At once knowing and unabashedly romantic, The Thin Man is a murder mystery that doubles as a sophisticated comedy of manners.

    It begins with a beautiful woman dead, murdered—Vassilia Caroline Baird, known to all simply as V. That’s where this extraordinary novel begins. But the story it tells begins years earlier, on a struggling farm in the shadow of the Great Depression and among the brawling "cat skinners" of Southern California, driving graders and bulldozers to tame the American West. And the story that unfolds, in the masterful hands of acclaimed author Oakley Hall, is a lyrical outpouring of hunger and grief, of jealousy and corruption, of raw sexual yearning and the tragedy of the destroyed lives it leaves in its wake. Unpublished for more than half a century, SO MANY DOORS is Hall’s masterpiece, an excoriating vision of human nature at its most brutal, and one of the most powerful books you will ever read.

    The victim makes headlines as the Black Dahlia—and so begins the greatest manhunt in California history. Caught up in the investigation are Bucky Bleichert and Lee Blanchard: Warrants Squad cops, friends, and rivals in love with the same woman. But both are obsessed with the Dahlia—driven by dark needs to know everything about her past, to capture her killer, to possess the woman even in death. Their quest will take them on a hellish journey through the underbelly of postwar Hollywood, to the core of the dead girl's twisted life, past the extremes of their own psyches—into a region of total madness.

    He's living in Coyote Crossing, working as a part-time deputy. When he gets a call about a dead body in the center of town, he pins his tin star to his Weezer T-shirt, slips into a pair of sweatpants, and grabs his revolver. Victor Gischler is the author of five novels, including Gun Monkeys, Shotgun Opera, and Go-Go Girls of the Apocalypse.

    She was never successful in this, but her Chandler-influenced novel No Good From a Corpse was so impressive in its hard-boiled dialogue that Howard Hawks insisted its author, unseen, be brought in to work on the screenplay adaption of The Big Sleep (together with a fella by the name of Faulkner.) Though Hawks was stunned to discover that Leigh was a woman, she got the job, and worked on what was probably the best film adaptation of a Chandler novel. No Good From a Corpse offers hard-boiled private eye Ed Clive, who gets involved with a dead girl, and suspects every one of her boyfriends--an ex-husband, a playboy, a blackmailer and a brute. There's a woman suspect as well, and a long chase through Sunset Strip.

    Tortured by the unsolved slayings of his wife and young daughter, he is a man consumed by guilt, regret, and the desire for revenge. When his former partner asks him to track down a missing girl, Parker finds himself drawn into a world beyond his imagining: a world where thirty-year-old killings remain shrouded in fear and lies, a world where the ghosts of the dead torment the living, a world haunted by the murderer responsible for the deaths in his family—a serial killer who uses the human body to create works of art and takes faces as his prize. But the search awakens buried instincts in Parker: instincts for survival, for compassion, for love, and, ultimately, for killing.Aided by a beautiful young psychologist and a pair of bickering career criminals, Parker becomes the bait in a trap set in the humid bayous of Louisiana, a trap that threatens the lives of everyone in its reach. Driven by visions of the dead and the voice of an old black psychic who met a terrible end, Parker must seek a final, brutal confrontation with a murderer who has moved beyond all notions of humanity, who has set out to create a hell on earth: the serial killer known only as the Traveling Man.In the tradition of classic American detective fiction, Every Dead Thing is a tense, richly plotted thriller, filled with memorable characters and gripping action. It is also a profoundly moving novel, concerned with the nature of loyalty, love, and forgiveness. Lyrical and terrifying, it is an ambitious debut, triumphantly realized.

     To rob the finest resort in fascist Spain, three Americans need to blend in among the Mediterranean elite. And to do so, they will each need a gorgeous girl as cover. They find a depraved millionaire, a drug-addled nymphomaniac, and an assistant hotel manager who enjoys mingling with her handsome guests after hours.   The would-be thieves have used an IBM supercomputer to plan the perfect heist. Their crime has been calculated to the last detail, with every possible contingency planned for, save one: the women. The Hotel Reina is crawling with femmes fatales, and these crooks will be lucky to escape with the shirts on their backs.This ebook features an illustrated biography of Michael Crichton including rare images from the author’s estate.

    don't give away the beginning.How does it feel to be desired by every man and envied by every woman? Wonderful. This is the life Nora Sinclair has dreamed about, the life she's worked hard for, the life she will never give up. She doesn't just attract men, she enthralls them. So why is FBI agent John O'Hara interested in Nora Sinclair? Mysterious things happen to people around her, especially the men. And there is something dangerous about Nora, something that lures O'Hara at the same time that it fills him with fear.Is something dark hidden in the gaps of her past? As O'Hara spends more and more time getting to know her, is he pursuing justice? Or his own fatal obsession?

    Little has changed in the three centuries since white settlers drove the Montaukett Indians from the land. But for Conrad Labarde, a second-generation Basque immigrant recently returned from the Second World War, and his fellow fisherman Rollo Kemp, this stability is shattered when a beautiful New York socialite turns up dead in their nets.On the face of it, her death was accidental, but deputy police chief Tom Hollis - an incomer from New York - is convinced the truth lies in the intricate histories and family secrets of Amagansett's inhabitants. Meanwhile the enigmatic Labarde is pursuing his own investigation.

    It is published here in its original form by the 'Dr' who risked his tail and talent to write this book.

    He's also a knight errant who's wary of credit cards, retirement benefits, political parties, mortgages, and television. He only works when his cash runs out and his rule is simple: he'll help you find whatever was taken from you, as long as he can keep half.

    He's escaped from a mental hospital up north and hitchhiked his way south, the voice of his dead brother urging him on. But when Charlie hits Memphis, the fine line between his delusions and reality shift in the form of the Reverend Phineas Childe-a preacher bent on booze and women; a Man of God with a dark agenda. Charlie is the perfect pawn in the Reverend's game of retribution. And the small North Mississippi town of Cuba Landing will be the setting for the Reverend's very personal Apocalypse. . . .

    Blow-out sales and shady deals are his life. When a stockroom boy hooked on speed metal and the fast life disappears, Nick has to help find him.

    Sallis combines murder, treachery and payback in a sinister plot with resonances of 1940s pulp fiction and film noir. Told through a cinematic narrative that weaves back and forth through time and place, the story explores Driver's near existential moral foundations, intercut with moments of bloody violence.

    His latest gig comes replete with an illegally squatting B-movie actress who rants about hit men who specialize in making deaths look like accidents. Unfortunately, it's the real deal. Hardie finds himself squared off against a small army of the most lethal men in the world: The Accident People.It's nothing personal-the girl just happens to be the next name on their list. For Hardie, though, it's intensely personal. He's not about to let more innocent people die. Not on his watch.