Banned from reading, Florence devours books in secret and talks to herself—and narrates her story—in a unique language of her own invention. By night, she sleepwalks the corridors and is troubled by a recurrent dream in which a mysterious woman appears to threaten her younger brother Giles.After the sudden violent death of the children's first governess, a second teacher, Miss Taylor, arrives, and immediately strange phenomena begin to occur. Florence becomes convinced that the new governess is a malevolent spirit who means to do Giles harm. Against this powerful enemy, Florence must use all her intelligence and ingenuity to protect her little brother and preserve her private world. This Gothic page-turner in the tradition of The Woman in Black and The Fall of the House of Usher is told in a startlingly different and wonderfully captivating narrative voice.

    While investigating a particularly odd one, previously the object of study by his former mentor who has disappeared under mysterious circumstances, the narrator discovers the monstrous truth behind the town of Mirocaw and its bizarre traditions...In the observation of H. P. Lovecraft scholar and biographer S. T. Joshi, Ligotti's fascinating story "may perhaps be the very best homage to Lovecraft ever written."

    Not only are such phenomena possible, they happen fairly often, with dolls being one of the most frequent targets of spirit attachment. Sometimes those spirits are benign, or at the most mischievous. But many are outright evil and dangerous. This book examines some of the world’s most famous haunted dolls. Some you may have heard about. Others will be new. All will make you reconsider the world you thought you knew. Here is some of what you’ll find inside: * Robert, the haunted doll from Key West. A lot of the information out there about him is wrong. Find out the truth behind the legend. But don’t think the truth is any less terrifying. * Annabelle, the demonic doll featured in the movies The Conjuring and Annabelle. Find out why the real Annabelle is much, much more frightening. * Peggy, the Internet sensation. Why you should think twice before looking at her picture. * Find out which doll started as a hoax, turned into a terrifying reality, and is now considered one of the most "active" haunted dolls in the world. * Discover which exotic locale and tourist attraction is a pediophobe’s biggest nightmare. You won’t believe such a place exists. * Clown dolls. Need more be said? These stories and many more are what you’ll find in this collection of true accounts from the frightening yet fascinating world of haunted and demonic dolls. Reading this book will undoubtedly raise more questions than it answers, but one thing is assured: you’ll never look at a doll the same again.

    When Arne Cheyenne Johnson stabbed an acquaintance to death with a five-inch folding knife, Johnson presented one of the most shocking legal defenses in history: not guilty by virtue of demonic possession. As the press put it, “the Devil made me do it.”Johnson’s shocking story began months earlier, when his girlfriend’s eleven-year-old brother, David, encountered a spectral figure looming at the foot of the bed and then started showing telltale signs of demonic possession. David suddenly spoke in Latin, levitated, and suffered beatings at the hands of an invisible demon. After a team of Catholic priests failed to drive the demon out, the case was taken up by Ed and Lorraine Warren. The Warrens had fought demons across the globe, but the Connecticut Devil would be one of their greatest challenges, and perhaps their most deadly.Now includes an 8-page photo insert documenting the possession featuring images from the Glatzel family and the Ed and Lorraine Warren collection.

    There was nothing to distinguish it from any other quaint, older home nestled within the rural Vermont landscape. For Liz, Charlie, Donna and Willa it was a dream come true; exactly what they needed. Each of them had escaped hardship longing for the comforts of loved ones, hearth and home. The spacious house, the location and the timing all seemed so perfect. But none of them could imagine the horrors that awaited them as the house revealed its secrets.

    Something happened to her in the manor when she was fourteen, but she can’t remember any of it. A whole month of her childhood is just blank, and nobody will tell her what caused it. Shortly after, her parents sent her to boarding school without any explanation and she thought she would never go back again. A decade on, Tamara can’t sleep. She has nightmares about the house and the brooding woods. She sees a dark place in her dreams, a place she knows she mustn’t go. Something is waiting in the woods of Towneley Manor, and the only thing Tamara can remember is the symbol she sees in her dreams. An eye surround by a black sun. Watching her. Never letting her go. The Towneley family keep dark secrets, and the manor holds the worst of them. Children dying in the walls, servants disappearing. As Tamara unwinds the secrets of her family, she starts to discover what happened to her all those years ago. When her memory unfolds and she finds out what haunts the halls of Towneley Manor, she soon wishes she had never gone back…

    Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, the lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.

    Now he gives birth to a cast of gruesomely sympathetic children – misunderstood outcasts who struggle to find love and belonging in their cruel, cruel worlds. His lovingly lurid illustrations evoke both the sweetness and the tragedy of these dark yet simple beings – hopeful, hapless heroes who appeal to the ugly outsider in all of us, and let us laugh at a world we have long left behind (mostly anyway).

    Her charge, Mary, is a troubled child. Distracted and secretive, she hasn't uttered a word since the sudden death of her twin, William—just days after their former nanny disappeared.With Mary defiantly silent, Elspeth turns to the islanders. But no one will speak of what happened to William. Just as no one can explain the hypnotic lullabies sung in empty corridors. Nor the strange dolls that appear in abandoned rooms.Nor the faint whistling that comes in the night...As winter draws in and passage to the mainland becomes impossible, Elspeth finds herself trapped.But is this house haunted by the ghosts of the past?OR THE SECRETS OF THE LIVING..?Chilling, twisty and emotionally gripping, The Whistling is an atmospheric page-turner with shades of the classics, yet a unique character of its own. Perfect for fans of Susan Hill and Laura Purcell.

    Wimbourne Books presents the first in a series of rare or out-of-print ghost stories from Victorian authors. With an introduction by author Alastair Gunn, Volume 1 in the series spans the years 1852 to 1899 and includes stories from a wide range of female authors; English, Irish, Scottish, Welsh and American. Includes tales by Mary Elizabeth Braddon, Charlotte Riddell, Isabella Banks and Gertrude Atherton. Readers new to this genre will discover its pleasures; the Victorian quaintness, the sometimes shocking difference in social norms, the almost comical politeness and structured etiquette, the archaic and precise language, but mostly the Victorians’ skill at stoking our fears and trepidations, our insecurities and doubts. Even if you are already an aficionado of the ghostly tale there is much within these pages to interest you. Wait until the dark of the stormy night arrives, lock the doors, shutter the windows, light the fire, sit with your back to the wall and bury yourself in the Victorian macabre. Try not to let the creaking floorboards, the distant howl of a dog, the chill breeze that caresses the candle, the shadows in the far recesses of your room, disturb your concentration.

    "Robert Aickman was a master of what he called 'strange stories,' and though his fiction has been categorized as horror, it's actually its own beast.As we move further away from the horror boom of the last century and its focus on the mainstream appeal of small town horrors, we are encountering successive generations of writers open to exploring new avenues of the subtly bizarre, an area Aickman frequently mastered.This book is a sampler of how Robert Aickman's work has beoome a significant source of inspiration for contemporary writers."

    While most of Humanity finds the event fascinating, two British explorers know the horrible truth. The rotating moon is the legendary sign that foreshadows the return of a prehistoric demon, the monstrous destroyer of Atlantis, an unkillable colossus known only as the deadly, dreaded Squid God.Racing around the world, and against the clock, Prof. Einstein and Lord Carstairs battle the fanatical legions of Squid God worshippers in a valiant effort to stop the ghastly rebirthing ceremony and keep the demonic mollusk locked in the stygian depths of its unearthly lair. Authors Nick Pollotta & James Clay have lovingly crafted a splendid Fantasy/Adventure, heavily laced with their classic off-the-wall humor, and sprinkled with a light dusting of parody toward the legendary works of H.P. Lovecraft, H.G. Wells, Jules Verne, Sir Arthur Conan Doyle, and just about everything else from the golden glory days of Victorian England."Rewrites literary history, remodels London worse than the Blitz, and convinces that it is wise never to deny the supremacy of British womanhood! What more can you ask?" --ANALOG

    In Prague, working as a translator, she has found a home of sorts—or, at least, refuge. That changes when her friend Karel discovers a mysterious letter in the library, a strange confession and a curious warning that speaks of Melmoth the Witness, a dark legend found in obscure fairy tales and antique village lore. As such superstition has it, Melmoth travels through the ages, dooming those she persuades to join her to a damnation of timeless, itinerant solitude. To Helen it all seems the stuff of unenlightened fantasy.But, unaware, as she wanders the cobblestone streets Helen is being watched. And then Karel disappears. . . .

    A cup full of tentacles mixed with existential nihilism and sprinkled with liberal quantities of gore, this is Lovecraftian horror with a bloody bent that few others have dared to explore. --Peter Rawlik, author of ReanimatorsThey called it the Event.The Event changed everything. The earthquakes came first, including the Big One, shattering the Pacific Rim and plunging the world into chaos. Then the seas came, the skies opened, and the never-ending rain began. But as bad as that was, there is something worse.The Rising has begun.A lone man who abandoned the world for his addictions searches a waterlogged Austin for something, anything to cling to. Little does he know that something else searches for him.In the Sonoran Desert, the downtrodden of the world search for a better life north of the border, only to see the desert become an ocean: an ocean that takes life and gives death.In the woods of Alabama, survivors escape to Fort Resistance, but soon discover that it isn't just the horrors of the deep places of the world that they need to fear; but rather a new and more deadly pestilence that has grown in their own ranks.In England, it's too late to fight, and all that's left is to survive. One man reaches for his own humanity, but what to do when humanity is an endangered species?And in the Pacific, He is rising.In The Abyssal Plain: The R'lyeh Cycle, authors William Holloway, Michelle Garza and Melissa Lason, Brett J. Talley, and Rich Hawkins have created a timely and uniquely modern reimagining of the Cthulhu Mythos.