The moment she realizes her parents' latest dinner party is a setup with the man they want her to marry, she's out the back door in a flash. Imagine her surprise when the same guy shows up at her office a week later -- the new lawyer hired to save her struggling company. What's not surprising: he's not too thrilled to see her either after that humiliating fiasco.Jay Shah looks good on paper...and off. Especially if you like that whole gorgeous, charming lawyer-in-a-good-suit thing. He's also arrogant and infuriating. As their witty office banter turns into late night chats, Liya starts to think he might be the one man who truly accepts her. But falling for each other means exposing their painful pasts. Will Liya keep running, or will she finally give love a real chance?

    Andrea Sachs, a small-town girl fresh out of college, lands the job “a million girls would die for.” Hired as the assistant to Miranda Priestly, the high-profile, fabulously successful editor of "Runway "magazine, Andrea finds herself in an office that shouts "Prada! Armani! Versace!" at every turn, a world populated by impossibly thin, heart-wrenchingly stylish women and beautiful men clad in fine-ribbed turtlenecks and tight leather pants that show off their lifelong dedication to the gym. With breathtaking ease, Miranda can turn each and every one of these hip sophisticates into a scared, whimpering child. THE DEVIL WEARS PRADA gives a rich and hilarious new meaning to complaints about “The Boss from Hell.” Narrated in Andrea’s smart, refreshingly disarming voice, it traces a deep, dark, devilish view of life at the top only hinted at in gossip columns and over Cosmopolitans at the trendiest cocktail parties. From sending the latest, not-yet-in-stores Harry Potter to Miranda’s children in Paris by private jet, to locating an unnamed antique store where Miranda had at some point admired a vintage dresser, to serving lattes to Miranda at precisely the piping hot temperature she prefers, Andrea is sorely tested each and every day—and often late into the night with orders barked over the phone. She puts up with it all by keeping her eyes on the prize: a recommendation from Miranda that will get Andrea a top job at any magazine of her choosing. As things escalate from the merely unacceptable to the downright outrageous, however, Andrea begins to realize that the job a million girls would die for may just kill her. And even if she survives, she has to decide whether or not the job is worth the price of her soul.

    Her husband of nearly twenty years has just left her for one of her friends, and she is let go from her office job--on Valentine's Day, of all days. Bewildered and completely lost, Thea doesn't know what to do. But when she learns that a distant great uncle in Scotland has passed away, leaving her his home and a hefty antique book collection, she decides to leave Sussex for a few weeks. Escaping to a small coastal town where no one knows her seems to be exactly what she needs.Almost instantly, Thea becomes enamored with the quaint cottage, comforted by its cozy rooms and shaggy, tulip-covered lawn. The locals in nearby Baldochrie are just as warm, quirky, and inviting. The only person she can't seem to win over is bookshop owner Edward Maltravers, to whom she hopes to sell her uncle's antique novel collection. His gruff attitude--fueled by an infamous, long-standing feud with his brother, a local lord--tests Thea's patience. But bickering with Edward proves oddly refreshing and exciting, leading Thea to develop feelings she hasn't felt in a long time. As she follows a thrilling yet terrifying impulse to stay in Scotland indefinitely, Thea realizes that her new life may quickly become just as complicated as the one she was running from.

    . .Nikki lives in cosmopolitan West London, where she tends bar at the local pub. The daughter of Indian immigrants, she’s spent most of her twenty-odd years distancing herself from the traditional Sikh community of her childhood, preferring a more independent (that is, Western) life. When her father’s death leaves the family financially strapped, Nikki, a law school dropout, impulsively takes a job teaching a "creative writing" course at the community center in the beating heart of London’s close-knit Punjabi community.Because of a miscommunication, the proper Sikh widows who show up are expecting to learn basic English literacy, not the art of short-story writing. When one of the widows finds a book of sexy stories in English and shares it with the class, Nikki realizes that beneath their white dupattas, her students have a wealth of fantasies and memories. Eager to liberate these modest women, she teaches them how to express their untold stories, unleashing creativity of the most unexpected—and exciting—kind.As more women are drawn to the class, Nikki warns her students to keep their work secret from the Brotherhood, a group of highly conservative young men who have appointed themselves the community’s "moral police." But when the widows’ gossip offers shocking insights into the death of a young wife—a modern woman like Nikki—and some of the class erotica is shared among friends, it sparks a scandal that threatens them all.

    Jen already has two college-age daughters by two different (probably) musicians, and it's her second time around the class mom block with five-year-old Max--this time with a husband and father by her side. Though her best friend and PTA President sees her as the-wisest-candidate for the job (or oldest), not all of the other parents agree.From recording parents' response times to her emails about helping in the classroom, to requesting contributions of-special-brownies for curriculum night, not all of Jen's methods win approval from the other moms. Throw in an old flame from Jen's past, a hyper-sensitive -allergy mom,-a surprisingly sexy kindergarten teacher, and an impossible-to-please Real Housewife-wannabe, causing problems at every turn, and the job really becomes much more than she signed up for.

    But when she finds herself awake at 1:37 a.m. in a panic over the need to produce a homemade pie for her daughter's school, she has to admit her life has become unrecognizable. With panache, wisdom, and uproarious wit, I Don't Know How She Does It brilliantly dramatizes the dilemma of every working mom.

    Except, as Peter and Helen Radley know but their children have yet to find out, the Radleys happen to be a family of abstaining vampires. When one night Clara finds herself driven to commit a bloodthirsty act, her parents decide to explain a few things.

    But now the TV and film agency she's been running behind the scenes is in trouble, and Evie will lose her job unless she can convince the agency's biggest and most arrogant client, Ezra Chester, to finish writing the script for a Hollywood romantic comedy. The catch? Ezra is suffering from writer's block--and he'll only put pen to paper if singleton Evie can prove to him that you can fall in love like they do in the movies. With the future of the agency in jeopardy, Evie embarks on a mission to meet a man the way Sally met Harry or Hugh Grant met Julia Roberts. But in the course of testing out the meet-cute scenes from classic romantic comedies IRL, not only will Evie encounter one humiliating situation after another, but she'll have to confront the romantic past that soured her on love. In a novel as hilarious as it is heartwarming, debut author Rachel Winters proves that sometimes real life is better than the movies--and that the best kind of meet-cutes happen when you least expect them.

    It begins with a secret."All good secrets have a taste before you tell them, and if we'd taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season."It is the last season of high school life for Nadia Turner, a rebellious, grief-stricken, seventeen-year-old beauty. Mourning her own mother's recent suicide, she takes up with the local pastor's son. Luke Sheppard is twenty-one, a former football star whose injury has reduced him to waiting tables at a diner. They are young; it's not serious. But the pregnancy that results from this teen romance—and the subsequent cover-up—will have an impact that goes far beyond their youth. As Nadia hides her secret from everyone, including Aubrey, her God-fearing best friend, the years move quickly. Soon, Nadia, Luke, and Aubrey are full-fledged adults and still living in debt to the choices they made that one seaside summer, caught in a love triangle they must carefully maneuver, and dogged by the constant, nagging question: What if they had chosen differently? The possibilities of the road not taken are a relentless haunt.In entrancing, lyrical prose, The Mothers asks whether a "what if" can be more powerful than an experience itself. If, as time passes, we must always live in servitude to the decisions of our younger selves, to the communities that have parented us, and to the decisions we make that shape our lives forever.

    Her mother has been vigilant about helping--forcing--her to stay well within the Nigerian dating pool ever since. But when another match-made-by-mom goes wrong, Azere ends up at a bar, enjoying the company and later sharing the bed of Rafael Castellano, a man who is tall, handsome, and white.When their one-night stand unexpectedly evolves into something serious, Azere is caught between her growing feelings for Rafael and the compulsive need to please her mother who will never accept a relationship that threatens to dilute Azere's Nigerian heritage. Azere can't help wondering if loving Rafael makes her any less of a Nigerian. Can she be with him without compromising her identity? The answer will either cause Azere to be audacious and fight for her happiness or continue as the compliant daughter.

    When their marriage goes into meltdown, Barrington has big choices to make.Mr Loverman is a groundbreaking exploration of Britain's older Caribbean community, which explodes cultural myths and fallacies, and shows how deep and far-reaching the consequences of prejudice and fear can be. It is also a warm-hearted, funny and life-affirming story about a character as mischievous, cheeky and downright lovable as any you'll ever meet.

    Freddie and Lydia. They'd been together for more than a decade, and Lydia thought their love was indestructible.But she was wrong. On her twenty-eighth birthday, Freddie died in a car accident.So now it's just Lydia, and all she wants to do is hide indoors and sob until her eyes fall out. But Lydia knows that Freddie would want her to try to live fully, happily, even without him. So, enlisting the help of his best friend, Jonah, and her sister, Elle, she takes her first tentative steps into the world, open to life--and perhaps even love--again.But then something inexplicable happens that gives her another chance at her old life with Freddie. A life where none of the tragic events of the past few months have happened.Lydia is pulled again and again across the doorway of her past, living two lives, impossibly, at once. But there's an emotional toll to returning to a world where Freddie, alive, still owns her heart. Because there's someone in her new life, her real life, who wants her to stay.Written with Josie Silver's trademark warmth and wit, The Two Lives of Lydia Bird is a powerful and thrilling love story about the what-ifs that arise at life's crossroads, and what happens when one woman is given a miraculous chance to answer them.

    All’s fair in love and business. The de la Rosa family and their wedding planning business have been creating happily ever afters in the Washington, DC area for years, making even the most difficult bride’s day a fairytale. But when their parents announce their retirement, the sisters—Marisol, Janelyn, and Pearl—are determined to take over the business themselves. But the sisters quickly discover that the wedding business isn’t all rings and roses. There are brides whose moods can change at the drop of a hat; grooms who want to control every part of the process; and couples who argue until their big day. As emotions run high, the de la Rosa sisters quickly realize one thing: even when disaster strikes—whether it’s a wardrobe malfunction or a snowmageddon in the middle of a spring wedding—they’ll always have each other. Perfect for fans of the witty and engaging novels of Amy E. Reichert and Susan Mallery, The Key to Happily Ever After is a fresh romantic comedy that celebrates the crucial and profound power of sisterhood.

    Nothing can distract her from completing a paper that is so good her boss will give her the promotion she deserves when she returns to work in the city. Amira leaves campus early, planning to work in the quiet basement apartment of her family’s house. But she arrives home to find that her grandmother has rented the basement to . . . a barbershop quartet. Seriously? The living situation is awkward: Amira needs silence; the quartet needs to rehearse for a competition; and Duncan, the small-town baritone with the flannel shirts, is driving her up the wall.As Amira and Duncan clash, she is surprised to feel a simmering attraction for him. How can she be interested in someone who doesn’t get her, or her family’s culture? This is not a complication she needs when her future is at stake. But when intolerance rears its ugly head and people who are close to Amira get hurt, she learns that there is more to Duncan than meets the eye. Now she must decide what she is willing to fight for. In the end, it may be that this small-town singer is the only person who sees her at all.

    The two women hadn't spoken since Natalie left in anger seven years ago, when her mother refused to support her chosen career as a chef. Natalie is shocked to discover the vibrant neighborhood of San Francisco's Chinatown that she remembers from her childhood is fading, with businesses failing and families moving out. She's even more surprised to learn she has inherited her grandmother's restaurant.The neighborhood seer reads the restaurant's fortune in the leaves: Natalie must cook three recipes from her grandmother's cookbook to aid her struggling neighbors before the restaurant will succeed. Unfortunately, Natalie has no desire to help them try to turn things around--she resents the local shopkeepers for leaving her alone to take care of her agoraphobic mother when she was growing up. But with the support of a surprising new friend and a budding romance, Natalie starts to realize that maybe her neighbors really have been there for her all along.