What one does with this desire is what we call gender." So begins Andrea Long Chu's investigation into gender and desire, females and bodies, radical dreams and philosophical pessimism, and feminism as a form of political suicide. Feminism, Chu argues, is an untenable claim, and "when you make an untenable claim, your desire is showing, like a shy tattoo peeking out from a sleeve." Written in a series of linked theses, this is a provocative and searching text from our most exciting new public intellectual, a self described "sad trans girl in Brooklyn." Chu wears her heart on her sleeve with wit, style, and a manic searching grace.

    Kate Bornstein provides an introduction. Boys Like Her is a road movie of young queer life. Four distinct voices come together in a tag-team dialogue, interwoven with disturbingly beautiful photographs that echo their transformative energy.Reading this book is like watching a circus troupe juggle a chainsaw, a grapefruit, a beach ball and a pocket watch without dropping a beat, With identities ranging from boy-girl to power-femme to borderline testosterone-enhanced, these talented upstarts explore and explode gender, sex and family. Gentleness is mixed with harsh honesty, as grandmother's good advice jostles with hormone therapy, surviving the psych ward, rough play and lost love. Each piece stands alone, together they are a conversation, a road movie of young queer life, rolling with the punches and taking the reader along for a ride to remember!

    Breaking down misconceptions and providing definitions, the history of nonbinary identities and gender-neutral language, and information on healthcare, this much-needed guide is for anyone wanting to fully understand nonbinary and genderqueer identities

    Sometimes it’s a sprinkle, and sometimes it’s a deluge. This is the wetter one.Drew Keen is not a people-person. No surprise, she’s lived in the Northwoods for the last decade, living simply and working freelance photography jobs for National Geographic. Finally, the loneliness persuades her to attend her college reunion, intent on reconnecting with the one that got away.Amber Richards has gone to every class reunion, hoping to see Drew, who fell off the grid after their graduation led to an inevitable breakup. She didn't expect Drew to be there this year either.She also didn't expect to spend her reunion time with an old flame, running away from her in the Northwoods.

    In a book which uniquely captures 1950's America, Brainard constructs the story of his life through a series of brief entries, each beginning with the words "I remember", and continues with observations about family, film stars, lust, and the astonishing New York culture into which he moved to from Tulsa at the age of 18.

    Read My Lips: Sexual Subversion and the tend of Gender, a frontal assault on both the status quo in academic studies and the full spectrum of single-issue identity politics, will change the way you think about bodies, sex, and gender. Yours and everyone else's.Combining the theoretical breakthroughs of Judith Butler's Gender Trouble and the performance revelations of Kate Bornstein's Gender Outlaw, Wilchins -- cofounder of the Transsexual Menace -- moves the dialogue to a new level. In a voice that is by turns outraged, outrageous, sad, and hilarious, the author weaves theory and personal experience into a compelling story of self-discovery. She redefines what it means to be "gendered", both by the way she lives and the accessible theoretical narrative she constructs.Read My Lips, with its unique mix of theory and application, anecdote and affront, will appeal to feminists, queer academics, activists, transpeople, "the-queer-on-the-street", and the increasing audience of mainstream readers hungry for writing that pushes the absolute edge of the gender envelope.OUT Magazine says that the author "has surfaced as the Superhero of this burgeoning (transgender) movement". Wilchins, herself, signs off on her email as follows: "Just your average straight white guy with a cunt who really digs lezzie chicks like me". Rarely have smarts and chutzpah produced such good effect.

    This was published as a Clarkesworld audiobook podcast in 2020.

    In these poems you will find sex and survival turned inside out, offering fresh perspective on what it means to be counted among the wounded. Where we expect to find liability, we find muscle. Where we expect to find numbness, we find thirst. Bring Down the Chandeliers is an exploration of trauma, body and faith. It is also an inquiry into forgiveness. As such these poems are not just for sexual assault survivors; they are for anyone who has struggled to forgive oneself and/or one's trespassers. They are for anyone making a life in the midst of aftermath. Tara Hardy is, as Dorothy Allison claims, "The real deal. Passionate, brave, gifted, insightful, dead-on in language and craft.� Find yourself strangely hopeful amid her explorations of addiction and justice. Consider your own compass as she navigates body, as she confronts sex as the site of what was both stolen and returned. Find a surprising bit of yourself in a story may not be yours, but in which you're invited to grapple with your own vulnerabilities and strengths. Walk away with a more intricate understanding of your own humanity.

    All it requires is taking a large golden retriever from one end of the country to the other. No pressure. When a snowstorm rocks the east coast sooner than expected, though, Ben is trapped at the airport, and suddenly all their plans for a perfect first Christmas with Nathan are on the line.This 60-page short story details Ben and Nathan’s first Christmas together back in 2019.This short story is available for free via Gumroad’s ‘Pay What You Want’ option, however any proceeds this short story earns will be donated to the National Center for Transgender Equality.

    Maggie is a funeral director from Indiana who lives a double life. Bug is a ten-year-old boy in the Pennsylvania foster care system who is sent to live with an aunt he doesn't know. Jimmy is a former paramedic and prescription drug addict on his way to meet a woman he met online who thinks he's a successful doctor. Helen is a Chicago insurance investigator who is leaving her marriage in search of the woman she wants to be. Four strangers, all traveling to Boston in search of better lives, are tied together in ways they don't even realize. Each are trying to fill the void of what's missing in their lives. Sometimes it takes a tragedy to overcome all that we lack.

    She is exhausted from spending eternity doing her job and now she seeks someone to unburden her conscience to. Wolf Willeford, a troubled young writer, is well acquainted with death, but until now hadn’t met Death in person – a black, working-class woman who shape-shifts and does her work unseen.Enthralled by her stories, Wolf becomes Mrs Death’s scribe, and begins to write her memoirs. Using their desk as a vessel and conduit, Wolf travels across time and place with Mrs Death to witness deaths of past and present and discuss what the future holds for humanity. As the two reflect on the losses they have experienced – or, in the case of Mrs Death, facilitated – their friendship grows into a surprising affirmation of hope, resilience and love. All the while, despite her world-weariness, Death must continue to hold humans’ fates in her hands, appearing in our lives when we least expect her . . .

    As a girl in boys’ clothes, she is accepted by neither tribe, bullied by both. What are you? they ask. Abandoned as a baby wrapped in a T-shirt with an image of a lizard on the front, Kivali found a home with nonconformist artist Sheila. Is it true what Sheila says, that Kivali was left by a mysterious race of saurians and that she’ll one day save the world? Kivali doesn’t think so. But if it is true, why has Sheila sent her off to CropCamp, with its schedules and regs and what feels like indoctrination into a gov-controlled society Kivali isn’t sure has good intentions?But life at CropCamp isn’t all bad. Kivali loves being outdoors and working in the fields. And for the first time, she has real friends: sweet, innocent Rasta; loyal Emmett; fierce, quiet Nona. And then there’s Sully. The feelings that explode inside Kivali whenever Sully is near—whenever they touch—are unlike anything she’s experienced, exhilarating and terrifying. But does Sully feel the same way?Between mysterious disappearances, tough questions from camp director Ms. Mischetti, and weekly doses of kickshaw—the strange, druglike morsel that Kivali fears but has come to crave—things get more and more complicated. But Kivali has an escape: her unique ability to channel and explore the power of her animal self. She has Lizard Radio.Will it be enough to save her?

    Drawing on the black feminist tradition, including Audre Lourde’s invitation to use the erotic as power and Toni Cade Bambara’s exhortation that we make the revolution irresistible, the contributors to this volume take up the challenge to rethink the ground rules of activism. Writers including Cara Page of the Astraea Lesbian Foundation For Justice, Sonya Renee Taylor, founder of This Body Is Not an Apology, and author Alexis Pauline Gumbs cover a wide array of subjects— from sex work to climate change, from race and gender to sex and drugs—creating new narratives about how politics can feel good and how what feels good always has a complex politics of its own.Building on the success of her popular Emergent Strategy, brown launches a new series of the same name with this volume, bringing readers books that explore experimental, expansive, and innovative ways to meet the challenges that face our world today. Books that find the opportunity in every crisis!

    At the heart of the park is Faggotland, a playland for gay men, and Castle Faggot, the darkest dark ride in the world. Home to a cartoon Dracula called Count Choc-o-log, the castle is decorated with the corpses of gays—some were killed, some killed themselves, all ended up as décor.The book includes a map of Faggotland, a photobook of the castle, the instructions for a castle-shaped dollhouse, and the novelization of a TV puppet show about Count Choc-o-log and his friends—reminiscent of the classic stop-motion special Rudolph the Red-Nosed Reindeer, but even gayer and more grotesque. As scatological as Sade but with a Hanna-Barbera vibe, Castle Faggot transmutes McCormack's love of the lurid and the childlike, of funhouses and sickhouses, into something furiously funny: as Edmund White says, “the mystery of objects, the lyricism of neglected lives, the menace and nostalgia of the past—these are all ingredients in this weird and beautiful parallel universe.”

    Written between the ages of sixteen and eighteen, with examinations of anxiety, death, first loves, and first lusts, Graffiti extends a hand to those undergoing the trials and uncertainty of teenagehood, and assures them they're not alone.