Beginning with the medieval antisemitism that put Jews beyond the pale of humanity, he traces the spread of racist thinking in the wake of European expansionism and the beginnings of the African slave trade. And he examines how the Enlightenment and nineteenth-century romantic nationalism created a new intellectual context for debates over slavery and Jewish emancipation.Fredrickson then makes the first sustained comparison between the color-coded racism of nineteenth-century America and the antisemitic racism that appeared in Germany around the same time. He finds similarity enough to justify the common label but also major differences in the nature and functions of the stereotypes invoked. The book concludes with a provocative account of the rise and decline of the twentieth century's overtly racist regimes--the Jim Crow South, Nazi Germany, and apartheid South Africa--in the context of world historical developments.This illuminating work is the first to treat racism across such a sweep of history and geography. It is distinguished not only by its original comparison of modern racism's two most significant varieties--white supremacy and antisemitism--but also by its eminent readability.

    Topics covered include category management, international sourcing decisions, activity-based costing, quick response inventory systems and data-based retailing. There is a new chapter on electronic retailing and location, and examples include international, service retailers and small/independent retailers.

    She knew instantly that her decision to work in general practice was the ‘biggest and worst mistake of her life’. Fortunately, however, this did not deter her from continuing in general practice, and this fascinating memoir (spanning half a century) is testament to her resilience and professionalism, as well as her pragmatic and charismatic personality. She shares real stories about real people in this intriguing book. Some stories are truly heart-breaking and will have you reaching for the tissues (such as the times when she has lost patients, and encountered and supported abused children and rape victims). But it isn’t all serious. There are lots of light-hearted and heart-warming moments too, such as the stories about Jessie-dog – her bodyguard when she made home visits, and the time when she helped a large (and desperately in need) family to get rehoused, and her time as a country GP. She also recalls with honesty and candidness, the prejudice and unimaginable pressure she had to contend with, as a young female GP in the 1960s. As well as a plethora of fascinating stories, experiences and case studies, this book also gives us, as 21st Century readers, a glimpse into the rapid changes in general practice and the NHS in general. Whether you’re in general practice, or you’re a medical professional, or you have a penchant for all kinds of autobiographies/memoirs, you will find this a thought-provoking and captivating book that’s impossible to put down. Take a peek at the ‘Look Inside’ feature now and be prepared to be instantly intrigued.

    How wrong he was. In What Am I Bid? he tells of life after the events he described in his previous memoirs, An Auctioneer's Lot and Sold to the Man with the Tin Leg, to bring his story up to date. From dodgy cars to fakes in the sales room; angry livestock, mangled silverware and tortuous--not to mention muddy--experiences in local markets and farm sales, Serrell has been there, done that, and got the hoof prints on his suit to prove it.

    Now if only she could keep Casey from sneaking into her heart. Excerpt His bright blue eyes pierced through me. I wasn't sure how long he had been looking at me. I ignored him at first, but found it impossible to concentrate on anything else. Eventually I met his gaze evenly, and watched as his lips turned up into a smirk. It took effort not to roll my eyes when he raised his eyebrows slowly. His eyes were burning through me; their intensity made me uncomfortable, but I wasn't going to let him know that. "Mr. Fitzgerald!" my new English teacher, Mr. Oldman, barked. "Could you please at least pretend to pay attention?" Mr. Oldman sounded so exasperated. There were still three months left before graduation, but most of the seniors were already acting as if they didn't need to be in school any longer. "Sure, Mr. Oldman," he said, never taking his eyes from me. I didn't back down even after realizing people were staring at us. "Casey, what do you find so fascinating about Ms. Fuller?" Mr. Oldman turned to him again a few minutes later after realizing he still wasn't paying attention. If it was the teacher's goal to embarrass him, it didn't work. His smirk just widened. "She's new," he said simply, his blue eyes sparkling. Casey's caramel brown hair was messy, his style trendy. He reminded me of every popular guy in high school, except for the confidence he exuded. It was as if he knew he was the shit and was daring anyone to say otherwise. "Casey, will you leave the poor girl alone?" Mr. Oldman sighed. "I've got your letter of recommendation done. Should I send it myself or does it need to go with yours?" Casey didn't respond. His eyes were still piercing through mine, a small smirk playing on his lips. "Casey!" Mr. Oldman yelled, causing both of us to look at him. He handed him a sealed envelope. "Get out of my classroom," he pointed at the door, defeated. "Don't you have friends to bother?" I let out a snicker, though I felt bad for Mr. Oldman. It was obvious he was at his wit's end. Casey seemed to be doing everything he could to push him over the edge. "I'm trying to make the new girl feel welcome," Casey explained, his eyes on me again. I picked up my book, finding my place with ease. "Thanks," I said shortly, "I feel welcome now." And I refused to pay him any more attention. He wouldn't stay with Mr. Oldman in the room, looking dangerously close to pelting him with dry erase markers. With the obvious dilemma before him, he backed down. He stared at me for a second longer, daring me to look at him and when I didn't, he left. I smiled to myself, turning the page leisurely. Mr. Oldman let out a chuckle, "Looks like he's finally met his match."

    

    K. Narayan in the Introduction to this new interpretation, 'is aware of the story of The Ramayana. Everyone of whatever age, outlook, education or station in life knows the essential part of the epic and adores the main figures in it - Rama and Sita. Every child is told the story at bedtime . . . The Ramayana pervades our cultural life.' Although the Sanskrit original was composed by Valmiki, probably around the fourth century BC, poets have produced countless variant versions in different languages. Here, drawing his inspiration from the work of an eleventh-century Tamil poet called Kamban, Narayan has used the talents of a master novelist to recreate the excitement and joy he has found in the original. It can be enjoyed and appreciated, he suggests, for its psychological insight, its spiritual depth and its practical wisdom - or just as a thrilling tale of abduction, battle and courtship played out in a universe thronged with heroes, deities and demons.

    It takes the student from the beginning assignment of a paper through the research phase to the finished paper. This second edition gives improvements and added material for such things as the expanding field of online research and doing church-related research in a professional manner. Resources for doing research are updated throughout the book.

    The story of the rituals and lives of these remarkable old people is, as Bel Kaufman said, "one of those rare books that leave the reader somehow changed." Here Dr. Myerhoff records the stories of a culture that seems to give people the strength to face enormous daily problems -- poverty, neglect, loneliness, poor health, inadequate housing and physical danger. The tale is a poignant one, funny and often wise, with implications for all of us about the importance of ritual, the agonies of aging, and the indomitable human spirit.

    Bringing the latest social and cultural findings and theories into sharp focus, the authors take us on a fascinating journey to discover what deaf culture is; the benefits of signed language and deaf culture for deaf children and hearing people; how deaf children are now educated and how they could be; how deaf people integrate into the larger society; the nature of American Sign Language; how technology helps (and hurts) deaf people; what can be learned from deaf societies in other lands; the future of the deaf world. Combining thought-provoking intellectual perspectives with enlightening first-hand accounts of life in the deaf world, this landmark volume is vital for professionals working in fields involving deaf people and for those with an interest in deaf studies.

    Presents clashing views on political issues which are provided in a debate-style format designed to develop critical thinking skills in a student.

    Rarer than Stradivarius violins, these musical works of art are built from near-extinct Brazilian Rosewood, Appalachian spruce, black ebony, and fine mother-of-pearl. With Henderson's keen ear for the vibrations of each piece of wood he uses, each note that comes out of them has the power of a cannon and the sweetness of maple syrup.In "Clapton's Guitar," Allen St. John recounts how a perfect acoustic guitar comes into the world and how an artist gauges perfection. Wayne Henderson, master luthier and genius in blue jeans, will tell you that he simply puts penknife to wood and carves away "everything that isn't a guitar." This is the story of a master artist, set deep in the mountains of southwestern Virginia in a brick, one-story guitar shop, as busy and chaotic inside as it is simple outside. The space is well-lighted, cluttered with power tools, air hoses, and guitar bodies in various stages of completion. It is in this modest shop that Wayne Henderson crafts some of the most highly coveted acoustic guitars on earth, including one very special instrument he built for Eric Clapton.Normally, there is a ten-year wait for a Henderson guitar, and St. John finds there are no exceptions even for an iconic figure like Clapton. But seeing it as a shortcut to getting his own guitar done, St. John jump-starts the process, and then takes readers with him on a mesmerizing journey into the heart of high-end instrument making with the man "The Washington Post" calls the "Mad Scientist of Mountain Music." Henderson, a small-town wise man, is not only the star ofthis book as a master guitar maker but also is the star of any stage he sets foot on as a master guitar player, equally at home at Carnegie Hall or the local VFW hall. Around this drolly humorous man circulates a small coterie of colorful characters and inspired musicians, who welcome you for an all-too-brief visit. By book's end, you too will want to be Wayne Henderson's friend.In a rich tapestry of folklore and folksiness, St. John tells the story of building the Clapton guitar in loving detail, from the centuries-old forests where great tonewood grows, to the auction floor of Christie's where one of Clapton's guitars commands over $700,000. It's also a loving look at Wayne's corner of the world, the Blue Ridge mountain hamlets where American traditional music was born, and of Wayne's hometown of Rugby, Virginia, population 7, where the winding roads have kept progress at bay.Whether you love old-time music, unplugged rock, traditional American craftsmanship, or simply gifted storytelling, Clapton's Guitar is an engaging work that you will want to savor and share with friends.

    For the calculus-based General Physics course primarily taken by engineers and scientists.

    The fascinating "Montaillou: The Promised Land of Error" (and alternate titles; 1975, translation 1978) may be the best-known of his works, as well as the most controversial among historians, based as it is on village gossip recorded by Inquisitors. Perhaps more representative are detailed studies of a popular demonstration / riot in "Carnival in Romans" ("Le Carnaval de Romans," 1979), and of folktale themes as transmitted in popular and literary versions from the south of France, in "Love, Death and Money in the Pays D'Oc" ("L'argent, l'amour et la mort en pays d'Oc," 1980), in which social stresses and personal anxieties come together.Underlying much of this production, however, and perhaps giving Ladurie the confidence to interpret the notoriously difficult inquisitorial records, is this less-inspiring sounding early work, "Les Paysans de Languedoc" of 1966, here translated under an equally plain and literal title, which appeared in English only three years after the original French edition. In any case, it clearly underlies his later investigations of provincial culture and society.This is a sophisticated analysis of primarily economic records from one of the traditional provinces of southern France, covering mainly the sixteenth, seventeenth, and eighteenth centuries. It deals with the basics of ordinary life -- production, consumption, property, and taxes, and how they interacted. There are interesting confirmations of what can go wrong when people act without much guidance from economic theory in determining self-interest. For example, wide-spread cutting of wages in a time of rising prices reduced income and purchases, ultimately putting meat beyond the reach of most consumers. This was a catastrophe for some of the same employers, who were cattle-raisers (or owners of grazing land) with a diminishing market. (If I understand Ladurie's tables and charts correctly -- and this involves some interpretation on the part of a non-professional -- the typical response to their falling profits was to cut wages again, again reducing the cash in circulation, and reinforcing the cycle in a time when markets for most goods, especially perishable ones, were strictly local.)It is definitely not light reading, but Ladurie is not above adding characterizations (such as "tight-fisted fellows") to otherwise anonymous groups of property-owners and employers, sacrificing a little of the appearance of objectivity for the sake of human interest. Generally speaking, Ladurie draws such positions from the hard data, and the attentive reader may well reach the same conclusion; I remain happier about the practice from a literary point of view than an historical one."Peasants of Languedoc" represents a major move toward understanding the history of people left out of official histories, although the original description as "total history" is rather misleading. Taken together with Ladurie's later cultural studies, however, it does mark a considerable advance.This review by Ian M. Slater "aylchanan" was copied from Amazon.com. (There was no prior default book description.)

    In this comprehensive anthology, authors selected for their distinction in their chosen careers offer their professional - and personal - perspectives on 19 different graduate-level careers in psychology. Few fields of study offer more career opportunities than does psychology, and readers will find thoughtful discussions, leavened with tips and insights gained from personal experience, on the full range, including (to name only a few) academia, clinical psychology, health and school psychology, clinical neuropsychology, and government service. Each chapter discusses the nature of the career, its advantages and disadvantages, how to prepare for it, typical activities, ranges of financial compensation, opportunities for employment, and the personal attributes needed for success in the career. realities, challenges, and rewards of each career that the lab or lecture hall rarely provides. Reprinted eight times since the publication of the first edition in 1997, Career Paths in Psychology is recognized as the go-to sourcebook for anyone seeking a candid portrait of different careers in this ever-changing field. The second edition has been expanded (discussions of five new careers added) and updated to reflect current trends and changes in the field.