African American Studies. "The publication of Amiri Baraka's SOMEBODY BLEW UP AMERICA & OTHER POEMS makes one more mark in the development in modern Black radical & revolutionary cultural reconstruction... Readers of course will want as quick as possible to read for them-self the now controversial title poem..., but check-out, among the others, "In Town"--pure-pure dark post-Plantation molasses..."--Kamau Brathwaite.

    A Presidential election. A Constitutional crisis. And a terrorist who may get away scott-free. It could happen again. Perpetrated by anyone, anywhere . . . at a financial cost of next to nothing! A short story -- the secret behind President Christopher Wall's rise to power two years before Loss Of Reason.

    One door, one window. The window is boarded up. The former resident - a recluse - is deceased. Is there a story here?Estate liquidators make a living disposing of the personal effects of deceased persons. Typically these are elderly people who may have lived alone, and were considered a bit strange because of their aloofness. But as the liquidator goes through the effects of the deceased, they occasionally find a story. Letters, pictures, and other artifacts prove that this person was once young, vibrant, sexy, full of hopes dreams, and possibilities, intriguing and mysterious.Here, Ambrose Bierce explores some possibilities of the strange person that lived in the cabin with the boarded up window.Public Domain (P)2012 Audio Books by Mike Vendetti

    

    . . a powerful interpreter of the American experience.” —The Philadelphia InquirerArguably the most important writer to emerge from the Harlem Renaissance of the 1920s and ‘30s, Langston Hughes was a great poet and a shrewd and lively storyteller. His work blends elements of blues and jazz, speech and song, into a triumphant and wholly original idiom.Vintage Hughes includes the poems “The Negro Speaks of Rivers,” “I, Too,” “The Weary Blues,” “America,” “Let America Be America Again,” “Dream Variations,” “Young Sailor,” “Afro-American Fragment,” “Scottsboro,” “The Negro Mother,” “Good Morning Revolution,” “I Dream a World,” “The Heart of Harlem,” “Freedom Train,” “Song for Billie Holliday,” “Nightmare Boogie,” “Africa,” “Black Panther,” “Birmingham Sunday,” and “UnAmerican Investigators”; and three stories from the collection The Ways of White Folks: “Cora Unashamed,” “Home,” and “The Blues I’m Playing.”

    With humor, passion, and grace, the contributors lay bare poignant attempts at conformity and the alienation sometimes experienced by ethnic Americans. But they also tell of the strength gained through the preservation of their communities, and the realization that it was often their difference from the norm that helped them to succeed. In pieces suggesting that American identity is far from settled, these writers illustrate the diversity that is the source of both the nation's great discord and infinite promise.

    

    Possessed of an unshakeable sense of entitlement and a boundless sense of self-worth, assured of the adoration of all, Matilda can break men's hearts for fun. Agnes-diffident, careworn and poor-can only gape in astonishment at the figure her pupil cuts in the world. Employed to lead and form her, she is instead buffeted about in Matilda's tumultuous wake. She loves her young student-it is impossible not to. But it is hard not to wonder if Matilda's good fortunes will ever end.

    Get ready to have a holly jolly zombie holiday with this monstrously funny mash-up that subverts all that tiresomely good Christmas cheer. Clement C. Moore's verses are tweaked and twisted, turning a once-cozy fireside read-aloud on its (now brainless) head. To complete the sacrilege: hilarious renderings of zombie stockings (undead legs ) hung by the chimney with care, and St. Nick attempting to repel a full-out, flesh-devouring zombie attack. One thing's for sure--Santa and his eight tiny reindeer will never be the same

    

    That story, Pictor's Metamorphoses, is presented here along with a half century of Hesse's other short writings. Inspired by the Arabian Nights and the tales of the Brothers Grimm, these nineteen stories display the full range of Hesse's lifetime fascination with fantasy--as dream, fairy tale, folktale, satire, and allegory.

    A small collection of short stories, sold as part of the boxed set "One Hundred and Forty Five Stories in a Small Box: Hard to Admit and Harder to Escape, How the Water Feels to the Fishes, and Minor Robberies"

    Worth reading for both it's historical and current value.

    Selected poetry and prose from 1986.

    It includes a short story, two essays, and two prayers for the season.