The theme of the play is the perennially interesting question of the relationship between the generations and the proper way to bring up a son. In the introduction Mr Martin considers Terence in the context of Roman comedy generally and discusses the background of the Adelphoe. There is also a section on metre and scansion and a short analysis of the textual tradition. The full and detailed commentary, besides elucidating the text, seeks at all times to help the reader to understand the work as a play to be enjoyed. The edition is intended for use by students at school and university and for anyone wishing to read and appreciate the play in the original.

    Previous histories have rarely recognized that the battle for independence was also a woman's war. The "women of the army" toiled in army hospitals, kitchens, and laundries. Civilian women were spies, fund raisers, innkeepers, suppliers of food and clothing. Recruiters, whether patriot or tory, found men more willing to join the army when their wives and daughters could be counted on to keep the farms in operation and to resist enchroachment from squatters. "I have Don as much to Carrey on the warr as maney that Sett Now at the healm of government," wrote one impoverished woman, and she was right.Women of the Republic is the result of a seven-year search for women's diaries, letters, and legal records. Achieving a remarkable comprehensiveness, it describes women's participation in the war, evaluates changes in their education in the late eighteenth century, describes the novels and histories women read and wrote, and analyzes their status in law and society. The rhetoric of the Revolution, full of insistence on rights and freedom in opposition to dictatorial masters, posed questions about the position of women in marriage as well as in the polity, but few of the implications of this rhetoric were recognized. How much liberty and equality for women? How much pursuit of happiness? How much justice?When American political theory failed to define a program for the participation of women in the public arena, women themselves had to develop an ideology of female patriotism. They promoted the notion that women could guarantee the continuing health of the republic by nurturing public-spirited sons and husbands. This limited ideology of "Republican Motherhood" is a measure of the political and social conservatism of the Revolution. The subsequent history of women in America is the story of women's efforts to accomplish for themselves what the Revolution did not.

    PLEASE NOTE THIS IS A SHORT STORY, NOT A FULL LENGTH NOVEL. ABOUT THE SHORT STORY’S PRICE: Hello, you lovely people. Odd to talk about money straight up, but I know that some of you might be thinking, £2.49 is a lot for a short story. Let me explain how it works. A rate of 20% VAT (Value Added Tax) applies to eBooks in the UK. This doesn’t apply to ‘real’ paper books. That means 42p of the £2.49 goes straight to the British government. Amazon takes around 5p to deliver the story to your Kindle, then takes another 61p as its cut. The remainder, £1.41, goes in the ratio 75% to Park in the Past* – that’s £1.06 for each story sold – and 25% to me, which means I will get 35p. Not much, but it’s just to cover my time. Once the figures are broken down, the total price doesn’t seem that high, to me at least. I hope you agree. Think of it in terms of a pint of beer or a cup of coffee: they cost £2-4, depending on where you live. This story will give you more enjoyment (I think!) than either of those things, and last for a longer time, and cost you less money. Plus you’re helping to build a Roman fort in Britain, the likes of which has not been seen in almost two millennia! *Park in the Past is an extraordinary project in northwest Britain – near Chester, just over the border in Wales. Set on a 120 acre site in the beautiful Welsh countryside, it aims to build a second century AD Roman marching fort. I’ve managed to raise more than £20,000 for the project, but as you can appreciate a lot more is needed. Please visit the Park’s site at www.parkinthepast.org.uk – and donate if you can. Even a small donation makes a huge difference. Thank you! This is a first for me, self-publishing a short story. It’s been an exciting project since the day I did the poll on Facebook, asking you lovely people which of my characters you wanted me to write about. The character from the Forgotten Legion won out, narrowly, and this is the result. The one hundred and something people who backed the Kickstarter campaign got to read this story almost 9 months ago, but now you can too. Enjoy the story, and please email me if you have any questions about it or anything else – ben@benkane.net Ben

    Laine gave up her job as a nurse, sold her home and gave away most of her belongings. She has three desires bubbling at the heart of her choice: to write a book, paint a picture and climb a mountain before she died. A man with a van took most of her remaining belongings, along with her basset hound Basil, down to the heel of Italy over 1,500 miles away, where she would spend the next four years. If it all seemed like a folly, then she was willing to take the risk. She moved to a house that she had only spent a week in the year before. She knew no one and yet she had surety in her resolve. She wanted to feel fully present in feeling unsafe and comfortable with the not knowing. And so the journey began, a new language, a new life laced with humour and laughter under the warm southern Italian sun. Come and join her...

    A young man is given a new start in life as a result of an impulsive action, beginning a journey that will take him to the far reaches of the known world to watch - and sometimes to partake in - the rise and fall of mighty empires.

    On the frontier of the Roman Empire, a Dacian man named Verus is captured and enslaved during an imperial raid north of the Danube. He is sent to a rock quarry known as The Pit, as one among thousands of fresh slaves needed to mine marble for Emperor Vespasian’s new amphitheatre. Funded by spoils taken during the Siege of Jerusalem, the Emperor promises it will be the largest gladiatorial arena ever; his personal gift to the people of Rome. Requiring years of herculean labour and millions of cubic feet in stone, Vespasian’s son, Titus, worries whether his father will live to see its completion. After months of back-breaking suffering and toil, Verus is taken from The Pit to become a gladiator. Whether by chance or fate, he knows that only by making a pact with death will he have a chance at life. In a savage world of blood, sweat, sand, and steel, his very soul is forged, until he no longer remembers the man he once was. As the Flavian Amphitheatre nears completion, with the possibility of fighting before the Emperor himself, Verus swears to either win his cherished freedom, or ignominiously die by the blade.

    And his new, but very dull family, leaves her feeling isolated. But with a demanding job as a producer of a daytime TV show and a satisfying relationship with spin the doctor Oliver Manners, Anna tries to hide her battered feelings.Then suddenly into her life erupts Sophia, her Italian birth-mother, who wants Anna to forgive her and come to Rome.Her mother’s family, the Grescobaldis, fabulously wealthy and hopelessly immoral, captivate Anna. But in Sophia, a woman who is clearly an outsider, Anna finds echoes of her own life with her father’s family. Against the advice of the Grescobaldis' disturbingly astute lawyer, Anna sets out to help Sophia, with devastating results. How could she know that it would change all their lives forever?Or that her search for 'A Better Life' would end in such drama. 'A Better Life' is a moving family story that will grip readers from the first page to the last. 'Compulsively readable, witty and astute.' - The Yorkshire Post. "A diverting, fast moving and at times, a heartbreaking story. Take it on holiday." Home and Life“Dazzlingly wealthy, hopelessly immoral, a perceptive look at a family at war” - Woman and Home“Written with a verve and pace, that keeps you reading” - Good HousekeepingFrankie McGowan is a journalist and former magazine editor. Her novels include 'My Mother's Wedding' and 'A Kept Woman.' Endeavour Press is the UK's leading independent publisher of digital books.

     Northern Italy. Dux Ambrosius Aurelianus has served the Roman Empire with distinction. His bucellarii, a small band of irregular soldiers, have helped to bring a fragile peace to the beleaguered empire in the west. But, with the empire now at peace, his master, Flavius Aetius, decides to chain up his dogs of war. Ambrosius and his men are left to idle away their days in a rural backwater, but Ambrosius’ boredom is brutally swept aside when old rivals seize the opportunity to destroy him. Pursued as a traitor by the imperial guard, Ambrosius takes his loyal band, along with other dissident soldiers and a Saxon girl, Inga, into the mountains. Since nowhere is safe, Ambrosius travels north, across the crumbling ruins of the empire, to his estranged family in Gaul. But there too, he finds nothing but conflict, for his home town is now besieged by a small army of rebellious Franks. Freedom and peace seem a world away. Whatever course the soldier takes, Ambrosius and his bucellarii will need to muster all their strength and skill to survive. At the twilight of the empire, they may be the Last of the Romans… Recommended for fans of Ben Kane, Anthony Riches and Conn Iggulden. 'Fast-paced and action-packed.' Richard Foreman, author of Spies of Rome Derek Birks is a former history teacher. He is also the author of Rebels & Brothers, a series of historical novels set during The Wars of the Roses.

    The mysterious, powerful Servilius Structus sends them deep into Scotland, land of the Caledonii, to find and secure a woman and her young son. But it’s not clear why... and what could go wrong, heading over the last Wall into the Land of Darkness? Accompanied by Ugo, Quintus, Manius, and Sibanus, this crew of ex–gladiator rogues, tricksters and bar-room philosophers will risk everything on an insane quest and a daring escape. In the dog days of Rome, with decadence and corruption in the air, the consequences of their failure are far greater than they could ever dream: not only their lives but the Empire itself is at stake.No pressure then.A searing, gritty and blood-soaked historical adventure, Beasts Beyond the Wall is perfect for fans of Giles Kristian, David Gilman and Conn Iggulden.

    Two years earlier, an unforeseen flood of refugees from the East Germanic tribe known as the Goths had arrived at the Empire's eastern border, seeking admittance. Though usually successful in dealing with barbarian groups, in this instance the Roman authorities failed. Gradually coalesced into an army led by Fritigern, the barbarian horde inflicted on Emperor Valens the most disastrous defeat suffered by the Roman army since Hannibal's victory at Cannae almost 600 years earlier. The Empire did not actually fall for another century, but some believe this battle signaled nothing less than the end of the ancient world and the start of the Middle Ages.With impeccable scholarship and narrative flair, renowned historian Alessandro Barbero places the battle in its historical context, chronicling the changes in the Roman Empire, west and east, the cultural dynamics at its borders, and the extraordinary administrative challenge in holding it together. Vividly recreating the events leading to the clash, he brings alive leaders and common soldiers alike, comparing the military tactics and weaponry of the barbarians with those of the disciplined Roman army as the battle unfolded on that epic afternoon. Narrating one of the turning points in world history, The Day of the Barbarians is military history at its very best.

    Mostly from the USA and UK, they bring into sharp focus the extent of the abuse of our critical life-saving services.With cartoons to depict calls and hyperlinks to take the reader to the original audio (some of them released in the public domain by the police and ambulance services in order to show the world how badly a minority of individuals will misuse valuable resources), this book promises to amuse and shock every right-minded person who understands what these services are here for.The author and illustrator are professional front line paramedics, so they know a thing or two about the subject; and from calls to the police for directions to 999 rants about the lack of buses, they have experienced their fair share of such stupidity.You won't believe some of the calls that have been made in the name of personal crisis. You simply won't believe what some people think is an emergency!

    This newly annotated, free verse translation conveys the full force of Lucan's writing and his grimly realistic view of the subject. The work is a powerful condemnation of civil war, emphasizing the stark, dark horror of the catastrophies which the Roman state inflicted upon itself. Both the introduction and glossary set the scene for readers unfamiliar with Lucan and explore his relationship with earlier writers of Latin epic, and his interest in the sensational.

    They reflect the state of its values, especially in times of crisis or transition." Upon this premise Paul Zanker builds an interpretation of Augustan art as a visual language that both expressed and furthered the transformation of Roman society during the rule of Augustus Caesar. The Power of Images in the Age of Augustus illustrates how the establishment of monarchy under Augustus Caesar led to the creation of a new system of visual imagery that reflects the consciousness of this transitional age.

    Situating Paul's texts in the context of early Jewish messianism, this book is part of a growing set of recent critiques devoted to the period when Judaism and Christianity were not yet fully distinct, placing Paul in the context of what has been called "Judaeo-Christianity." Agamben's philosophical exploration of the problem of messianism leads to the other major figure discussed in this book, Walter Benjamin. Advancing a claim without precedent in the vast literature on Benjamin, Agamben argues that Benjamin's philosophy of history constitutes a repetition and appropriation of Paul's concept of "remaining time." Through a close reading and comparison of Benjamin's "Theses on the Philosophy of History" and the Pauline Epistles, Agamben discerns a number of striking and unrecognized parallels between the two works.

    Kathy Peiss follows working women into saloons, dance halls, Coney Island amusement parks, social clubs, and nickelodeons to explore the culture of these young women between 1880 and 1920 as expressed in leisure activities. By examining the rituals and styles they adopted and placing that culture in the larger context of urban working-class life, she offers us a complex picture of the dynamics shaping a working woman's experience and consciousness at the turn-of-the-century. Not only does her analysis lead us to new insights into working-class culture, changing social relations between single men and women, and urban courtship, but it also gives us a fuller understanding of the cultural transformations that gave rise to the commercialization of leisure. The early twentieth century witnessed the emergence of "heterosocial companionship" as a dominant ideology of gender, affirming mixed-sex patterns of social interaction, in contrast to the nineteenth century's segregated spheres. Cheap Amusements argues that a crucial part of the "reorientation of American culture" originated from below, specifically in the subculture of working women to be found in urban dance halls and amusement resorts.