Told from the point of view of Guinevere, this epic romance chronicles the life and loves of the queen of the Round Table. From being torn away from her native Breton to wed Arthur, being held captive by his enemies to her affair with Lancelot and the subsequent fall of Arthur’s kingdom, every dramatic event is explored in a rich, compelling narrative.With acute attention to the existing literature and historical studies, Medievalist scholar Lavinia Collins brings the world of dashing knights, week-long banquets and cruel wars to light for a contemporary audience eager to get an insider view of life at Arthur’s court. While this book will make fans of Arthurian literature ecstatic, it will also bring delight to any reader of quality contemporary fiction.Guinevere – A medieval romance was previously published as three volumes: The Warrior Queen, A Champion’s Duty and The Day of Destiny.

    A deadly enchantment. And only Merlin can destroy it. A meteorite brings a mysterious black stone whose sinister power ensnares everyone except Merlin, the blind son of a swordsmith. Soon, all of Britain will be under its power, and he must destroy the stone—or die trying.MERLIN'S BLADE won the 2014 Silver Moonbeam Award in the YA Fantasy/Sci-Fi category, as well as the 2013 Grace Award.

    Jekyll and Mr. Hyde --The Suicide Club --The bottle imp --The body-snatcher --Olalla.

    Lady Gregory tells about Ireland's gods and her fighting men from the old Irish sagas.

    A spellbinding novel, an extraordinary literary achievement, THE MISTS OF AVALON will stay with you for a long time to come....

    Discovering that he is Arthur's bastard son, not his nephew, Mordred confronts his beloved king. The king rejects him--turning Mordred's worship into an all-consuming hatred.

    The illicit liaison triggers a chain of events that will destroy two kingdoms and bring down a dynasty.Set against the backdrop of the pagan-Christian conflict between kings Penda and Oswiu The Song of Heledd sweeps the reader from the ancient kingdom of Pengwern to the lofty summits of Gwynedd where Heledd battles to control both her own destiny and that of those around her. Judith Arnopp has carried out lengthy research into the fragmented ninth century poems, Canu Llywarch Hen and Canu Heledd, and the history surrounding them to produce a fiction of what might have been.

    The thirty-one poems in the first of his major writings are linked by a lyrical prose narrative celebrating and debating the subject of love. Composed upon Dante's meeting with Beatrice and the "Lord of Love," it is a love story set to the task of confirming the "new life" inspired by this meeting. With a critical introduction and explanatory notes, this is a new translation of a supreme work which has been read variously as biography, religious allegory, and a meditation on poetry itself.

    Included are popular myths and legends from all six Celtic cultures of Western Europe-Irish, Scots, Manx, Welsh, Cornish, and Breton. Here for the modern reader are the rediscovered tales of cattle raids, tribal invasions, druids, duels, and doomed love that have been incorporated into, and sometimes distorted by, European mythology and even Christian figures. For example, there is the story of Lugh of the Long Hand, one of the greatest gods in the Celtic pantheon, who was later transformed into the faerie craftsman Lugh-Chromain, and finally demoted to the lowly Leprechaun. Celtic Myths and Legends also retells the story of the classic tragic love story of Tristan and Iseult (probably of Cornish origin-there was a real King Mark and a real Tristan in Cornwall) and the original tale of King Arthur, a Welsh leader who fought against the invading Anglo-Saxons. In the hands of Peter Berresford Ellis, the myths sung by long-dead Celtic bards come alive to enchant the modern reader. "The casual reader will be best entertained by ... the legends themselves ...colored with plenty of swordplay, ... quests, shape-shiftings, and druidic sorcery."-Publishers Weekly

    . . .It's New Year's Eve in Camelot, where King Arthur, Queen Guinevere, and all their good Knights wait breathlessly for an extravagant feast to begin. Suddenly, a strange and frightening Knight bursts into the hall — a giant of a man, green from head to toe, who mockingly challenges the Court to a shocking game. Only the chivalrous Sir Gawain dares to take on the hideous Green Knight. But over the unexpected course of his test,will Gawain prove as brave and honest as he'd like to believe? Welcome to a medieval world full of sword fights and shape-shifting, monsters and magic, and timeless characters both gallant and wonderfully human. Written anonymously in the fourteenth century, Sir Gawain and the Green Knight is retold in its entirety by Michael Morpurgo in a lively and accessible narration that captures all the tale's drama and humor. Vivid illustrations by the celebrated Michael Foreman infuse this classic tale with the sights and colors of dragons, swords, and medieval pageantry.

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.

    Complemented by 170 glorious full-color illustrations, this fascinating narrative recounts the legend and all its incarnations, focusing not only on Arthur but on the people surrounding him.

    But to do this they need to outwit the evil General Woundwort.

    In this highly successful attempt to render Malory into Modern English, Steinbeck recreated the rhythm and tone of the original Middle English.

    The stories are told in a country villa outside the city of Florence by ten young noble men and women who are seeking to escape the ravages of the plague. Boccaccio's skill as a dramatist is masterfully displayed in these vivid portraits of people from all stations in life, with plots that revel in a bewildering variety of human reactions.Translated with an Introduction and Notes by G. H. McWilliam