Within hours Lang is butting heads with a Buddha statue, matching wits with evil billionaires, and putting his life (among other things) in the hands of a bevy of femmes fatales, whilst trying to save a beautiful lady ...and prevent an international bloodbath to boot.

    For Nicolas Rathe, the wiry, street-smart pointsman with a strong sense of justice, the fair means more work: keeping the peace, preventing the pickpockets from getting too bold, and tracking down runaway youths and apprentices. But this year the number of missing children is far larger than usual; someone has been stealing them away without a trace and the populace is getting angry. At least the children are alive, Rathe knows, even though it adds to the mystery; the necromancers have not noticed any new ghosts of children.To complicate matters, the citizens have another good reason to be anxious: theirs is a world ruled by the stars, and the heavens are now in a transition that heralds an upheaval in the Kingdom and possibly even the death of the reigning Queen. Contenders for the throne are jockeying for position, each claiming that her stars are the luckiest and most suited for the position.Rathe suspects that the astrological portents and the missing children are linked, but has no idea how. With the unlikely help of Philip Eslingen, a handsome, out-of-work soldier, Rathe must find the children and stop whatever dark plans are being hatched before the city explodes into chaos.

    London is in shock. The very look of daily life is a walking nightmare of German uniforms, artifacts, regulations. There are collaborators. There are profiteers. But there are others working in hope, in secret, and desperate danger, against the invader. And still others are living strangely ambiguous lives – none more so than Detective Superintendent Douglas Archer ("Archer of the yard" as the press like to call him), trying to maintain a peculiarly, almost sacredly, British institution under a Nazi chief. Archer has started work on what seems, at first, a routine murder case. But suddenly an SS Standartenführer from Himmler's personal staff flies in from Berlin to supervise the investigation, and Archer is plunged deep into an espionage battle for which he is completely unprepared, and where the stakes are incredibly high. "We’re dealing with something that could prove so deadly that not even the Black Death would compare with the consequences", the SS man tells him.Setting forth on a tight rope trail of violence, betrayal and danger, Archer moves into worlds within worlds of intrigue. The British resistance, wealthy collaborators, high-level scientists, German army and SS factions and vicious rivalry, a beautiful American reporter on assignment for the still-neutral papers back home – these are the players that Deighton's treacherously shifting drama, as it races toward its chattering climax that involves the fate of the King, and of England itself.SS–GB is fascinating in its premise, utterly authentic and convincing in its detail. It is the most gripping novel we have had from the author of The Ipcress File, Funeral in Berlin, and Bomber. Already, in England, it has become Len Deighton's greatest best seller.

    Set against the ever-building pressure and pace of a large Boston medical center, the tensions flare-and explode-when a surgical operation tragically ends in death, raising countless questions. Was it accidental malpractice? A violation of the Hippocratic oath? Or cold-blooded murder?

    So when he's called to a hospital bed where Nick is lying battered and bruised after a violent sexual assault, his protective instincts flare, and a white-hot rage begins to build.As a small-town New England lawyer, Tony's wife, Julia, has cases involving kids all the time. When Detective Rice gets assigned to this one, Julia feels they're in good hands. Especially because she senses that Rice, too, understands how things can quickly get complicated. Very complicated.After all, one moment Nick was having a drink with a handsome stranger; the next, he was at the center of an investigation threatening to tear not only him, but his entire family, apart. And now his attacker, out on bail, is disputing Nick's version of what happened.As Julia tries to help her brother-in-law, she sees Tony's desire for revenge, to fix things for Nick, getting out of control. Tony is starting to scare her. And before long, she finds herself asking: does she really know what her husband is capable of? Or of what she herself is?Exploring elements of doubt, tragedy, suspense, and justice, The Damage is an all-consuming read that marks the explosive debut of an extraordinary new writer.

    A silent film, destroyed in a fire in 1913 at the Pathé studio, before it was seen even by its director. A lowly seamstress, who makes the costumes she should be wearing, but believes her talent - and the secret she keeps too - will soon get her a dressing room of her own. A beautiful house in Paris, with a curving staircase, a lake, and locked rooms. A famous - and dashing - creator of spectacular cinematic illusions, husband to a beautiful, volatile actress, the most adored icon of the Parisian studios. All fit together, like scenes in a movie. And as you will see, this plot has a twist we beg you not to disclose ...

    . . . An eastern émigré with scars and secrets of her own. . . . A young woman claiming to be a Russian grand duchess. . . . A brazen killer, as vicious as he is clever. . . . A detective driven by decency and the desire for justice.. . . A nightmare political movement steadily gaining power. . . .This is 1922 Berlin.One of the troubled city's growing number of refugees, Esther Solomonova survives by working as secretary to the charming, unscrupulous cabaret owner "Prince" Nick, and she's being drawn against her will into his scheme to pass a young asylum patient off as Anastasia, the last surviving heir to the murdered czar of all Russia. But their found "princess," Anna Anderson, fears that she's being hunted—and this may turn out to be more than paranoia when innocent people all around her begin to die.

    Adaptation for younger readers.Mitch McDeere, a Harvard Law graduate, becomes suspicious of his Memphis tax firm when mysterious deaths, obsessive office security, and the Chicago mob figure into its operations.

    One false move could cost Karen her life -- and throw the world into violent war.

    Gable Cooper has penned a novel to kill for. Six million dollars in book and film rights are looming just off the table for this unknown author. But there is a problem: Gable Cooper doesn't exist. Abby Chandlis is an attorney turned novelist and the creator of Gable Cooper. In an age when glamour, not grammar, is often the secret to selling books, Abby has an intriguing plan to keep her writing career alive: find a charismatic male face to pose as the phantom author for the knock-dead thriller she has written. Jack Jermaine is a man with dangerous good looks and a shadowy past. Trained by the military to kill, his obsession is to pen a blockbuster book. He has a trunk filled with rejected manuscripts and a gnawing problem that has turned him bitter: Jack can't write. Desperate to find a man to play the role of Gable Cooper, Abby is about to give up when Jack forces his way into her life. Reluctantly she is convinced that Jack's humor and looks will clinch success for her novel. She uses her legal wits and makes a deal with the devil. Jack becomes Gable Cooper. When Jack is propelled into the orbit of celebrity, Abby finds herself at once seduced and trapped by her own creation. Success turns to terror.The story careens from the Pacific Northwest to New York City and finally through the islands of the Caribbean as Abby races for her life to the one person she can trust--the one person who can prove to the world that she wrote the novel, and put an end to the nightmare that was once her dream, the dream of making The List.

    . . you know. But people said all sorts of stupid stuff. Nobody really knew anything. Nobody really knew Jimmy. I guess you could say I knew Jimmy as well as anyone (which was not very well). I knew what scared him. And I knew he had dreams—even if I didn't understand them. Even if he nearly ruined my life to pursue them.Jimmy's dead now, and I definitely know that better than anyone. I know about blood and bone and how bodies decompose. I know about shadows and stones and hatchets. I know what a last cry for help sounds like. I know what blood looks like on my own hands. What I don't know is if I can trust my own eyes. I don't know who threw the stone. Who swung the hatchet? Who are the shadows? What do the living owe the dead?

    To quote the author: "Greenwich Killing Time was the first book I ever wrote. I wrote it in 1984 and it was published in 1986. I was doing a lot of Peruvian marching powder at the time so I don't remember too much about writing it, but I do recall a couple of things. I borrowed the title from my friend Ted Mann. I borrowed the typewriter, an old Smith-Corona, from my friend, the future Village Irregular, Mike McGovern. Mike graciously loaned me the typewriter claiming he'd missed many important deadlines with the instrument. It had, I later learned, once belonged to his mother before she'd been bugled to Jesus years earlier. I took this as a sign of the Lord's hand at work in the world. It could've been, of course, just another case of a Jew borrowing a typewriter.Though most of the books have been set in New York (with the exception of Armadillos & Old Lace, set in Texas, and Steppin' On a Rainbow, set in Hawaii), Greenwich Killing Time is the only one that was written in New York. Some critics have remarked, not unkindly, we hope, that the book smells like New York. If this is true it is no doubt because of the truly visceral voyage one goes through in writing a first novel. It's almost as if your first novel writes you...

    He also knows that his life won't stand up to intense police scrutiny, so he sets out to crack the case himself.Lieutenant Matthew Spain's official inquiries soon lead him to believe that Nathan knows more than he's saying. But that's not the only reason Matt takes notice of the handsome journalist. Matt's been drawn to men before, but he must hide his true feelings—or risk his entire career.As Nathan digs deeper, it becomes increasingly difficult to stay one step ahead of Matt Spain—and to deny his intense attraction to him. Nathan's secrets may not include murder, but has his hunt put him right in the path of the real killer?

    Inside is a gigantic taxidermied aardvark. This outrageous, edge-of-your-seat novel hurtles between contemporary Washington, DC, where Wilson tries to get rid of the unsightly beast before it destroys his career, and Victorian England--where we meet Titus Downing, the taxidermist who stuffed the aardvark, and Richard Ostlet, the naturalist who hunted her. Our present world, we begin to see, has been shaped in profound and disturbing ways by the secret that binds these men.

    But when he sets out to find the author's other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. In fact, Daniel may have the last of Carax's books in existence. Soon Daniel's seemingly innocent quest opens a door into one of Barcelona's darkest secrets--an epic story of murder, madness, and doomed love.--back cover