I. PUDOVKIN Translated by IVOR MONTAGU Introduction by LEWIS JACOBS BONANZA BOOKS NEW YORK CONTENTS PAGE CONTENTS FILM TECHNIQUE A separate table of contents for FILM ACTING appears at the beginning of that volume. INTRODUCTION BY LEWIS JACOBS iii INTRODUCTION TO THE GERMAN EDITION . . xiii I. THE FILM SCENARIO AND ITS THEORY FOREWORD 1 PART I. THE SCENARIO .... 3 The meaning of the shooting-script The construction of the scenarioThe theme The action-treatment of the theme Conclusion. PART H. THE PLASTIC MATERIAL . . 26 The simplest specific methods of shooting-Method of treatment of the material struc tural-editing Editing of the scene Editing of the sequence Editing of the Scenario-Editing as an instrument of impression rela tional editing. II. FILM DIRECTOR AND FILM MATERIAL PART I. THE PECULIARITIES OF FILM MATERIAL 51 The film and the theatre The methods of the film Film and reality Filmic space and time The material of films Analysis Editing the logic of filmic analysis The necessity to interfere with movement Organisation of the material to be shot Arranging setups The organisation of chance material Filmic form The technique of directorial work. PART H. THE DIRECTOR AND THE SCENARIO 93 The director and the scenarist The environ ment of the film-The characters in the envir iv uUC aiY MO. 7158987 PAGE onment The establishment of the rhythm of the film. PABT III. THE DIRECTOR AND THE ACTOR 105 Two kinds of production The film actor and the film type Planning the acting of the film type The ensemble Expressive movement-Expressive objects The director as creator of the ensemble. PART IV. THE ACTOR IN THE FRAME . 118 The actor and the filmic image The actor and light. PART V. THE DIRECTOR AND THE CAMERA MAN 120 The cameraman and the camera The camera and its viewpoint The shooting of movement The camera compels the spectator to see as the director wishes The shaping of the com position-The laboratory-Collectivism the basis of film-work. III. TYPES INSTEAD OF ACTORS . 137 IV. CLOSE-UPS IN TIME 146 V. ASYNCHRONISM AS A PRINCIPLE OF SOUND FILM 155 VL RHYTHMIC PROBLEMS IN MY FIRST SOUND FILM 166 VII. NOTES AND APPENDICES A. GLOSSARIAL NOTES . 175 B. SPECIAL NOTES 180 C. ICONOGRAPHY OF PUDOVKINs WORKS . 192 D. INDEX OF NAMES .... 196 The numerals in the text refer to Appendix B. INTRODUCTION THERE are few experiences more important in the education of a newcomer to motion pic tures than the discovery of V. I. Pudovkins Film Technique and Film Acting. No more valuable manuals of the practice and theory of film making have been written than these two handbooks by the notable Soviet director. So sound are their points of view, so valid their tenets, so revelatory their analyses, that they remain today, twenty years after their initial appear ance, the foremost books of their kind. First published abroad in 1929 and 1933 respectively, Film Technique and Film Acting brought to the art of film making a code of principles and a rationale that marked the mediums analytic coming of age. Until their publication, the motion picture maker had to eke out on his own any intellectual or artistic considera tions of film craft. No explicit body of principles existed upon which the film maker could draw with confidence. Film technique was a more or less hit or miss affair that existed in a kind of fragmentary state which, in the main, leaned heavily upon theatrical methods. These pioneering books made clear at once that movie making need no longer flounder for a methodol ogy or for its own standards. They elucidated what iv FILM TECHNIQUE AND FILM ACTING were the fundamentals of film art and defined the singular process of expression that distinguished it from all other media. Now film theory and practice could be attacked with greater assurance and efficiency...

    From his earliest songs of the 1960s to his years with Island Records, these are the potent lyrics to the international reggae sound that was to make Bob Marley an unforgettable music legend.

    Like those other outstanding comics Spike Milligan and Peter Cook he had an innate belief in absurdity as a way of life - his humour and sheer joy in madness for its own sake was as likely to find its outlet on the street as on the stage. The other Pythons often said that just listening to Graham tell them about one of his wild evenings out was fodder for a dozen sketches. He was inventive, fearless, willing to take chances and make stands. Openly gay, capable of outrageous alcohol-fuelled behaviour, Graham Chapman lived an untidy life, and in some respects this book mirrors that. Inside is everything from television scripts and sketches to humorous essays on serious topics, comic flights of fancy that serve no purpose except to elicit a laugh, letters to friends and fellow hellraisers like Keith Moon and Ringo Starr, his behind-the-scenes account of the filming of Life of Brian, his views on fellow Pythons, and much more.

    Some of the situations are heartbreaking, others are head-scratching, and all of them are tales Disney would rather you not hear.Walt Disney, the company bearing his name, and their theme parks have been analyzed and chronicled almost ad nauseam. The word Disney conjures up different feelings for different people. For many, the Walt Disney Company stands for all things wholesome, family-centric, moral and entertaining, but every now and then scandalous and salacious behavior seeps into the utopian world of Disney. Disney Declassified isn’t about the analysis of the Disney Company at a deep or philosophical level—actually it’s quite the contrary; it is a collection of true stories with Disney being the setting or the catalyst in situations that are very un-Disney-like. In some of these instances, not every Disney story ends happily ever after;•The shocking time a baby was born and abandoned in a Magic Kingdom toilet. •When an eight-year-old girl was randomly shot in the back while riding aboard the Disneyland Railroad.•The controversial story of a handicapped woman having her Disneyland annual pass suspended for speeding and running into other guests with her motorized scooter.•What do a priest accused of molesting multiple children and the founder of a Ponzi scheme have in common? They both fled their situations and went to work at Walt Disney World.•The diabolical tale of a woman who sold her newborn baby for $15,000 to take her other children on a trip to Walt Disney World. •The role a former Nazi SS member played in the construction of Walt Disney World.•Two hostage situations at Walt Disney World, with one at EPCOT tragically ending in suicide.•How a peeping Tom set up an elaborate system to spy on female cast members as they changed for work inside Cinderella’s Castle.•Ever hear of something called “Sphinctering?” If you were one of the unlucky guys working for the fire company on Walt Disney World property, you may have been subjected to this form of male-on-male sexual harassment. •Find out how the public helped to identify and track down a despicable child pornographer based on the Disney resort in the background images the police released from his reprehensible videos. The Disney docket doesn’t end with cases of ride accidents, sex, crimes, death and violence. There are multiple stories of people faking cancer to score a free trip to Disney World, interesting copyright infringement and Americans with Disability Act lawsuits and a touching story of how a young boy with autism utilizes Disney characters to communicate with his family. However you feel about Disney, lover or hater, explore these stories and many more, when the real world collides with Disney and their world. Chances are you may never view Disney the same way again!

    It is about the death of physical film in the digital era and about a paranoid, secretive, eccentric, and sometimes obsessive group of film-mad collectors who made movies and their projection a private religion in the time before DVDs and Blu-rays.The book includes the stories of film historian/critic Leonard Maltin, TCM host Robert Osborne discussing Rock Hudson's secret 1970s film vault, RoboCop producer Jon Davison dropping acid and screening King Kong with Jefferson Airplane at the Fillmore East, and Academy Award-winning film historian Kevin Brownlow recounting his decades-long quest to restore the 1927 Napoleon. Other lesser-known but equally fascinating subjects include one-legged former Broadway dancer Tony Turano, who lives in a Norma Desmond-like world of decaying movie memories, and notorious film pirate Al Beardsley, one of the men responsible for putting O. J. Simpson behind bars.Authors Dennis Bartok and Jeff Joseph examine one of the least-known episodes in modern legal history: the FBI's and Justice Department's campaign to harass, intimidate, and arrest film dealers and collectors in the early 1970s. Many of those persecuted were gay men. Victims included Planet of the Apes star Roddy McDowall, who was arrested in 1974 for film collecting and forced to name names of fellow collectors, including Rock Hudson and Mel Torm�.A Thousand Cuts explores the obsessions of the colorful individuals who created their own screening rooms, spent vast sums, negotiated underground networks, and even risked legal jeopardy to pursue their passion for real, physical film.

    Now, twisting the film novelization genre in an entirely new direction, Stillman has produced something equally fresh and surprising: a novel based on the characters and events touched on in The Last Days of Disco—the movie The New York Times called “deft, funny and improbably touching”—with results that are even defter, funnier, and more improbably poignant.Jimmy Steinway, the “Dancing Adman” of The Last Days of Disco (and, we later discover, a frustrated, desk-drawer novelist), gets his lucky break when Castle Rock Entertainment, unable to find anyone else to write a novelization of the movie, reluctantly gives the assignment to him. Jimmy struggles to bring to light the true origins of the story at Kate Preston’s party in Sag Harbor and the fast, then slow, then fast again unfolding of his love for Alice Kinnon, the boyfriendless social failure from Hampshire College whose quite charm detonated a bitter rivalry between him and four of his Harvard classmates. (He also sets the record straight about the beautiful, passionate, painfully candid Charlotte Pingree.)Set primarily in Manhattan in the early 1980s—but spanning two continents and two decades—The Last Days of Disco, with Cocktails at Petrossian Afterwards redresses the wrongs done these characters and this period, while helping to ameliorate the comic novel shortage in the world today.

    But even he, with his penchant for fishnet stockings and stiletto heels, is stunned by the antics of his guests - to say nothing of the Butler who invented the ultimate sex machine.The author also wrote "Iron Maiden".

    Molly gives us his unforgettable encounters with The Beatles, Elton John, David Bowie, The Rolling Stones, Madonna, John Farnham, Bruce Springsteen, the Bee Gees, Rod Stewart, Russell Crowe, Oasis, Beyonce and Prince. As well as the tales that surround his other loves: the Australian cricket team, the St Kilda footy club and the Melbourne Storm."I have a lot of love for the great Ian 'Molly' Meldrum" - Shane WarneNo one has lived a life like Ian 'Molly' Meldrum. And no one can tell a story like Molly.

    Like Polaroids framing the years of a troubadour and family man afflicted with an excess of self-awareness, these are stories without any clear good guys or bad guys. Instead, in each of these vignettes, you will find dysfunctional humans trying to do their best and bouncing off each other in the process.

    Following the enormous success of "The Thin Man" movie in 1934, Hammett was commissioned to write stories for additional films. He wrote two full-length novellas, for the films that became "After the Thin Man" and "Another Thin Man". Bringing back his classic characters, retired private investigator Nick Charles and his former debutante wife Nora, who return home to find Nora’s family gardener murdered, pulling the couple back into another deadly game of cat and mouse. Hammett has written two fully satisfying "Thin Man" stories, with classic, barbed Hammett dialogue and fully developed characters.Neither of these stories has been previously published (except for a partial in a small magazine 25 years ago). The Return of the Thin Man is a hugely entertaining read that brings back two classic characters from one of the greatest of mystery writers who ever lived. This book is destined to become essential reading for Hammett's millions of fans and a new generation of mystery readers the world over.

    His films touch on a wide range of topics rife with questions about human life, behavior, and emotions: love and sex, war, crime, madness, social conditioning, and technology. Within this great variety of subject matter, Kubrick examines different sides of reality and unifies them into a rich philosophical vision that is similar to existentialism. Perhaps more than any other ph

     Champagne corks aren’t the only things popping! Chloe Kingston: I just wanted to learn how to play the guitar. Spurred on my one of my Mi Alpha Alpha sorority sisters New Year, New You texts, I decided to take music lessons. Who knew I’d end up learning to play from the biggest player around, the god of indie rock…Gavin Pierce himself? I vowed to finish the lessons I’d already paid for and never see him again. I vowed I wouldn’t be like the throngs of screaming women lining up to spent just a night in his arms. I vowed I wouldn’t be like every other woman in America, lusting after him so hard it made you stupid. But I broke that vow, and now there’s no going back. Gavin Pierce: Rock god, that’s what they called me. Player. Lothario. And I was, I was all those things and more. But I was also tired of the lifestyle, tired of partying and touring. So when my best friend need a favor, I stepped up just for a little break and to give his struggling music store some much needed publicity. Little did I know I would meet the woman of my dreams, the only one who would be able to save me from myself. How did I convince her that our one night could become a lifetime together, especially when I didn’t know how to find her again?

    Drawings.

    After an all-American boyhood in Kansas City, a stint flying bombers in World War II, and jobs ranging from dog tattoo entrepreneur to television director, Robert Altman burst onto the scene in 1970 with M*A*S*H. He reinvented American filmmaking, and went on to produce such masterpieces as McCabe & Mrs. Miller, Nashville, The Player, Short Cuts, and Gosford Park. In Robert Altman, Mitchell Zuckoff has woven together Altman's final interviews; an incredible cast of voices including Meryl Streep, Warren Beatty, Paul Newman, among scores of others; and contemporary reviews and news accounts into a riveting tale of an extraordinary life.

    E. "Doc" Smith MEGAPACK™ collects 11 works by Smith, including entries in the Lensman, Skylark, Subspace, and Lord Tedric series -- in all, more than 1,700 pages of galaxy-spanning adventure! Included are:TRIPLANETARYFIRST LENSMANTHE VORTEX BLASTERTHE GALAXY PRIMESMASTERS OF SPACETHE SKYLARK OF SPACESKYLARK THREESPACEHOUNDS OF IPCSUBSPACE SURVIVORSTEDRICLORD TEDRICIf you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 250+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!