When Robert Creeley died in March 2005, he was working on what was to be his final book of poetry. In addition to more than thirty new poems, many touching on the twin themes of memory and presence, this moving collection includes the text of the last paper Creeley gave—an essay exploring the late verse of Walt Whitman. Together, the essay and the poems are a retrospective on aging and the resilience of memory that includes tender elegies to old friends, the settling of old scores, and reflective poems on mortality and its influence on his craft. On Earth reminds us what has made Robert Creeley one of the most important and affectionately regarded poets of our time.

    Here are the early poems which first brought Denise Levertov's work to prominence -- from early uncollected poems, selections from The Double Image (London, 1946), and her three books Here and Now (1957), Overland to the Islands (1958) and With Eyes at the Back of Our Heads (1960), which established her as one of the more lyrical and most influential poets of the New American poetry.

    Her husband, Frank, had promised to dedicate the rest of his life making their marriage work. Both newly retired, in their little beach cottage in Longboat Key, Florida, everything started out just as she imagined.Until he didn’t come home that night. Or the next.What began as romantic walks on the beach has quickly become a desperate search to find her missing husband. When local detective Brody Barker steps onto the scene, he’s determined to solve the case quickly and move on. But every lead is a dead-end.The closer Julia gets to finding out the truth, the further away she gets from wanting to know the answers.And just as the faith in her marriage starts to crumble, Brody realizes he is the only thing standing in the way of her and disaster.This beachside mystery romance is full of secrets, truths and unforeseen love that will keep you curious and wanting more.

    All the essays in the collection focus on storytelling. Warm, funny and entertaining, they discuss Philip's own stories, the craft of writing, other storytellers and the importance of stories in our culture.

    Alive is good. Except he finds himself at the Alamo in 1836 in the body of another man doomed to die. If history repeats itself, Santa Anna is coming soon and the Alamo will fall, along with himself and 189 others. In a race against time itself, Will uses his knowledge of the future to change the past. He will use every means necessary, even if it means abandoning the fort. He is determined to forget the Alamo!

    Alex wasn't so sure. But, determined to get to know his father better, Alex challenged him to a competitive Big Year: from January 1st to December 31st 2006, they would each attempt to see as many species of bird as possible, governed by the basic rules of birdwatching, plus a couple of their own: the birds had to be wild, free and alive; they had to actually see the birds; and they could travel anywhere in the world to do it. The one who saw the most birds over the course of 365 days would be declared the winner. Along the way, Alex would try to finally understand why his dad did what he did, and perhaps even 'get into' birdwatching himself.Following their year-long quest from Alex's first bird sighting at home to birding breaks in Romania, a stag-weekend spent twitching in Wales and a penguin-spotting trip to South Africa, this is the charming and hilarious story of a father and son, of manliness, obsessive behaviour, families and friendship. It's also the story of birdwatching told from the outsider's point of view, celebrating the eccentricities of two very different species.

    In Champions Way, New York Times investigative reporter Mike McIntire chronicles the rise of this growing scandal through the experience of the Florida State Seminoles, one of the most successful teams in NCAA history.A finalist for the Pulitzer Prize for his Times investigation of college sports, McIntire breaks new ground here, uncovering the workings of a system that enables athletes to violate academic standards and avoid criminal prosecution for actions ranging from shoplifting to drunk driving. At the heart of Champions Way is the untold story of a whistle-blower, Christie Suggs, and her wrenching struggle to hold a corrupt system to account. Together with shocking new details about prominent sports figures, including NFL quarterback Jameis Winston and former FSU coach Bobby Bowden, Champions Way shines a light on the ethical, moral, and legal compromises inherent in the making of a championship sports program.Beyond the story of Florida State, McIntire takes readers on a journey through the history of college football, from its origins as a roughneck pastime coached by nineteenth-century professors to its current incarnation as a gold-plated behemoth that long ago outgrew its scholastic environs. Illuminated in rich and disturbing detail is the hidden financial ecosystem that nourishes hundred-million-dollar teams, from the hustlers who recruit players for schools and the athletic departments controlled by rich boosters to the universities whose academic mission and moral authority have been undermined. More than pointing out flaws, McIntire examines their causes and offers hope to those who would reform college sports.

    Betty Bruce, and her pot-bellied pig, Gertrude, stumble upon the body of elderly widow, Eliza Bone, floating bottoms-up in her Oscar fish tank. The one clue they have is a set of muddy gumboot tracks left at the scene. Their problem: everyone on Seal Island wears gumboots.As two more bizarre deaths occur on the island, Betty is left to wonder if there is a serial killer at work on her beloved Island. In the end, only Gertrude may be left standing! "Gumboots, Gumshoes and Murder" is the first novel in the trilogy of a continuing story - The Gumboot & Gumshoe Series. "The Dastardly Mr. Deeds" and "Murder Most Fowl" are the sequels. They need to be read in this order. Due to numerous requests by readers, two standalone stories will be released in 2020 - Gertrude & The Sorcerer's Gold and Chasing SantaFor more information on author, Laura Hesse, visit www.RunningLProductions.com

    After finding out their beloved foster mother, Claudette McPhearson, was anything but the sweet old woman they thought her to be, Javon, Shanelle, and the rest of their siblings hit the ground running in order to keep the Syndicate operating and to keep themselves alive. That also means they have to lose some of the people they love the most.With the legacy of their mother and her plans for them in motion, the McPhearson children are operating on a broken foundation. Attacked on all fronts, Javon and Shanelle are struggling to keep the family normal, while following the criminal plans of their dead mother. The Syndicate is growing, and Javon is determined to bring in new blood while looking for those who killed Claudette. Not to mention, something odd is going on with all of his siblings that threatens to rock the family to the core. Will the McPhearson clan fall in order for the Syndicate to rise, or will the truth end the legacy before it can even begin?

    What is form's time? Here the form of life called a poem speaks with the body's mortality, its thickness, its play. The 10 poem-sequences in 3 Summers inflect a history of textual voices — Lucretius, Marx, Aby Warburg, Deleuze, the Sogdian Sutras — in a lyricism that insists on analysis and revolt, as well as the pleasures of description. The poet explores the mysterious oddness of the body, its languor and persistence, to test how it shapes the materiality of thinking, which includes rivers and forests. But in these poems' landscapes, the time of nature is inherently political. Now only time is wild, and only time — embodied here in Lisa Robertson’s forceful cadences — can tell.‘Robertson proves hard to explain but easy to enjoy. . . . Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt. . . . She wields language expertly, even beautifully.’—The New York Times‘Robertson makes intellect seductive; only her poetry could turn swooning into a critical gesture.’— The Village VoiceLisa Robertson's books include Cinema of the Present, Debbie: An Epic, The Men, The Weather, R's Boat and Occasional Works and Seven Walks from the Office for Soft Architecture. Lisa Robertson's Magenta Soul Whip was named one of The New York Times' 100 Notable Books. She lives in France.

    Don’t ask her to forgive and forget.When Kim was just 22, her older brother, Ron Goldman, was brutally killed by O.J. Simpson. Ron and Kim were very close, and her devastation was compounded by the shocking not guilty verdict that allowed a smirking Simpson to leave as a free man.It wasn’t Kim’s first trauma. Her parents divorced when she was young, and she and Ron were raised by their father. Her mother kidnapped her, telling her that her father didn’t love her any more. When she was 14, she was almost blinded from severe battery acid burns on her face during an automobile accident, requiring three reconstructive surgeries.But none of these early traumas compared to the loss of her brother, the painful knowledge that his killer was free, and fact that she could not even grieve privately—her grief was made painfully public. Counseled by friends, strangers, and even Oprah to “find closure,” Kim chose a different route. She chose to fight.Repeatedly, Kim and her family pursued Simpson by every legal means. Foiled over and over again, they ultimately achieved a small measure of justice.Kim’s story is one of tragedy, but also of humanity and, often, comedy. Living life as one of America’s most famous “victims” isn’t always easy, especially as a single mother in the dating market. She often had bizarre first date experiences, with one man even breaking down into tears and inconsolable with grief after realizing who she was.Ultimately Kim’s story is that of an ordinary person thrown into extraordinary circumstances at a very young age, and who had the courage—despite the discouragement of so many—to ignore the conventional wisdom and never give up her fight for justice.

    

    Taking his title from the wounded cry of the once great Max Bialystock in The Producers -- “Look at me now! Look at me now! I’m wearing a cardboard belt!” -- Epstein gives us his largest and most comprehensive collection to date.Writing as a memoirist, polemicist, literary critic, and amused observer of contemporary culture, he uses to deft and devastating effect his signature gifts: wide-ranging erudition, sparkling humor, and a penetrating intelligence. In personally revealing essays about his father and about his years as a teacher, in deeply considered examinations of writers from Paul Valery to Truman Capote, and in incisive take-downs of such cultural pooh-bahs as Harold Bloom and George Steiner, this remarkable collection presents us with the best work of our country’s most singular talent, engaged with the richness and variety of life, witty in his response to the world, and always entertaining.

    The Companion is illustrated with photographs from the author’s private collection and full-color reproductions of Hugo Award–winning artist Bob Eggleton’s eye-catching cover art for Lumley’s works. Contributors to The Brian Lumley Companion include some of today’s most noted experts on horror fiction, including W. Paul Ganley, founder of Weirdbook Press and two-time winner of the World Fantasy Award; Stephen Jones, coeditor of Horror: 100 Best Books and winner of multiple World Fantasy, British Fantasy, and Bram Stoker Awards; Robert M. Price, author of H. P. Lovecraft and the Cthulhu Mythos and one of the most respected analysts of Lovecraftian fiction; Robert G. Weinberg, an acknowledged specialist in weird fiction, and Stanley Wiater, host of the TV series “Dark Dreamers.”In The Brian Lumley Companion, Lumley aficionados will find an overview of Lumley’s career, from his first short fiction up to the present day; essays comparing Lumley and H. P. Lovecraft, a lengthy interview with the author that delves into the heart of Lumley’s relationship with the writers and editors who inspired him and the fans who support him, and analyses of Lumley’s short fiction and novels. An interview with Bob Eggleton gives insight into the development of his striking covers for the Necroscope series and other Lumley works. This companion also includes complete listings of the first publications of each of Lumley’s novels, short fiction, and poetry. Major attractions are the detailed concordances that focus on individual novels and series, including the three Psychomech titles, the Dreamlands and Primal Lands series, and each volume in the Necroscope series.As a special treat, The Brian Lumley Companion includes three short short stories by Brian Lumley, works that have never before appeared in book form.

    The poet who drew such unusual attention has a surprising background: for many years he has worked for Brooks Brothers, a fact that lends particular nuance to the title of his collection. The Clerk's Tale pays homage not only to Chaucer but to the clerks' brotherhood of service in the mall, where "the light is bright and artificial, / yet not dissimilar to that found in a Gothic cathedral." The fifty poems in The Clerk's Tale are exquisitely restrained, shot through with a longing for permanence, from the quasi-monastic life of two salesmen at Brooks Brothers to the poignant lingering light of a Miami dusk to the weight of geography on an empty Minnesota farm. Gluck describes them as having "an effect I have never quite seen before, half cocktail party, half passion play . . . We do not expect virtuosity as the outward form of soul-making, nor do we associate generosity and humanity with such sophistication of means, such polished intelligence . . . Much life has gone into the making of this art, much patient craft."