Discretion is of the utmost importance. Special conditions apply.When Sarah Larsen finds the notice, posted on creamy card stock in her building's lobby, one glance at the exclusive address tells her she's found her ticket out of a dead-end job--and life.At the interview, the job seems like a dream come true: a glamorous penthouse apartment on the Upper West Side of NYC; a salary that adds several zeroes to her current income; the beautiful, worldly mother of her charge, who feels more like a friend than a potential boss. She's overjoyed when they offer her the position and signs the NDA without a second thought.In retrospect, the notice in her lobby was less an engraved invitation than a waving red flag. For there is something very strange about the Bird family. Why does the beautiful Mrs. Bird never leave the apartment alone? And what happened to the nanny before her? It soon becomes clear that the Birds' odd behaviors are more than the eccentricities of the wealthy.But by then it's too late for Sarah to seek help. After all, discretion is of the utmost importance.

    She never came home ...When five-year-old Ava Sawyer goes missing from a birthday party at a local garden centre, the police are bewildered by the lack of leads. That is until two years later, when Ava's body is found and another little girl, Audrey Briggs, goes missing. Audrey also attended that party ...Leading the investigation is Detective Natalie Ward. A mother of two teenagers, this case chills her to the bone, and is a disturbing reminder of the last job she worked on. One that ended very badly.Natalie soon discovers that Ava's mother has some worrying gaps in her alibi and as she digs deeper, she's sure Ava's father is not telling the full story. And what did the owner of the garden centre Elsa see that day? Something that she's not telling Natalie ...Just as Natalie is facing up to the grim possibility that Ava and Audrey were killed by someone close to home, another little girl from the party doesn't come home from her ballet lesson. Can Natalie find a way to stop this killer before more innocent lives are taken?

    Luke had been dead for just three days.Rose Wilks' life is shattered when her newborn baby Joel is admitted to intensive care. Emma Hatcher has all that Rose lacks. Beauty. A loving husband. A healthy son. Until tragedy strikes and Rose is the only suspect.Now, having spent nearly five years in prison in Ipswich, Rose is just weeks away from freedom. Her probation officer Cate must decide whether Rose is remorseful for her crime, or whether she remains a threat to society. As Cate is drawn in, she begins to doubt her own judgement.Where is the line between love and obsession, can justice be served and, if so... by what means?

    When she meets Leo Drakos, a handsome, successful lawyer, the wedding ring on his finger is the only thing she doesn’t like about him. Yet as Piper well knows, no marriage is permanent.Meanwhile, Joanna has been waiting patiently for Leo, the charismatic man she fell in love with all those years ago, to re-emerge from the severe depression that has engulfed him. Though she’s thankful when Leo returns to his charming, energetic self, paying attention again to Evie and Stelli, the children they both love beyond measure, Joanna is shocked to discover that it’s not her loving support that’s sparked his renewed happiness—it’s something else.Piper. Leo has fallen head over heels for the flaky, New Age-y newcomer, and unrepentant and resolute, he’s more than willing to leave Joanna behind, along with everything they’ve built. Of course, he assures her, she can still see the children.Joanna is devastated—and determined to find something, anything, to use against this woman who has stolen her life and her true love. As she digs deeper into Piper’s past, Joanna begins to unearth disturbing secrets . . . but when she confides to her therapist that she fears for the lives of her ex-husband and children, her concerns are dismissed as paranoia. Can she find the proof she needs in time to save them?

    There are strangers in your house.Then you realise. You can't remember your name.She arrived at the train station after a difficult week at work. Her bag had been stolen, and with it, her identity. Her whole life was in there – passport, wallet, house key. When she tried to report the theft, she couldn’t remember her own name. All she knew was her own address.Now she's outside Tony and Laura's front door. She says she lives in their home. They say they have never met her before. One of them is lying.

    But, in the blink of an eye, her perfect life became a nightmare – when she found herself on trial for the murder of her little girls. PRESENT DAYJonathan Hunt covered the original Slade Babies' case for the local newspaper. Now that new evidence has come to light, Jon's boss wants him back on the story to uncover the truth.With Melissa's appeal date looming, time is running out. And, as Jon gets drawn deeper into a case he’d wanted to forget, he starts to question Melissa's guilt.Is Melissa manipulating Jon or telling him the truth? Is she a murderer, or the victim of a miscarriage of justice?And if Melissa Slade is innocent, what really happened to Ellie and Amber Slade?

    Then a fourth domestic abuser is brutally murdered. And he is Lucy’s husband.Now the finger of suspicion points at Lucy and the police are running out of time. Can Maggie and her team solve the murders before another person dies? And is Lucy really a cold-blooded killer?

    Only one came out...Introducing Standedge Tunnel: the longest canal tunnel in England.Last year six students went in, and two and a half hours later, the boat reappeared on the other side with only one of the students, unconscious, and the dog.The case of the Standedge Six was largely kept from the national media. The police investigation concluded that the only remaining student, Matthew, killed his friends, hid the bodies on the boat and returned later to move them to an undisclosed location.Matthew is in prison . . . but maintains he is innocent.Robert Ferringham is grieving for his missing wife, Sam. So when Matthew contacts him for help with his case, promising information on Sam, Robert has no choice but to help. But can he trust Matthew?And how will he solve the insolvable case?

    And then her fiance disappeared…‘Dazzling’ DAILY MAIL‘A terrific new talent’ PETER JAMESTwo weeks before her wedding, a stranger stops Amy in the street and warns her she’s in danger. Then that night, Matt, her fiancé, doesn’t come home. Desperate, Amy calls the police – but when Matt fails to emerge, she’s forced to call off her wedding day.Then another man is reported missing, by a woman called Fiona – a man meeting Matt’s description, who was about to leave his fiancée for her.  He was supposed to be moving in with her – but instead, he’s vanished.Amy refuses to believe Fiona’s lover can be her Matt – but photos prove otherwise, and it soon becomes clear that Matt has been leading a double life. As the police dig deeper, two conflicting, yet equally plausible stories emerge from two women who allegedly have never met.The wedding day never happened. But the funeral might.

    . .It has been twenty-five years since a local man raged through the small town of Hartstead, shooting eleven people dead at random. Cassie Colman was only four when Travis Green killed his last victim: the father she never knew.Cassie has spent her life trying to escape her past, but she is forced to return home when her mother starts forgetting even the basic details of hers.Then a strange discovery amongst her mother's possessions calls into question everything Cassie thought she knew about the eleven murders all those years ago. And on her quest for answers, Cassie realizes the past is a complicated thing. Some can't remember it, some don't want to.And some will do anything to ensure it stays buried . . .

    J. Tudor.Welcome to Chapel Croft. Five hundred years ago, eight protestant martyrs were burned at the stake here. Thirty years ago, two teenage girls disappeared without a trace. And two months ago, the vicar of the local parish killed himself.Reverend Jack Brooks, a single parent with a fourteen-year-old daughter and a heavy conscience, arrives in the village hoping to make a fresh start and find some peace. Instead, Jack finds a town mired in secrecy and a strange welcome package: an old exorcism kit and a note quoting scripture. "But there is nothing covered up that will not be revealed and hidden that will not be known."The more Jack and her daughter Flo get acquainted with the town and its strange denizens, the deeper they are drawn into their rifts, mysteries, and suspicions. And when Flo is troubled by strange sightings in the old chapel, it becomes apparent that there are ghosts here that refuse to be laid to rest.But uncovering the truth can be deadly in a village where everyone has something to protect, everyone has links with the village's bloody past, and no one trusts an outsider.

    Your goal is simple. Get out alive.In the lucrative world of finance, Vincent, Jules, Sylvie, and Sam are at the top of their game. They’ve mastered the art of the deal and celebrate their success in style―but a life of extreme luxury always comes at a cost.Invited to participate in an escape room challenge as a team-building exercise, the ferociously competitive co-workers crowd into the elevator of a high-rise building, eager to prove themselves. But when the lights go off and the doors stay shut, it quickly becomes clear that this is no ordinary competition: they’re caught in a dangerous game of survival.Trapped in the dark, the colleagues must put aside their bitter rivalries and work together to solve cryptic clues to break free. But as the game begins to reveal the team’s darkest secrets, they realize there’s a price to be paid for the terrible deeds they committed in their ruthless climb up the corporate ladder. As tempers fray, and the clues turn deadly, they must solve one final chilling puzzle: which one of them will kill in order to survive?

    Though Milly loves her mother, the only way to make her stop is to turn her in to the police. Milly is given a fresh start: a new identity, a home with an affluent foster family, and a spot at an exclusive private school. But Milly has secrets, and life at her new home becomes complicated. As her mother's trial looms, with Milly as the star witness, Milly starts to wonder how much of her is nature, how much of her is nurture, and whether she is doomed to turn out like her mother after all. When tensions rise and Milly feels trapped by her shiny new life, she has to decide: Will she be good? Or is she bad? She is, after all, her mother's daughter.

    Why would Beth do that, and risk dredging up painful memories? She hasn't seen Flora for twelve years. She doesn't want to see her today, or ever again.But she can't resist. She parks outside the open gates of Newnham House, watches from across the road as Flora and her children Thomas and Emily step out of the car. Except... There's something terribly wrong. Flora looks the same, only older. As Beth would have expected. It's the children. Twelve years ago, Thomas and Emily were five and three years old. Today, they look precisely as they did then. They are still five and three. They are Thomas and Emily without a doubt - Hilary hears Flora call them by their names - but they haven't changed at all. They are no taller, no older... Why haven't they grown?

    At twenty-seven, Marissa’s moved beyond the trauma and is working under a new name as a freelance photographer. But when she accepts a job covering a string of macabre murders in Portland, it’s impossible for Marissa not to remember.Everything is eerily familiar. The same underground lairs. Sad trinkets and toys left behind, identical to those Marissa had as a child. And then there is the note meant just for her that freezes Marissa’s blood: See you soon, Missy.To determine the killer’s next move, Marissa must retrieve her long-forgotten memories and return to a past she’s hidden away. But she won’t be facing her fears alone. Someone is waiting for her in the dark.