Without hope, a horse, or even a pistol, Edgar gambles on a chance meeting with someone that will turn things around. Fortunately, luck smiles on him when he is assigned with the simple task of accompanying a cattle baron's livestock to another town. Little does he know that amongst the cattle there is a cargo much more valuable, that will get him into trouble and will put his life in grave peril. What will Edgar be willing to risk in order to accomplish a mission that isn't as innocent as it first seemed? Will he manage to protect the valuable shipment and defeat a murderous gang that disperses fear in its wake?While Edgar is running for his life, he crosses paths with his boss's daughter, who, determined to prove her worth, disguises herself and jumps on the same train with him. When Edgar discovers her true identity, he will do whatever it takes to protect her from the vicious outlaws who have invaded the train. The more time they spend together, the more he realizes that her braveness and wit have made him lose his mind. But as long as criminals are after them and his life is at stake, he has no time for love. Will Edgar help Rose survive the treacherous journey? Will he manage to get out of this train safe and sound, despite the endless challenges he encounters?Fierce crossfires and an unprecedented hide and seek, take Edgar and Rose on an adventure that will remain indelible in their minds. Will they endure the wild ride across the frontier west? Or will overpowering forces ruin their chance at happiness once and for all?A pulse-pounding drama, which will make you turn the pages with bated breath until the very last word. A must-read for fans of Western action and romance."Menace in the Mysterious Train" is a historical adventure novel of approximately 60,000 words. No cliffhangers, only pure unadulterated action.

    Multibillionaire Goddard Moss has a vision: a city rising tall on the South Dakota prairie dedicated to Art. Not art of the staid, traditional, edifying, entertaining variety, but the Modern—modern painting, modern theater, modern sculpture, modern dance, all as obscure, pretentious, and offensive as its creators can make it (and with luck, government-funded). As Culture City rises from the grassy fields, playwrights, performers, and artists prepare for the gala opening week. Gregory Lubin's expansive stage re-creation of the Tower of Babel story is awaited with particular anticipation. But revolution is brewing just yards beyond the city walls and as far away as rural Maine. Despite the money being lavished on it, it becomes doubtful that "the Artland in the Heartland" will survive past its premiere.

    . . a real page turner' Sheila Newberry 1860s London Orphaned at a young age, Rosa has always looked out for her younger sister, Grace, protecting her from the dangers and bullies of the workhouse.So when Grace is suddenly faced with a world without Rosa, she finds herself alone and forced to make difficult decisions about her future. Can she really walk away from everything she has built to protect the children Rosa has left behind?Returning to the gang-ruled streets of south-east London, Grace is determined to build a better future for herself and for the children of Bell Lane - no matter what the cost . . .

    It takes him from the Hasinai Caddo villages of eastern Spanish Tejas to the Rocky Mountains and parts in between. Along the way, he encounters colorful and unsavory frontiersmen, hostile and friendly Indians as well as struggles with wild nature. But he also finds loyal friends and unconditional love.

    She’s thrilled when she’s asked to help with the Christmas program the Amish school is putting on—even more so when she finds Lucas Wickey has also volunteered to help. Despite being “slow,” Lucas can sing better than anyone in Swan Creek Settlement. As her feelings for him grow, she must decide what’s more important—what everyone else thinks, or what she’s hearing from her heart. Approximately 22,000 words

    But Pomeroy plays by his own set of rules. He may be on the dole, but he’ll tip his breakfast waitress $20 just for being nice to him, even if it means he has to sit an extra hour on the street corner to make ends meet. He’s a skirmish-loving, dumpster-diving, ego-starved crazy who thinks that he can sing and that all women are in love with him—or should be. His parole officer, an Hispanic woman who tells Pomeroy he’s off-base and he 1) won’t become a rock star, 2) needs to find a decent job, and 3) would be better off if he stayed out of trouble, is totally exasperated by him. But Pomeroy is his own man, takes no advice, and has more wisdom that we’d like to admit. You may find yourself laughing when you shouldn’t. (“A good strong piss is better than sex. Lasts longer too.”) May find his egocentric opinions politically incorrect. ("There ain't a dyke alive ol' Pomeroy can't turn straight.") But don’t blame yourself if you start rooting for this anti-hero, you’ll have a lot of company. (Note: Adult language and situations.)

    His work is inventive, disciplined and, at the same time, wild and evocative. His ear is splendid and his mind is agile.”—Edward Albee“An original, a maverick wordsmith whose weird, wry dramas gurgle with the grim humor and pain of life. Eno specializes in the connections of the unconnected, the apologetic murmurings of the disengaged.”—GuardianWinner of the 2004 Oppenheimer Award for best New York debut by an American playwright, The Flu Season is a reluctant love story, in spite of itself. Set in a hospital and a theater, it is a play that revels in ambivalence and derives a flailing energy from its doubts whether a love story is ever really a love story.Will Eno has been called “a Samuel Beckett for the Jon Stewart generation” (New York Times)—he is a playwright with an extraordinary voice and a singular theatrical vision. Also included in this volume are Tragedy: A Tragedy and Intermission.Will Eno is the author of Thom Pain (based on nothing), which ran for a year Off-Broadway and was a 2005 Pulitzer Prize finalist. Other works include Oh, the Humanity and other good intentions, The Flu Season, Tragedy: a tragedy, and Intermission.

    Poetry. Performance Studies. African & African American Studies. California Interest. Hybrid Genre. Winner of the 2016 Relentless Award from the American Playwriting Foundation. Introduction by Dawn Lundy Martin. Aleshea Harris' IS GOD IS is a classic revenge tale about two sisters that blends tragedy, typography, the Spaghetti Western, hip-hop and Afropunk. In this necessary new play, emotions are laid bare through gaps in language and characters are a window into the canon as well as our own broken times. A rigorous new work that unearths our deepest fears about humanity and who we think we are in relation to ourselves and the divine.--Dawn Lundy Martin Family, as the old tragedians knew, is our first country. Therefore, it's the earth from which we forge our first weapons, the fields of our first wars, the very turf over which we fight. With IS GOD IS, Aleshea Harris audaciously scours tragedy down with the rough edge of a rock. To read this merciless play is to get blood in your eye--and in Harris' sure grip, you'll recall that blood washes and stains, can run hot or cold, means both violence and family.--Douglas Kearney 3 Hole Press is a small press bringing new audiences to new plays in printed formats. The Press publishes titles that expand notions of what a play is, the possibilities that emerge for drama on the page, and the connection between plays and other mediums. Interdisciplinary by design, these books belong outside the drama section.

    

    Just when it seems things couldn't get any worse, he is visited by Sidney Lipton, a.k.a. A Messenger from God (and compulsive film buff) with a mission: test Joe's faith and report back to "the Boss." The jokes and Tests of Faith fly fast and furious as Neil Simon spins a contemporary morality tale like no other in this hilarious comedy.

    The Domestic Crusaders focuses on a day in the life of a modern Muslim Pakistani-American family of six eclectic, unique members, who convene at the family house to celebrate the twenty-first birthday of the youngest child.With a background of 9-11 and the scapegoating of Muslim Americans, the tensions and sparks fly among the three generations, culminating in an intense family battle as each "crusader" struggles to assert and impose their respective voices and opinions, while still attempting to maintain and understand that unifying thread that makes them part of the same family.

    The guide presents the major debates that surround these works as they develop, from Martin Esslin's early appropriation of the plays as examples of the Theatre of the Absurd, to recent poststructuralist and postcolonial readings by critics such as Steven Connor, Mary Bryden and Declan Kiberd. Throughout, Boxall clarifies and contextualizes critical responses to the plays, and considers the difficult relationship between Beckett and his critics.

    

    The door opens and you find a man holding a book. That book is called “Preachers Corner: Gunfighter of the West Book 1,” and the owner tells you this is the latest western bestseller from Bruce G. Bennett. You are stuck in Cheyenne for the day—you sit down and you start to read. Why is railroad magnate, Leonard Green, suddenly so interested in sleepy little Preacher’s Corner? Find out in this action packed story about the Wild West when it was really wild. Are Apaches behind burning out and murdering settlers or is some insidious plot afoot? It’s going to take cavalry Major Gabriel Torrent and a host of colloquial characters to figure out the puzzle. Throw in renegade Apaches and you have a great mix of Americana reminiscent of Zane Grey. Be there when the moment of truth is revealed in Preachers Corner. Filled with action-packed drama, great gunfights and the writing of Bruce G. Bennett you will not be able to put down “Preachers Corner.” Stake your claim now, and spend your hours with one of the best western books of the year.

    While London is beginning to swing, George Horsfield has settled into a stultifying routine - pushing paperwork around at the War Office on behalf of the fading British Empire, then catching the 5.27 home from Waterloo for twin beds and Ovaltine. Until a case of mistaken identity leads him into a world of Russian spies, cash-stuffed envelopes and call girls who aren't what they seem...This elegant short story, imbued with the mordant wit and seamless period detail that characterise John Lawton's work, shows once again why 'Lawton's up there with Philip Kerr and Alan Furst. Yes, he's that good.' (The Sun)