Now, in a comic book personally overseen by King himself, Roland's past is revealed! Sumptuously drawn by Jae Lee and Richard Isanove, adapted by long-time Stephen King expert, Robin Furth (author of Stephen King's The Dark Tower: A Concordance), and scripted by New York Times Bestseller Peter David, this series delves in depth into Roland's origins ' the perfect introduction to this incredibly realized world; while long-time fans will thrill to adventures merely hinted at in the novels. Be there for the very beginning of a modern classic of fantasy literature!Collecting DARK TOWER: THE GUNSLINGER BORN #1-7.

    When industrialist Palmer Eldritch returns from an interstellar trip, he brings with him a new drug, Chew-Z. It is far more potent than Can-D, but threatens to plunge the world into a permanent state of drugged illusion controlled by the mysterious Eldritch.Cover illustration: Chris Moore

    With skillful prose, he enthralls even as he horrifies; with uncanny insight, he disturbs as profoundly as he reveals. Evoking revulsion and admiration, anticipation and dread, Barker's works explore the darkest contradictions of the human condition: our fear of life and our dreams of death.

    Three essays by Barney experts articulate the series' diverse themes and explore the artist's innovative aesthetic vocabulary; interviews with key collaborators, a composer, costume designer, make-up artist, technicians and actors reveal his working process. A trailblazing essay by Curator of Contemporary Art Nancy Spector charts Barney's work from the 1990s to the present and provides critical insights into the aesthetic vocabulary of his five Cremaster films, while Neville Wakefield's "Cremaster Glossary" illuminates the films' most far-flung references with citations from sources as diverse as Freud's psychoanalytic studies, Mormon law and lore, and hardcore music fanzines. In addition to stills from the five films--including the final episode, Cremaster 3--the book features related sculptures, photographs, drawings and storyboards. For anyone intrigued by the Wagner of contemporary art, this is an atlas to his enticingly hypnotic worlds. Barney himself collaborated on all aspects of this extraordinary publication, including the selection of over 700 images, most of them never before published.

    Collects MONSTRESS #1-6

    Just . . . gone. Surrounding their town was a wall of inky darkness, plummeting Walden into permanent night. Nothing can get in - not light, not people, not even electricity, radio, TV, internet, food, or water. And nothing can get out. No one who dared to penetrate the mysterious barrier has ever been seen again. Only their screams were heard. But for some, the darkness is not the worst of their fears. Driven mad by thirst, hunger, and perpetual night, the residents of Walden are ready to explode. The last few sane prisoners of this small town must prepare a final stand against their neighbors, themselves, and something even worse . . . something out there . . . in the darkness . . .

    It was first published in the March 1967 issue of IF: Worlds of Science Fiction.It won a Hugo Award in 1968. The name was also used for a short story collection of Ellison's work, featuring this story. It was recently reprinted by the Library of America, collected in volume two (Terror and the Uncanny, from the 1940s to Now) of American Fantastic Tales (2009).

    Now, for the first time, Olivia's work has been compiled into one deluxe book. Included are over 100 drawings and paintings, many previously unpublished, spanning the past fifteen years.

    Set in the world created by Robert Kirkman, this standalone trilogy is fast-paced, action-packed storytelling about the lengths some men will go to survive. With new characters, new storylines and with the same in-depth character-based plotting that has made the television series such an immediate hit, this trilogy of novels is sure to be a hit with those who love zombies and those who have loved the TV series and comic books.In the Walking Dead universe, there is no greater villain than The Governor. The despot who runs the walled-off town of Woodbury, he has his own sick sense of justice: whether it’s forcing prisoners to battle zombies in an arena for the townspeople’s amusement, or chopping off the appendages of those who cross him. The Governor was voted “Villain of the Year” by Wizard magazine the year he debuted, and his story arc was the most controversial in the history of the Walking Dead comic book series. Now, for the first time, fans of The Walking Dead will discover how The Governor became the man he is, and what drove him to such extremes.

    If you want to be friends with TheOtherGirls, you're going to have to give something up; this is the way it's always been, as long as there have been Ponies.

    Written by the famous nonobjective painter Wassily Kandinsky (1866–1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking paintings, this book had a tremendous impact on the development of modern art.Kandinsky's ideas are presented in two parts. The first part, called "About General Aesthetic," issues a call for a spiritual revolution in painting that will let artists express their own inner lives in abstract, non-material terms. Just as musicians do not depend upon the material world for their music, so artists should not have to depend upon the material world for their art. In the second part, "About Painting," Kandinsky discusses the psychology of colors, the language of form and color, and the responsibilities of the artist. An Introduction by the translator, Michael T. H. Sadler, offers additional explanation of Kandinsky's art and theories, while a new Preface by Richard Stratton discusses Kandinsky's career as a whole and the impact of the book. Making the book even more valuable are nine woodcuts by Kandinsky himself that appear at the chapter headings.This English translation of Über das Geistige in der Kunst was a significant contribution to the understanding of nonobjectivism in art. It continues to be a stimulating and necessary reading experience for every artist, art student, and art patron concerned with the direction of 20th-century painting.

    For thirteen months the town of Point Pleasant is gripped by a real-life nightmare that culminates in a tragedy that makes headlines around the world. Strange occurrences and sightings, including a bizarre winged apparition that becomes known as the Mothman, trouble this ordinary American community. Mysterious lights are seen moving across the sky. Domestic animals are found slaughtered and mutilated. And journalist John Keel, arriving to investigate the freakish events, soon finds himself an integral part of an eerie and unfathomable mystery...

    A bleakly inverted Planetary. A delight." --Kieron Gillen (THE WICKED + THE DIVINE)Five ambitious, brilliant, crazy people poisoned the 21st Century. They drifted apart, following their own eccentric specialties. And then, one by one, they realised how deep the poison went, and how they'd broken the planet. INJECTION is the story of a team of geniuses who ended the world, and then tried to save it.INJECTION HC 1 contains the first three volumes of the acclaimed series by New York Times bestselling writer Warren Ellis, Eagle Award-winning artist Declan Shalvey, and Eisner Award-winning colorist Jordie Bellaire.

    This gorgeous, illustrated hardbound volume contains in-depth knowledge about the locales, the deadly beasts that inhabit them, and the lethal weapons used to put them down.

    This is the first of a series of new Hellblazer editions starring Vertigo’s longest running antihero, John Constantine, England’s chain-smoking, low-rent magus.This first collection is a loosely connected series of tales of John’s early years where Constantine was at his best and at his worst, all at the same time.Collecting: Hellblazer 1–9; material from Swamp Thing 76-77