All come together in Beginnings and Endings, a trilogy of short stories that will bring a lump to the throat. Grits Girl explores the beginning of a lifetime of love over a favorite bowlful of breakfast. The Accident is an ironic story of how life can change in the blink of an eye. In The End of Summer, two men come to terms with their past through an unexpected detour and the innocent joy of a child. Each story is layered with unexpected twists and turns, and there’s a bonus flash fiction, Pick Me, to bring you a smile that will last the day.

    The opening narratives feature adolescent or pre-adolescent boys struggling with their conceptions of manhood: making sense of an old hermit whose life seems to have left no mark, or coexisting with a repulsive great-uncle in a world with no other male role model. Later, the stories depict grown men who find that these same struggles of manhood never go away: a man out of place among hunters and fathers in search of a missing child, or a man fighting through a blizzard to prove his worth to his own wife. The landscapes and lakescapes serve as recurring characters in the book. The boys and men wander forests—sometimes finding tranquility, sometimes finding tragedy. They climb and descend dunes. And often, they encounter the Big Lake: Lake Michigan. The idea of a Third Coast figures prominently in the book, the lake and its horizon serving as a kind of world’s end, where things pass away or come to life.

    These two stories are perhaps even better known as films (The Birds by Alfred Hitchcock and Don't Look Now by Nic Roeg), but here we bring you the full terrifying texts, superbly read by Peter Capaldi, who brings the true dimension of these works to the imagination.

    Intelligent and brutally direct talk to a reader about our times, Russia, the Russians, and much more.

     Corrine Dunning loves living by the ocean, and her life is getting even better now that she’s falling in love with Andy Johnson. When Corrine meets a blind old woman who insists the concrete ship in Monterey Bay is haunted, she doesn’t believe it. Although Mary Carmichael is blind now, she’s seen a lot of love affairs bloom and die near Seacliff Beach. She was a child when the concrete SS Palo Alto was pulled up to the pier at Seacliff — she’s always known it was haunted, and she knows the ghost will weave itself into Corrine’s life, taking over her thoughts. While Corrine and Mary begin a tentative friendship, Corrine’s relationship with Andy takes an unsettling turn. Is it possible Corrine’s mistrust began when she saw the ghostly woman on the ship? Now, Corrine must battle a spirit that’s made a home inside her mind.

    Beef Stroganoff? Micah Reed finds himself in a fancy restaurant, in a suit and tie, waiting on a blind date. Should be in for a good time, right? A nice, quiet evening? If you know Micah Reed, you know things usually aren't what they seem. Micah might not survive the night... A FREE short story in the award-winning Micah Reed series. Grab this quick, fun thriller now to read it all in one sitting!

    With a foreword by Robert Shapard and an afterword by Christopher Merrill, this book brings you fresh approaches to an exacting form that demands precision, a species of brevity that is surprisingly expansive. Writers say the pieces are hard to compose, but readers say they are easy to appreciate, a pleasure to envision, a wonder to watch life spun out and painted in small places. Real and surreal, lyrical and prosaic, here are 135 stories by 89 authors, certain to make you think.

    The Goon Squad 2014 Summer Special contains an introduction to the Squad, and four short stories: "Red Wolf, Red Wolf, Does Whatever a Red Wolf Can," "Changes," "No-No Dojo," and "Tale of Terror." Join Puppet Girl, the Revenant, Red Wolf, and Talos as they protect the fairly innocent, are sharply critical about modern newspapers, talk to a door in Salford, and recount the day the city nearly blew up.

    Dora Loveday is a harassed mother of four kids, grappling with a crazy menagerie of pets, an impervious and obstinate husband, and a relentless bombardment of trials and tribulations that would test a saint. In this wonderful sequel, this book does not fail to deliver a fabulous read, just as funny as the first.

    It is about a young girl who loves music and has dreams of a different life, a better life, a life that is not talked down on because of who her family is, or because of where she is from. She feels that just because she lives in the middle of the dusty fields of a flower nursery it does not make her any less important than anyone else. She wants a new life; a life without having to listen to the ranting or grunting of a drunken stepfather or the complaining of sickly mother. She wants a life of her own choosing, not one that was forced upon her by birth. Young Tuesday runs from away home to escape a life that has become unbearable. This is her story.

    Forbidden love spans the ages to occupy Bloodlore House for ever after. The Barnes family move into an expansive old Tudor home, never imaging they could ever own such splendour. The family’s three children, Sam and Jane, and Bridget, the brooding, love-sick teenager have the uppermost third-floor room as their game room, and a local babysitter, Tess thrown in to the mix. This room comes with a sinister ambience, an irremovable wooden cross and a jammed window, but is there more lurking unseen in this otherwise empty old room? Nightmares, voices and inexplicable happenings change each family member in different ways, and the babysitter is not left unscathed. Who will win out, the ancient or the contemporary? This compelling debut from Tabatha Cross will have the hairs standing on the back of your neck.

    Her husband had abandoned her for a sinister, younger woman and the weird nomadic group she led, and had taken their two children with him. But now Patsy had snatched Peter and Judith back again and was bringing them home to safety. Or so she thought. For as she left the dark old house with the witch-woman's snarled curses deafening her, tearing at her being, the real nightmare was just beginning. She drove into the night, and the road shifted, changed.

    Four stories. Each one set in the enchanting world of the South. These are the kinds of stories your grandmother told you from a front porch swing. Ice Melts in Spring by Linda W. Yezak When Kerry Graham's boss forces her to return to the Gulf of Mexico where her husband drowned years ago, she feels only spring's chill and not the warmth of the Texas sun. Can the joy of a reclusive author and the compassion of a shrimp-boat preacher thaw Kerry's frigid heart? Lillie Beth in Summer by Eva Marie Everson With the untimely death of his wife, Dr. James Gillespie believes God has abandoned him. He also believes he's never met anyone like the young widow Lillie Beth, whose beloved Granny lies dying at home, and who sees a God who sweeps hope through a farmhouse window. Can a young woman whose husband died in Vietnam restore a faith that is all but dead. Through an Autumn Window by Claire Fullerton Because her larger than life mother Daphne Goodwyn is dead, forty-year-old Cate returns to Memphis with one thought in mind: something always goes wrong at a Southern funeral. But surrounded by the well-mannered society that raised her, the nostalgic rites of a three-day, autumn mourning bring the unexpected gift of the end of sibling rivalry. A Magnolia Blooms in Winter by Ane Mulligan With Broadway stardom within her reach, Morgan James returns home in winter to help an old friend. Maybe it s just nostalgia, but when she sees him again, an old flame rekindles. When she s called back to NYC to take the lead in a new musical, will fame be worth losing the man she loves?

    You’ll see. Draw me just one more time.”No one knows if his mother will come out of her coma, so fourteen-year-old Jordie memorializes her in the only way he knows how: by drawing her. His older brother doesn’t approve of these sketches, but Jordie’s determined to capture the person she used to be. Unfortunately, Jordie must draw her from memory because his mom didn’t keep pictures, and her body in the hospital no longer looks like her. But the images of her are quickly fading, and if he doesn’t get a drawing right soon, the mother he remembers may slip away forever. No matter how close Jordie gets to completing a drawing, his mom’s most vital feature always evades him.Will Jordie capture his mother’s eyes? Or are they and his mother gone forever?Content Warning:SuicideDeathAnimal Death​Reader discretion advised

    * New Edition. * Includes a new translation of 'Fotikchand'.