Not because she’s never seen one, but because she saw one too many. Refusing to believe is the only way to protect herself from the ghost that tried to steal her life. Kat’s disbelief keeps her safe until her junior year at McTernan Academy, when a research project for an eccentric teacher takes her to a tiny, private island off the coast of Connecticut. The site of a grisly mystery, the Isle of Acacia is no place for a girl who ignores ghosts, but the ghosts leave Kat little choice. Accompanied by her research partner, Evan Kingsley, she investigates the disappearance of Cassie Mallory and Sebastian Radcliffe on their wedding night in 1886. Evan’s scientific approach to everything leaves Kat on her own to confront a host of unbelievables: ancestral curses, powerful spells, and her strange connection to the ghosts that haunt Castle Creighton. But that’s all before Kat’s yanked through a magic portal and Evan follows her. When the two of them awaken 129 years in the past with their souls trapped inside the bodies of two wedding guests, everything changes. Together, Kat and Evan race to stop the wedding-night murders and find a way back to their own time—and their own bodies—before their souls slip away forever.

    There they create the album that will make their reputation, but at a terrifying cost: Julian Blake, the group’s lead singer, disappears within the mansion and is never seen or heard from again.Now, years later, the surviving musicians, along with their friends and lovers—including a psychic, a photographer, and the band’s manager—meet with a young documentary filmmaker to tell their own versions of what happened that summer. But whose story is true? And what really happened to Julian Blake?

    He is the curate sent by the bishop to assist Father Angwin-or is he? In the most unlikely of places, a superstitious town that understands little of romance or sentimentality, where bad blood between neighbors is ancient and impenetrable, miracles begin to bloom. No matter how copiously Father Angwin drinks while he confesses his broken faith, the level of the bottle does not drop. Although Fludd does not appear to be eating, the food on his plate disappears. Fludd becomes lover, gravedigger, and savior, transforming his dull office into a golden regency of decision, unashamed sensation, and unprecedented action. Knitting together the miraculous and the mundane, the dreadful and the ludicrous, Fludd is a tale of alchemy and transformation told with astonishing art, insight, humor, and wit.

    Upon discovering the rumors to be true, the young widow ends up forming a special companionship with the ghost of handsome former sea captain Daniel Gregg. Through the struggles of supporting her children, seeking out romance from the wrong places, and working to publish the captain's story as a book, Blood and Swash, Lucy finds in her secret relationship with Captain Gregg a comfort and blossoming love she never could have predicted. Originally published in 1945, made into a movie in 1947, and later adapted into a television sitcom in 1968, this romantic tale explores how love can develop without boundaries, both in this life and beyond.

    Some houses are never at peace. England, 1917  Reeling from the death of her fiancé, Stella Marcham welcomes the opportunity to stay with her pregnant sister, Madeleine, at her imposing country mansion, Greyswick – but she arrives to discover a house of unease and her sister gripped by fear and suspicion.Before long, strange incidents begin to trouble Stella – sobbing in the night, little footsteps on the stairs – and as events escalate, she finds herself drawn to the tragic history of the house.Aided by a wounded war veteran, Stella sets about uncovering Greyswick’s dark and terrible secrets – secrets the dead whisper from the other side…

    Throw in some vampires and a plot to overthrow the British monarchy, and what you have is the thrilling account that Charles Dickens was too scared to share with the world.From the brilliant mind of novelist and comic book veteran Peter David, Artful is the dark, funny, and action-packed story of one of the most fascinating characters in literary history.With vampires.

    'Disappearances', inspired by local legends of mysterious vanishings, mixes gossip and fact; 'Lois the Witch', a novella based on an account of the Salem witch hunts, shows how sexual desire and jealousy lead to hysteria; while in 'The Old Nurse's Story' a mysterious child roams the freezing Northumberland moors. Whether darkly surreal, such as 'The Poor Clare', where an evil doppelganger is formed by a woman's bitter curse, or mischievous like 'Curious, if True', a playful reworking of fairy tales, all the pieces in this volume form a start contrast to the social realism of Gaskell's novels, revealing a darker and more unsettling style of writing.Laura Kranzler's introduction discusses how Gaskell's tales, with their ghostly doublings and transgressive passions, show the Gothic underside of female identity, domestic relations and male authority. This edition also contains a chronology, further reading and explanatory notes.

    Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

    But a dark secret colors her life, for Delia’s most loyal companions are ghosts, as she has been gifted (or some would say cursed) with an ability to peer across to the other side.Since the great quake rocked her city in 1906, Delia has been haunted by an avalanche of the dead clamoring for her help. Delia flees to the other side of the continent, hoping to gain some peace. After several years in New York, Delia believes she is free…until one determined specter appears and she realizes that she must return to the City by the Bay in order to put this tortured soul to rest.It will not be easy, as the ghost is only one of the many victims of a serial killer who was never caught. A killer who after thirty years is killing again. And who is now aware of Delia’s existence.

    Ginger is a medium for the Spirit Corps, a special Spiritualist force.Each soldier heading for the front is conditioned to report to the mediums of the Spirit Corps when they die so the Corps can pass instant information about troop movements to military intelligence.Ginger and her fellow mediums contribute a great deal to the war efforts, so long as they pass the information through appropriate channels. While Ben is away at the front, Ginger discovers the presence of a traitor. Without the presence of her fiance to validate her findings, the top brass thinks she's just imagining things. Even worse, it is clear that the Spirit Corps is now being directly targeted by the German war effort. Left to her own devices, Ginger has to find out how the Germans are targeting the Spirit Corps and stop them. This is a difficult and dangerous task for a woman of that era, but this time both the spirit and the flesh are willing…

    They are surrounded by forests of birch and rowan; they make stew from foraged roots and hunted rabbit. The students are fulfilling their coursework; Silvie's father is fulfilling his lifelong obsession. He has raised her on stories of early man, taken her to witness rare artifacts, recounted time and again their rituals and beliefs—particularly their sacrifices to the bog. Mixing with the students, Silvie begins to see, hear, and imagine another kind of life, one that might include going to university, traveling beyond England, choosing her own clothes and food, speaking her mind.The ancient Britons built ghost walls to ward off enemy invaders, rude barricades of stakes topped with ancestral skulls. When the group builds one of their own, they find a spiritual connection to the past. What comes next but human sacrifice?A story at once mythic and strikingly timely, Sarah Moss's Ghost Wall urges us to wonder how far we have come from the "primitive minds" of our ancestors.

    In UNCLE SILAS (1864) Le Fanu brought up to date Mrs Radcliffe's earlier tales of virtue imprisoned and menaced by unscrupulous schemers. The narrator, Maud Ruthyn, is a 17 year old orphan left in the care of her fearful uncle, Silas. Together with his boorish son and a sinister French governess, Silas plots to kill Maud and claim her fortune. The novel established Le Fanu as a master of horror fiction.

    This is the story of a trip backward in time in which a nostalgia for the quaint turns into a hideous nightmare.

    1911: Inside an asylum at the edge of the Yorkshire moors, where men and women are kept apart by high walls and barred windows, there is a ballroom vast and beautiful. For one bright evening every week they come together and dance. When John and Ella meet It is a dance that will change two lives forever.Set over the heatwave summer of 1911, the end of the Edwardian era, THE BALLROOM is a tale of unlikely love and dangerous obsession, of madness and sanity, and of who gets to decide which is which.

    From the story about a beautiful young woman who shows up thirsty in the bathtub of the Frangipani Hotel in Saigon many years after her first sighting there, to a young woman in Houston who befriends an old Vietnamese man she discovers naked behind a dumpster, to a truck driver asked to drive a young man with an unnamed ailment home to die, to the story of two American sisters sent to Vietnam to visit their elderly grandmother who is not what she appears to be, these stories blend the old world with the new while providing a new angle of insight into the after-effects of the war on a generation of displaced Vietnamese immigrants as well as those who remained in Vietnam.