Lonely, bored, and disappointed in Cornelia’s lack of affection, Carl decides to answer an advertisement from the Serial-Letter Company, which promises real letters, delivering comfort and entertainment, from imaginary persons. Carl signs up for their love letter program, thinking he might have a bit of fun, and teach his fiancée a lesson in the process.But he never expects to be so utterly charmed and entertained as he is by his letter writer, “Molly Make-Believe.” As the winter drags on and Cornelia’s letters grow sparse and impersonal, Carl and Molly strike up a lively correspondence, and he finds himself falling in love with her. Carl becomes determined to uncover Molly’s true identity. But will she be everything he imagines her to be? Does she feel what he feels, or is she just playing a part? And what will Cornelia have to say about this when she comes home?Originally written in 1910 by one of the early twentieth century’s most prolific romantic authors, Molly Make-Believe is a sweet, old-fashioned romance delivered with Eleanor Hallowell Abbott’s sparkling wit and style, and sure to delight fans of classic romance.Bonus Content: Introduction, Image GalleryLegacy Vintage Collection Enhanced eBooks have been professionally edited for readability and professionally formatted for your favorite e-reader! View more on The Vintage Reader.

    The novel follows the lives of Rose and her widowed Aunt, Madame Francesca Bernard, along with young visitor and cousin Isabel, whose lives are changed by the return of an old friend and neighbour Colonel Kent, and his grown son, Allison.

    To prove himself worthy to Roberta, Richard Kendrick undertakes the greatest challenge of his life—one that makes this novel almost impossible to put down.

    All four find themselves on an ocean liner headed for England together, and typically Wodehousian romantic shenanigans ensue.

    After many efforts to secure a home, Shirley, eldest of the Hollisters, contrives a way out by renting a magnificent old stone barn at a ridiculously low price, transforming it into a house. The owner of the barn is not an ordinary landlord, as you will see, for he is a young man with fine ideals, and he is not content with establishing Shirley and her family in the quaintly beautiful old place, but makes the world a much happier place to live in for all of them.

    It begins with a row about a young man. My story begins, too, where the first woman's story began-in a garden. It was the back garden of our red-roofed villa in that suburban street, Laburnum Grove, Putney, S.W.

    Some one must have been very kind, for there were doctors, and a blue-and-white striped nurse, and bottles and things. There was even a vase of perky carnations ' scarlet ones. I discovered that they had a trick of nodding their heads, saucily. The discovery did not appear to surprise me. "Howdy-do!" said I aloud to the fattest and reddest carnation that overtopped all the rest. "How in the world did you get in here?"

    They devise a shrewd bargain: they'll marry and spend a year or so sponging off their wealthy friends, honeymooning in their mansions and villas. As Susy explains, "We should really, in a way, help more than hamper each other. We both know the ropes so well; what one of us didn't see the other might - in the way of opportunities, I mean". The other part of the plan states that if either one of them meets someone who can advance them socially, they're free to dissolve the marriage. How their plan unfolds is a comedy of errors that will charm all fans of Wharton's work.

    A sort of fairyland transformation takes place. Beyond the once solid wall strange figures move on -- a new mise en scene, with the old blotted out in darkness. The lady, whom we left knitting by the fire, becomes a fairy -- Sara Lee became a fairy, of a sort -- and meets the prince. Adventure, too; and love, of course. And then the lights go out, and it is the same old back drop again, and the lady is back by the fire -- but with a memory. This is the story of Sara Lee Kennedy's memory -- and of something more. . . .

    M. Barnard." Louisa May Alcott's novel of romance and sexual intrigue is one of her lesser-known gems. Its tone and characterizations strike a markedly different chord from her best-known works, such as "Little Women" and "Little Men," and it remains a popular addition to her oeuvre.

    When lovely Linda Martin first arrives at Château Valmy as an English governess to the nine-year-old Count Philippe de Valmy, the opulence and history surrounding her seems like a wondrous, ecstatic dream. But a palpable terror is crouching in the shadows. Philippe's uncle, Léon de Valmy, is the epitome of charm, yet dynamic and arrogant, his paralysis little hindrance as he moves noiselessly in his wheelchair from room to room. Only his son Raoul, a handsome, sardonic man who drives himself and his car with equally reckless abandon, seems able to stand up to him. To Linda, Raoul is an enigma, though irresistibly attracted to him, she senses some dark twist in his nature. When an accident deep in the woods nearly kills Linda's innocent charge, she begins to wonder if someone has deadly plans for the young count.

    I seem to hear swift passing feet -- The Christ Child in the snow." Reba, the minister's new wife, was spirited, vigorous, courageous, and clever. She was also invincibly, incurably happy -- so that the minister seemed to grow younger every year. Reba doubled his joys and halved his burdens, tossing them from one of her fine shoulders to the other like feathers. She swept into the quiet village life of Beulah like a salt sea breeze. Now she has a plan -- one involving a few small verses she has penned. For there are rebellious youths and some contention in the church that threatens to split it . . .

    Adultery, death, and the spectacle of female recrimination and suffering are the elements that combine to make The Doctor's Wife a classic women's 'sensation' novel. Yet it is also Braddon's most self-consciously literary work and her rewriting of Madame Bovary. Like Emma Bovary, Braddon's heroine, Isabel Gilbert, is trapped in a marriage to a man incapable of understanding her imaginative life. But Braddon's novel differs vastly from Flaubert's in the nature and consequences of Isabel's 'affair'.

    He’s handsome, popular, wealthy, and surprisingly, single. Living the bachelor lifestyle with his widowed father, he’s never given much thought to romance. When an old school friend asks Eric to substitute teach for him on Prince Edward Island while he recuperates from an illness, Eric thinks, why not? He’s got some time to kill before diving into the family business with his father, and the rustic island may be a good diversion for him.Eric falls into the easy routine of island life, and his status as eligible bachelor endears him to the locals. Eric is still not thinking of romance, but he’s about to find it in a most unexpected place…Kilmeny Gordon is sweet and smart and beautiful, perfect in every way but one: she can’t speak. She’s been sheltered all her life due to her disability and the scandal surrounding her birth. She wiles away her hours helping her aunt and uncle on the farm and playing her violin in her favorite secluded spot. When Eric stumbles into her hidden orchard, he brings a whole new world with him, and a friendship that both frightens her and thrills her. As the summer days grow longer and their friendship blossoms, sweet, silent Kilmeny, with her sunny enthusiasm and haunting music, manages to do what neither the co-eds of Queenslea College nor the village lasses of Lindsay have been able to do—capture Eric’s heart.But Kilmeny knows he’ll soon have to go back to his life on the mainland, a world of business meetings and parties and prejudicial people—a world in which she’ll hold him back and never fit in. None of that matters to Eric, but how can he get her to accept that she’s the only woman he’ll ever love, when she is convinced that the only way to love him is to let him go?

    It is the story of Lassiter, a gunslinging avenger in black, who shows up in a remote Utah town just in time to save the young and beautiful rancher Jane Withersteen from having to marry a Mormon elder against her will. Lassiter is on his own quest, one that ends when he discovers a secret grave on Jane’s grounds. “[Zane Grey’s] popularity was neither accidental nor undeserved,” wrote Nye. “Few popular novelists have possessed such a grasp of what the public wanted and few have developed Grey’s skill at supplying it.”