Some of them have appeared in magazines but the majority have not been published before. The characters and backgrounds are widely varied. "A Clean, Well-Lighted Place" is about an old Spanish Beggar. "Homage to Switzerland" concerns various conversations at a Swiss railway-station restaurant. "The Gambler, the Nun, and the Radio" is laid in the accident ward of a hospital in Western United States, and so on. Ernest Hemingway made his literary start as a short-story writer. He has always excelled in that medium, and this volume reveals him at his best.

    He’s still wondering years later when, jilted and newly jobless, he gets off a bus by chance in the Faraway Hills and steps unawares into a story that has been awaiting him there.Does the world have a plot? It’s what Rosie Rasmussen wants to know, too. Will her life have the fearful symmetry of the lives led inside the books she reads? Rosie, newly returned to her childhood environs in the Faraways, is reading the historical romances of dead Fellowes Kraft one after another to see her through the hard realities of a divorce. There is another history in Kraft’s vivid novels: there are angels and Elizabethan magicians and the boy Shakespeare; once upon a time these tales entranced Pierce Moffett too, and teased him with the traces of a very large story indeed…Pierce is on the track of a history he can’t quite believe in; Rosie is losing her place in her own story, forgetting why people love one another. They are two seekers, marked by loss, about to share a discover in Fellowes Kraft’s old house in the Faraway Hills. There is more than one history of the world.

    It's easy to see why Mr. Martin, who wrote the film...was moved to reinvent this role...Mr. Martin's screenplay is bighearted and funny.' The New York Times

    Bret Easton Ellis trains his incisive gaze on the kids at self-consciously bohemian Camden College and treats their sexual posturings and agonies with a mixture of acrid hilarity and compassion while exposing the moral vacuum at the center of their lives. The Rules of Attraction is a poignant, hilarious take on the death of romance.

    Jake Gittes is a successful 'bedroom dick': a private eye specialising in cases of marital infidelity. Paradoxically he might also be the last truly ethical man in a corrupt town. Lured into an investigation of the death-by-drowning of City Water Commissioner Hollis Mulwray, Gittes gets more than usually entwined with his new client, Mulwray's enigmatic widow Evelyn. He then finds himself crossing swords with Evelyn's redoubtable father, the aging business magnate Noah Cross, who has professional and personal reasons of his own for wanting both Hollis and Evelyn silenced.Academy Award-winner for Best Original Screenplay of 1974, Robert Towne's Chinatown is widely regarded as the finest American movie script of the post-war years. Complex in narrative design, infused with the sordid real-life history of Los Angeles' economic growth and unmistakably adult in its updating of the trademark violence and sexual intrigue of film noir, on the page Chinatown still shines - and cuts - like a blade.

    Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my still-uncompleted series about the Glass family. It struck me that they had better be collected together, if not deliberately paired off, in something of a hurry, if I mean them to avoid unduly or undesirably close contact with new material in the series. There is only my word for it, granted, but I have several new Glass stories coming along ? waxing, dilating ? each in its own way, but I suspect the less said about them, in mixed company, the better. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can't say why, though. Not, at least, outside the casino proper of my fiction.

    Discover the secrets, never before seen on television, of Twin Peaks' most-wanted man, who scored a perfect 100 on his marksmanship test and once let a gentle, beautiful woman lead him astray. He's Dale Cooper - the man who seems too good to be true - and this is his story.

    Cloud's, Maine, Homer Wells has become the protege of Dr. Wilbur Larch, its physician and director. There Dr. Larch cares for the troubled mothers who seek his help, either by delivering and taking in their unwanted babies or by performing illegal abortions. Meticulously trained by Dr. Larch, Homer assists in the former, but draws the line at the latter. Then a young man brings his beautiful fiancee to Dr. Larch for an abortion, and everything about the couple beckons Homer to the wide world outside the orphanage ...

    Befriended by Donatello, a young Italian with the classical grace of the "Marble Faun," Miriam, Hilda, and Kenyon find their pursuit of art taking a sinister turn as Miriam's unhappy past precipitates the present into tragedy. Hawthorne's 'International Novel' dramatizes the confrontation of the Old World and the New and the uncertain relationship between the 'authentic' and the 'fake' in life as in art. The author's evocative descriptions of classic sites made The Marble Faun a favorite guidebook to Rome for Victorian tourists, but this richly ambiguous symbolic romance is also the story of a murder, and a parable of the Fall of Man. As the characters find their civilized existence disrupted by the awful consequences of impulse, Hawthorne leads his readers to question the value of Art and Culture and addresses the great evolutionary debate which was beginning to shake Victorian society.

    When that voice achieves its newness not through a certain formal facility but through the freshness of its vision, there is truly something to celebrate. Matt Ruff was only twenty-two when Fool on the Hill was first published, but with his novel he gave us a story that won over readers of every persuasion. Not your usual first effort, Fool on the Hill is a full-blown epic of life and death, good and evil, magic and love.Think of the imaginative daring of Mark Helprin’s Winter’s Tale. The zany popism of Tom Robbins’s Another Roadside Attraction. The gnomish fantasies of J.R. Tolkien. Think of these and you begin to get some idea of one of the most remarkable first novels to come along in years.In the world of Fool on the Hill dogs and cats can talk, a subculture of sprites lives in the shadows and underfoot (if you’re the sensitive type, or drunk enough, you might see them cavorting across the lawn), and the Bohemians, a group of Harley- and horseback-riding students dedicated to all things unconventional, hold all-night revels for the glory of their cause.Then there is Stephen Titus George, the novel’s youthful hero, who somehow finds himself the main player in a story that began well over a century ago. George is a mild-mannered flier of kites, a sometimes writer of bestselling fiction, and would-be knight looking for a maiden. George will find his girl and the century-old story will provide the proverbial dragon whose slaying will sanctify their love. But it will not be a sword that fells the foe but the transforming power of the imagination.

    Gaddis anticipates by almost half a century the crisis of reality that we currently face, where the real and the virtual are combining in alarming ways, and the sources of legitimacy and power are often obscure to us.

    Young Henry dreams that one day he too might be a professional 'wiseguy' - a 'goodfella'. His wishes come true with remarkable speed once he teams up with renowned hoodlum Jimmy Conway and his alarmingly psychotic pal Tommy DeVito. Henry embarks on an everyday life of crime which takes him from rags to gaudy riches, in and out of the federal penitentiary and under the unwelcome spotlight of the FBI. As the 1970s turn sour Henry finds himself at the sharp end of the cocaine trade, increasingly adrift from his extended mobster 'family' and forced to make a tough decision about his future . . .The film that re-established Martin Scorsese's eminence among American directors after years of professional difficulties, GoodFellas is a tour de force which lays bare the crude and venal motives which drive a happy band of thieves and murderers.

    Unwittingly they become pawns in a battle between the charismatic Jaime Miró, leader of the outlawed Basque nationalists, and the ruthless Colonel Ramón Acoca of the Spanish Army.Four women - and the men they are forbidden to love.Megan - the orphan, who feels an overpowering attraction to Jaime.Lucia - the fiery Sicilian beauty on the run for murder - and Rubio Arzano, the freedom fighter who risks his life to save her.Teresa - whose guilty conscience finally drives her to betray her friends.Graciela - who bears a terrible secret that almost destroys her - and the courageous Ricardo who loves her.From the same author of the books "The Other Side of Midnight", "Rage of Angels", "Bloodline" and "Windmills of the Gods". The book is set in Spain and centres around four nuns and their unwitting involvement with outlawed Basque nationalists and the Spanish Army.

    Thirteen darkly comic stories, Dangerous Laughter is a mesmerizing journey that stretches the boundaries of the ordinary world.

    Sera, a prostitute, and Ben, an alcoholic, stumble together and discover in each other a respite from their unforgiving lives. A testimony to the raw talent of its young author, Leaving Las Vegas is a compelling story of unconditional love between two disenfranchised and lost souls—an overlooked American classic.