The authorities believe only members of the household could have committed the crime, and this suspicion is tearing the family apart. Who really killed Lily's aunt?

    I cross the Seine, I walk with men and women who are anonymous and yet who are my reflection. We make up a single heart, a single cell. We are alive...'In All Men Naturally Want to Know the author traces her blissful childhood in Algeria, a sun-soaked paradise, recalling long trips across the desert with her mother and sister and hazy summer afternoons spent on the beach with her friend Ali. But Nina's mother is French - moving to Algeria for love at a time when most Europeans were desperate to leave - and as civil war approaches, their sunny idyll gives way to increasingly hostile and violent outbreaks. When something unspeakable happens to her mother, the family flee to Paris.In Paris, Nina lives alone. She is eighteen years old. It's the 1980s. Four nights a week she walks across Paris to a legendary women-only nightclub, the Katmandou. She sits alone at the bar, afraid of her own desires, of her sudden and intoxicating freedom. There she meets the glamorous, deeply troubled Ely, her volatile friends Lizz and Laurence, and the beautiful Julia, with whom she falls desperately in love. And, most importantly, she starts to write.

    In the foothills of the French Alps the narrator meets a shepherd who has quietly taken on the task of planting one hundred acorns a day in an effort to reforest his desolate region. Not even two world wars can keep the shepherd from continuing his solitary work. Gradually, this gentle, persistent man's work comes to fruition: the region is transformed; life and hope return; the world is renewed.

    Published in 1867, this is Zola's most important work before the Rougon-Macquart series and introduces many of the themes that can be traced through the later novel cycle.

    With only brief flashes of the last few years of her life, her world has narrowed to a few neighbors on the island where she lives with her devoted husband. But when Kyra begins having visions—or are they memories?—of a rocky marriage, broken promises, and cryptic relationships with the island residents she believes to be her friends, she can’t help but wonder if her new life is all a carefully constructed lie. As Kyra races to uncover her past, it soon becomes clear that the truth is a terrifying nightmare.

    But everything changes when she finds a body on the common near her home. She’s shaken and haunted by the image of the lifeless young woman, and frightened that the killer, still at large, could strike again. Before long, the police have a lead. The evidence points to a very clear suspect. One Gaby never saw coming . . . Full of twists and turns, this is a dark and suspenseful psychological thriller that will make you secondguess everything. Because you can never be too sure about anything, especially when it comes to murder.

    The first-person narrative is supplemented by forty-four photographs which form an integral part of the work -- pictures of various surreal people, places, and objects which the author visits or is haunted by in naja's presence and which inspire him to mediate on their reality or lack of it. The Nadja of the book is a girl, but, like Bertrand Russell's definition of electricity as not so much a thing as a way things happen, Nadja is not so much a person as the way she makes people behave. She has been described as a state of mind, a feeling about reality, k a kind of vision, and the reader sometimes wonders whether she exists at all. yet it is Nadja who gives form and structure to the novel.

    Imbued with Roy’s unique brand of compassion and compelling understanding, this moving story focuses on a family in the Saint-Henri slums of Montreal, its struggles to overcome poverty and ignorance, and its search for love.An affecting story of familial tenderness, sacrifice, and survival during the Second World War. The novel was made into a critically acclaimed motion picture in 1983.From the Hardcover edition.

    From her prison cell, Charlene recounts her lonely adolescence. Growing up shy and unpopular, Charlene never had many friends. That is, until she meet Sarah, a beautiful and charismatic American-French girl who moved back to Paris for high school. Much to Charlene's shock and delight, the two girls quickly develop an intense friendship. With Sarah by her side, Charlene finally begins to feel accepted and even loved. However, after a brief idyllic period, the girls' relationship becomes rocky and friendship veers towards obsession. As Sarah drops Charlene for older, more glamorous friends, Charlene's devotion spirals into hatred. Unfolding slowly and eerily towards a shocking conclusion, Breathe is an intense, convincing portrait of a possessive and ambiguous friendship.

    The shantytown established by Marie-Sophie is menaced from without by hostile landowners and from within by the volatility of its own provisional state. Hers is a brilliant polyphonic rendering of individual stories informed by rhythmic orality and subversive humor that shape a collective experience.A joyous affirmation of literature that brings to mind Boccaccio, La Fontaine, Lewis Carroll, Montaigne, Rabelais, and Joyce, Texaco is a work of rare power and ambition, a masterpiece.

    "A work of rough genius, a glorious burst of life-affirming joy in the face of untimely death".--The Guardian.

    What if she's not dead?Pushed to the breaking point, Cara Burrows flees her home and family and escapes to a five-star spa resort she can't afford. Late at night, exhausted and desperate, she lets herself into her hotel room and is shocked to find it already occupied — by a man and a teenage girl.A simple mistake at the front desk... but soon Cara realizes that the girl she saw alive and well in the hotel room is someone she can't possibly have seen: the most famous murder victim in the country, Melody Chapa, whose parents are serving natural life sentences for her murder.Cara doesn't know what to trust — everything she's read and heard about the case, or the evidence of her own eyes. Did she really see Melody? And is she prepared to ask herself that question and answer it honestly if it means risking her own life?

    The bad man is after us."  Clara Solberg's world shatters when her husband and their four-year-old daughter are in a car crash, killing Nick while Maisie is remarkably unharmed. The crash is ruled an accident…until the coming days, when Maisie starts having night terrors that make Clara question what really happened on that fateful afternoon. Tormented by grief and her obsession that Nick's death was far more than just an accident, Clara is plunged into a desperate hunt for the truth. Who would have wanted Nick dead? And, more important, why? Clara will stop at nothing to find out—and the truth is only the beginning of this twisted tale of secrets and deceit. Told in the alternating perspectives of Clara's investigation and Nick's last months leading up to the crash, master of suspense Mary Kubica weaves her most chilling thriller to date—one that explores the dark recesses of a mind plagued by grief and shows that some secrets might be better left buried.