It takes Mr. and Mrs. Ambrose and their niece, Rachel, on a sea voyage from London to a resort on the South American coast. “It is a strange, tragic, inspired book whose scene is a South America not found on any map and reached by a boat which would not float on any sea, an America whose spiritual boundaries touch Xanadu and Atlantis” (E. M. Forster).

    Traveling through the dizzying expanse of geologic time—from prehistoric art in Norwegian sea caves, to the blue depths of the Greenland ice cap, to a deep-sunk "hiding place" where nuclear waste will be stored for 100,000 years to come—Underland takes us on an extraordinary journey into our relationship with darkness, burial, and what lies beneath the surface of both place and mind.Global in its geography and written with great lyricism, Underland speaks powerfully to our present moment. At once ancient and urgent, this is a book that will change the way you see the world.

    Mrs Banerjee sets out to transfer the run-down theatre into Coronation Talkies, a thoroughly modern cinema showing Hollywood's latest love stories. Lydia Rushmore discovers the soothing effects of gin as she tries to fit into hill station society and please her complicated new husband.As World War II looms in Europe and British colonial power recedes, Chalaili becomes the setting for trickery, seduction and the unveiling of shocking secrets.

    With a tragic history, Cwm Pot has been off-limits for decades, and unfortunately for Simon, the guide he's hired is as unpredictable and dangerous as the watery caverns that lurk beneath the earth. After a brutal struggle for survival, Simon barely escapes with his life, but predictably, the gruesome footage he managed to collect down in the earth's bowels goes viral. Ignoring the warning signs of mental trauma, and eager to capitalize on his new internet fame, Simon latches onto another escapade that has that magic click-bait mix of danger and death - a trip to Everest. But up above 8000 feet, in the infamous Death Zone, he'll need more than his dubious morals and wits to guide him, especially when he uncovers the truth behind a decade-old tragedy - a truth that means he might not be coming back alive. A truth that will change him - and anyone who views the footage he captures - forever.

    It is goodbye to a Berlin wild, wicked, breathtaking, decadent beyond belief and already -- in the years between the wars -- welcoming death in through the door, though more with a wink than a whimper.~from the back cover

    She's taken a job offering painting instruction to well-heeled travelers and her boss-a rather unpleasant English lord-has turned up dead in his penthouse. Maggie's left with a palazzo full of suspicious guests, a valuable painting her boss might have stolen, and a policeman who's decided she's the prime suspect. Now Maggie must keep the tour up and running while she tracks the killer and works to clear her name.

    Increasingly fascinated by this most shameful of experiences, she began to explore the lonely city by way of art. Moving fluidly between works and lives -- from Edward Hopper's Nighthawks to Andy Warhol's Time Capsules, from Henry Darger's hoarding to the depredations of the AIDS crisis -- Laing conducts an electric, dazzling investigation into what it means to be alone, illuminating not only the causes of loneliness but also how it might be resisted and redeemed.

    The intensive education that follows offers Henry a model for future excellence; a model that he is doomed to fail.On his accession, he chooses his brother’s widow, Caterina of Aragon, to be his queen. Together they plan to reinstate the glory of days of old and fill the royal nursery with boys.But when their first-born son dies at just a few months old, and subsequent babies are born dead or perish in the womb, the king’s golden dreams are tarnishedChristendom mocks the virile prince. Caterina’s fertile years are ending yet all he has is one useless living daughter, and a baseborn son.He needs a solution but stubborn to the end, Caterina refuses to step aside.As their relationship founders his eye is caught by a woman newly arrived from the French court. Her name is Anne Boleyn. A Matter of Conscience: The Aragon Years offers a unique first-person account of the ‘monster’ we love to hate and reveals a man on the edge; an amiable man made dangerous by his own impossible expectation.The story continues in A Matter of Faith : Book Two of The Henrician Chronicle.

    He found it on Blackfish Sound ("Blackfish" is the Kwakiutl Indian word for the killer whale) in the Inside Passage, the rugged coastline between Seattle and Alaska. Leaving his home in Aspen, which had become a false Shangri-La for him, Modzelewski settled on a desolate island in the Inside Passage, a place which "after seducing you with beauty would shake you with fear. An unpredictable place that kept you always prepared, honed to the keen edge of life." Here he lived alone for months on end. Inside Passage describes his experiences in this unspoiled setting, where the sky is his ceiling, mountains are his walls, and physical challenges test him down to the marrow. He also forms unusual friendships with passing yachters, salmon fishermen, Kwakiutl Indians, loners, and the owner of the house he is staying at, Will Malloff, a man of oversized personality -- a healer, builder, woodsman, and thinker. Modzelewski writes with a love for nature and gentle humor about his interactions with the native animals (eagles, whales, wolves), local animals (cats, dogs, "tame" wild boars), and other settlers. Inside Passage is the powerful story of one man learning the ways of self-reliance in a soul-filled search through the northern wilderness.

     Like most Americans at the time, Plennie Wingo was hit hard by the effects of the Great Depression. When the bank foreclosed on his small restaurant in Abilene, he found himself suddenly penniless with nowhere left to turn. After months of struggling to feed his family on wages he earned digging ditches in the Texas sun, Plennie decided it was time to do something extraordinary -- something to resurrect the spirit of adventure and optimism he felt he'd lost. He decided to walk around the world -- backwards. In The Man Who Walked Backward, Pulitzer Prize finalist Ben Montgomery charts Plennie's backwards trek across the America that gave rise to Woody Guthrie, John Steinbeck, and the New Deal. With the Dust Bowl and Great Depression as a backdrop, Montgomery follows Plennie across the Atlantic through Germany, Turkey, and beyond, and details the daring physical feats, grueling hardships, comical misadventures, and hostile foreign police he encountered along the way. A remarkable and quirky slice of Americana, The Man Who Walked Backward paints a rich and vibrant portrait of a jaw-dropping period of history.

    James Rebanks' isn't. The first son of a shepherd, who was the first son of a shepherd himself, he and his family have lived and worked in and around the Lake District for generations. Their way of life is ordered by the seasons and the work they demand, and has been for hundreds of years. A Viking would understand the work they do: sending the sheep to the fells in the summer and making the hay; the autumn fairs where the flocks are replenished; the gruelling toil of winter when the sheep must be kept alive, and the light-headedness that comes with spring, as the lambs are born and the sheep get ready to return to the fells.

    With no beauty, and few prospects, she was lucky to discover a lucrative talent - she can make people laugh. Now the queen of London's music hall stage, Dot feels she's not done badly. She has her audience, her independence, and enough money for champagne: a good life. Pretty, popular orphan Kate Eddowes was an unlikely childhood friend for Dot. The older girl's beauty was bound to take her places, and sure enough Kate soon left, lured away by love and the prospect of adventure. A chance encounter on a London street years later makes it clear that Kate's life has not gone according to plan. Though poor and alone, she retains her indomitable spirit. But this is Whitechapel in 1888, and the shadowy streets are no place for a desperate woman to wander...With her inimitable sharpness and wry wit, Laurie Graham brings to life the bustling pleasures and not-so-hidden dangers of life in a crowded city with its extremes of poverty and wealth. And all the while, in the shadows, lurks the lacerating threat of the Ripper.

    Before the Great Smoky Mountains became a national park, the region was a lush wilderness dotted with isolated farms.  Into this land of unspoiled beauty, Dorie Woodruff Cope was born in 1899.  In this evocative memoir, Dorie's daughter, Florence Cope Bush, traces a life at once extraordinary and yet typical of the many Appalachian farm families forced to leave their simple mountain homes for the cities; abandoning traditional ways for those born of "progress."Dorie's story begins with her childhood on an isolated mountain farm, where we see first hand how her parents combined back-breaking labor with intense personal pride to produce everything their family needed—from food and clothing to tools and toys—from the land.  Lumber companies began to invade the mountains, and Dorie's family took advantage of the financial opportunities offered by the lumber industry, not realizing that in giving up their lands they were also letting go of a way of life.  Along with their machinery, the lumber companies brought in many young men, one of whom, Fred Cope, became Dorie's husband.  After the lumber companies stripped the mountains of their timber, outsiders set the area aside as a national park, requiring Dorie, now married with a family of her own, to move outside of her beloved mountains.Through Dorie's eyes, we see how the mountain farmers were forced to abandon their beloved rural life-style and customs and assimilate into cities like Knoxville, Tennessee.  Her experiences were shared by hundreds of Appalachians during the early twentieth century.  However, Dorie's perseverance, strength of character, and deep love of the Smokies make this a unique and moving narrative.The Author: Florence Cope Bush is a former newspaper reporter and freelance writer in Knoxville, Tennessee.  She is the author of Ocona Lufte Baptist—Pioneer Church of the Smokies, and a regular contributor to Smoky Mountain Historical Society publications.Durwood Dunn is professor history at Tennessee Wesleyan College.  He is author of Cades Cove: The Life and Death of a Southern Appalachian Community, 1818-1937.

    . . what's the catch?Twenty-eight year old Hannah is ready for an adventure. She and her colleagues are in Spain for a month to film a documentary, and it's a dream come true. Not least because Hannah will get to spend long summer days with Theo, her boss (and crush). If only Tom (Hannah's best friend and cameramen) and Claudette (the presenter) would stop getting in the way...Then things become even more complicated when Nancy, Hannah's half-sister arrives. What on earth is she doing here?For once in her life, can't Hannah just have one perfect summer, free of any drama? Praise for Isabelle Broom 'Well-written and perfect for a lazy afternoon on the sofa' Daily Mail'Gloriously escapist, unashamedly romantic, witty and hugely enjoyable' Sunday Mirror'This book takes you on holiday' Adele Parks'A gorgeous story of heartbreak, forgiveness and self-discovery' Giovanna Fletcher'Brilliantly evocative' Paige Toon'Combines a wonderful setting with the poignancy of self-discovery and a touching romance' Katie Fforde

    Everyone from schoolboys to socialites knew of these glamorous 'named trains' and aspired to ride aboard them. In Belles and Whistles, Andrew Martin recreates five of these famous train journeys by travelling aboard their nearest modern day equivalents. Sometimes their names have survived, even if only as a footnote on a timetable leaflet, but what has usually - if not always - disappeared is the extravagance and luxury. As Martin explains how we got from there to here, evocations of the golden age contrast with the starker modern reality: from monogrammed cutlery to stirring sticks, from silence on trains to tannoy announcements, from compartments to airline seating. For those who wonder whatever happened to porters, dining cars, mellow lighting, timetables, luggage in advance, trunk murders, the answers are all here. Martin's five journeys add up to an idiosyncratic history of Britain's railways, combining humour, historical anecdote, reportage from the present and romantic evocations of the past.