The unwed daughter of wealthy Jewish industrialists and a gifted pianist bound for Radcliffe, Bea plans to leave her shameful secret behind and make a fresh start. Ten years later, Prohibition is in full swing, post-WWI America is in the grips of rampant xenophobia, and Bea's hopes for her future remain unfulfilled. She returns to her uncle’s house, seeking a refuge from her unhappiness. But she discovers far more when the rum-running manager of the local quarry inadvertently reunites her with Emma Murphy, the headstrong Irish Catholic woman who has been raising Bea's abandoned child—now a bright, bold, cross-dressing girl named Lucy Pear, with secrets of her own.In mesmerizing prose, award-winning author Anna Solomon weaves together an unforgettable group of characters as their lives collide on the New England coast. Set against one of America's most turbulent decades, Leaving Lucy Pear delves into questions of class, freedom, and the meaning of family, establishing Anna Solomon as one of our most captivating storytellers.

    Paired as roommates, the two become fast friends. Daniella, raised in Georgetown by a Jewish father and a Methodist mother, has always felt caught between two worlds. But at Belmont, her bond with Eve allows her to finally experience a sense of belonging. That is, until the girls’ expanding awareness of the South’s systematic injustice forces them to question everything they thought they knew about the world and their places in it. Eve veers toward radicalism—a choice pragmatic Daniella cannot fathom. After a tragedy, Eve returns to Daniella for help in beginning anew, hoping to shed her past. But the past isn’t so easily buried, as Daniella and Eve discover when their daughters are endangered by secrets meant to stay hidden. Spanning more than thirty years of American history, from the twilight of Kennedy’s Camelot to the beginning of Bill Clinton’s presidency, We Are All Good People Here is “a captivating…meaningful, resonant story” (Emily Giffin, author of All We Ever Wanted) about two flawed but well-meaning women clinging to a lifelong friendship that is tested by the rushing waters of history and their own good intentions.

    Evelyn “Button” Peters is nine the summer Winnalee and her fiery-spirited older sister, Freeda, blow into her small town–and from the moment she sees them, Button knows this will be a summer unlike any other.Much to her mother’s dismay, Button is fascinated by the Malone sisters, especially Winnalee, a feisty scrap of a thing who carries around a shiny silver urn containing her mother’s ashes and a tome she calls “The Book of Bright Ideas.” It is here, Winnalee tells Button, that she records everything she learns: her answers to the mysteries of life. But sometimes those mysteries conceal a truth better left buried. And when a devastating secret is suddenly revealed, dividing loyalties and uprooting lives, no one–from Winnalee and her sister to Button and her family–will ever be the same.

    A moving depiction of the transformative power of first love, Hamann’s first novel follows Eveline Auerbach from her high school years in East Hampton, New York, in the 1970s through her early adulthood in the moneyed, high-pressured Manhattan of the 1980s. Centering on Evie’s fragile relationship with her family and her thwarted love affair with Harrison Rourke, a professional boxer, the novel is both a love story and an exploration of the difficulty of finding one’s place in the world. As Evie surrenders to the dazzling emotional highs of love and the crippling loneliness of heartbreak, she strives to reconcile her identity with the constraints that all relationships—whether those familial or romantic, uplifting to the spirit or quietly detrimental—inherently place on us. Though she stumbles and strains against social conventions, Evie remains a strong yet sensitive observer of the world around her, often finding beauty and meaning in unexpected places. Newly edited and revised since its original publication, Anthropology of an American Girl is an extraordinary piece of writing, original in its vision and thrilling in its execution.

    . . Or so it appears to beautiful, brilliant Charlotte Simmons, a sheltered freshman from North Carolina. But Charlotte soon learns, to her mounting dismay, that for the upper-crust coeds of Dupont, sex, cool, and kegs trump academic achievement every time.As Charlotte encounters the paragons of Dupont's privileged elite--her roommate, Beverly, a Groton-educated Brahmin in lusty pursuit of lacrosse players; Jojo Johanssen, the only white starting player on Dupont's godlike basketball team, whose position is threatened by a hotshot black freshman from the projects; the Young Turk of Saint Ray fraternity, Hoyt Thorpe, whose heady sense of entitlement and social domination is clinched by his accidental brawl with a bodyguard for the governor of California; and Adam Geller, one of the Millennial Mutants who run the university's "independent" newspaper and who consider themselves the last bastion of intellectual endeavor on the sex-crazed, jock-obsessed campus--she is seduced by the heady glamour of acceptance, betraying both her values and upbringing before she grasps the power of being different--and the exotic allure of her own innocence.With his trademark satirical wit and famously sharp eye for telling detail, Wolfe's I Am Charlotte Simmons draws on extensive observations at campuses across the country to immortalize the early-21st-century college-going experience.

    On his first day, tensions are clearly on the rise as a picked-upon upperclassmen finally snaps, unleashing a violent attack on both the students who tormented him for so long, and the corrupt, petty faculty that let it happen. But within this desperate place, Peter befriends fellow freshmen Noah Stein, a volatile classmate whose face bears the scars of a hard-fighting past, and the beautiful but lonely Lorelei Paskal —so eager to become popular, she makes only enemies.To even stand a chance at surviving their freshmen year, the trio must join forces as they navigate a bullying culture dominated by administrators like the once popular Ms. Bromine, their embittered guidance counselor, and Father Mercedes, the parish priest who plans to scapegoat the students as he makes off with church finances. A coming-of-age tale reversed, Brutal Youth follows these students as they discover that instead of growing older and wiser, going bad may be the only way to survive.

    Seasons in their tiny rustic home were peppered with wilderness hikes, building shelters from pine boughs and telling stories by the fire with their doting father and beautiful, adventurous mother. But at night, Maggie—a born worrier—would count the freckles on her father’s weathered arms, listening for the peal of her mother’s laughter in the kitchen, and never stop praying to keep them all safe from harm. Then her worst fears come true: Not long after Maggie’s tenth birthday, their father is killed in a logging accident, and a few months later, their mother abruptly drops the girls at a neighbor’s house, promising to return. She never does. With deep compassion and sparkling prose, Frances Greenslade’s mesmerizing debut takes us inside the extraordinary strength of these two girls as they are propelled from the quiet, natural freedom in which they were raised to a world they can’t begin to fathom. Even as the sisters struggle to understand how their mother could abandon them, they keep alive the hope that she is fighting her way back to the daughters who adore her and who need her so desperately. Heartwarming and lushly imagined, Shelter celebrates the love between two sisters and the complicated bonds of family. It is an exquisitely written ode to sisters, mothers, daughters, and to a woman’s responsibility to herself and those she loves.

    She knows how to snare a rabbit, sharpen a blade and splint a bone. She knows that her daddy loves her more than anything else in this world and he’ll do whatever it takes to keep her with him.But she doesn’t know why she feels so different from the other girls at school; why the line between love and pain can be so hard to see. Or why making a friend may be the bravest and most terrifying thing she has ever done.Sometimes the people you’re supposed to trust are the ones who do most harm. And what you’ve been taught to fear is the very thing that will save you…

    He lives in a seedy neighborhood and spends his free time with his spirited mother. Things happen to other people, and Bronfman knows it. Until, that is, he gets a call from operator 61217 telling him that he s won a free weekend at a beachfront condo in Destin, Florida. But there s a catch: the offer is intended for a couple, and Bronfman has only seventy-nine days to find someone to take with him.The phone call jolts Bronfman into motion, initiating a series of truly extraordinary adventures as he sets out to find a companion for his weekend getaway. Open at last to the possibilities of life, Bronfman now believes that anything can happen. And it does.A large-hearted and optimistic novel, Extraordinary Adventures is the latest from the New York Times bestselling Daniel Wallace.

    A tour-de-force about two women and the piano that inexorably ties their lives together through time and across continents, for better and for worse.In 1962, in the Soviet Union, eight-year-old Katya is bequeathed what will become the love of her life: a Blüthner piano, built at the turn of the century in Germany, on which she discovers everything that she herself can do with music and what music, in turn, does for her. Yet after marrying, she emigrates with her young family from Russia to America, at her husband's frantic insistence, and her piano is lost in the shuffle.In 2012, in Bakersfield, California, twenty-six-year-old Clara Lundy loses another boyfriend and again has to find a new apartment, which is complicated by the gift her father had given her for her twelfth birthday, shortly before he and her mother died in a fire that burned their house down: a Blüthner upright she has never learned to play. Ophaned, she was raised by her aunt and uncle, who in his car-repair shop trained her to become a first-rate mechanic, much to the surprise of her subsequent customers. But this work, her true mainstay in a scattered life, is put on hold when her hand gets broken while the piano's being moved--and in sudden frustration she chooses to sell it. And what becomes crucial is who the most interested party turns out to be. . .

    It is 1930, the midst of the Great Depression. After her mysterious role in a family tragedy, passionate, strong-willed Thea Atwell, age fifteen, has been cast out of her Florida home, exiled to an equestrienne boarding school for Southern debutantes. High in the Blue Ridge Mountains, with its complex social strata ordered by money, beauty, and girls’ friendships, the Yonahlossee Riding Camp for Girls is a far remove from the free-roaming, dreamlike childhood Thea shared with her twin brother on their family’s citrus farm—a world now partially shattered. As Thea grapples with her responsibility for the events of the past year that led her here, she finds herself enmeshed in a new order, one that will change her sense of what is possible for herself, her family, her country.Weaving provocatively between home and school, the narrative powerfully unfurls the true story behind Thea’s expulsion from her family, but it isn’t long before the mystery of her past is rivaled by the question of how it will shape her future. Part scandalous love story, part heartbreaking family drama, The Yonahlossee Riding Camp for Girls is an immersive, transporting page-turner—a vivid, propulsive novel about sex, love, family, money, class, home, and horses, all set against the ominous threat of the Depression—and the major debut of an important new writer.

    She hasn’t got a troop or even a badge to call her own.  But she’s checked the Handbook out from the elementary school library so many times that her name fills all the lines on the card, and she pores over its surreal advice (Disposal of Outgrown Uniforms; The Right Use of Your Body; Finding Your Way When Lost) for tips to get off the Calle:  that is, Calle de los Flores, the Reno trailer park where she lives with her mother, Jo, the sweet-faced, hard-luck bartender at the Truck Stop.Rory’s been told she is “third generation in a line of apparent imbeciles, feeble-minded bastards surely on the road to whoredom.” But she’s determined to prove the County and her own family wrong. Brash, sassy, vulnerable, wise, and terrified, she struggles with her mother’s habit of trusting the wrong men, and the mixed blessing of being too smart for her own good. From diary entries, social worker’s reports, half-recalled memories, story problems, arrest records, family lore, Supreme Court opinions, and her grandmother’s letters, Rory crafts a devastating collage that shows us her world while she searches for the way out of it. Girlchild is a heart-stopping and original debut.

    But their mother’s death from cancer fifteen years ago tarnished their golden-hued memories, and the sisters drifted apart. Their one touchstone is their father, Bill Sweeney, an internationally famous literary lion and college professor universally adored by critics, publishers, and book lovers. When Bill dies unexpectedly one cool June night, his shell-shocked daughters return to their childhood home. They aren’t quite sure what the future holds without their larger-than-life father, but they do know how to throw an Irish wake to honor a man of his stature.But as guests pay their respects and reminisce, one stranger, emboldened by whiskey, has crashed the party. It turns out that she too is a Sweeney sister.When Washington, DC based journalist Serena Tucker had her DNA tested on a whim a few weeks earlier, she learned she had a 50% genetic match with a childhood neighbor—Maggie Sweeney of Southport, Connecticut. It seems Serena’s chilly WASP mother, Birdie, had a history with Bill Sweeney—one that has remained totally secret until now.Once the shock wears off, questions abound. What does this mean for William’s literary legacy? Where is the unfinished memoir he’s stashed away, and what will it reveal? And how will a fourth Sweeney sister—a blond among redheads—fit into their story?By turns revealing, insightful, and uproarious, The Sweeney Sisters is equal parts cautionary tale and celebration—a festive and heartfelt look at what truly makes a family.

    In the days it takes the authorities to make an identification, the residents rekindle stories, rumors, and recollections both painful and poignant as they revisit Jess’s troubled history. In resurrecting the past, the people of Sycamore will find clarity, unexpected possibility, and a way forward for their lives.

    Born to teenage parents in Mississippi, Starla is being raised by a strict paternal grandmother, Mamie, whose worst fear is that Starla will turn out like her mother. Starla hasn’t seen her momma since she was three, but is convinced that her mother will keep her promise to take Starla and her daddy to Nashville, where her mother hopes to become a famous singer—and that one day her family will be whole and perfect.When Starla is grounded on the Fourth of July, she sneaks out to see the parade. After getting caught, Starla’s fear that Mamie will make good on her threats and send her to reform school cause her to panic and run away from home. Once out in the country, Starla is offered a ride by a black woman, Eula, who is traveling with a white baby. She happily accepts a ride, with the ultimate goal of reaching her mother in Nashville.As the two unlikely companions make their long and sometimes dangerous journey, Starla’s eyes are opened to the harsh realities of 1963 southern segregation. Through talks with Eula, reconnecting with her parents, and encountering a series of surprising misadventures, Starla learns to let go of long-held dreams and realizes family is forged from those who will sacrifice all for you, no matter if bound by blood or by the heart.