only came for one, there and gone in the blink of an eye. Satan’s Garden takes you on the six-year journey of two sisters who learn what it means to survive. It’s a story of resiliency, hope, and above all, a bond that cannot be taken away. It teaches us how quickly life can change and yet how much of it we can change ourselves.

    Her family wouldn't have believed it even if she had told them - which she had no intention of doing. Elizabeth had far different plans for them - and only God could help them. He didn't - and Elizabeth set out to prove how hellishly far she could go...

    They play Russian Roulette with seven footprints to world domination--and lost. They had become subject to the Collector of Infernal Revenue--Satan. The Master Player of games would glut his lust with souls and gain world power through diabolical manipulations. But into his collection comes James Kirkham, an American explorer determined to prove that the steps are stacked.

    May of these stories are from the pages of Weird Tales and other classic magazines which brought the work of masters like H.P. Lovecraft, Seabury Quinn, Clark Ashton Smith, August Derleth, Robert E. Howard, and many others to the public. Includes an active table of contents.

    E. D. KleinThe Detective of Dreams by Gene WolfeVengeance Is. By Theodore SturgeonThe Brood by Ramsey CampbellThe Whistling Well by Clifford D. SimakThe Peculiar Demesne by Russell KirkWhere the Stones Grow by Lisa TuttleThe Night Before Christmas by Robert BlochThe Stupid Joke by Edward GoreyA Touch of Petulance by Ray BradburyLindsay and the Red City Blues by Joe HaldemanA Garden of Blackred Roses by Charles L. GrantOwls Hoot in the Daytime by Manly Wade WellmanWhere There’s a Will by Richard Matheson and Richard Christian MathesonTraps by Gahan WilsonThe Mist by Stephen King