14 original watercolors.

    It is, in its earliest form, a spontaneous and instinctive endeavor to shape the facts of the world to meet the needs of the imagination, the cravings of the heart.Classics included in this volume include:One Eye, Two Eyes, Three Eyes,The Magic Mirror,The Enchanted Stag,Hansel and Grethel,The Story of Aladdin,This Story of Ali Baba,The Second Voyage of Sinbad the Sailor,The White Cat,The Golden Goose,The Twelve Brothers,The Fair One With the Golden Locks,Tom Thumb,Blue Beard,Cinderella,Puss In Boots,The Sleeping Beauty In the Wood,Jack and The Bean-Stalk

    Selection includes the following: RALPH WALDO EMERSON: Art, Character, Circles, Compensation, Divinity School Address, Experience, Friendship, Gifts, Heroism, History, Intellect, Literary Ethics, Love, Man the Reformer, Nature, New England Reformers, Nominalist and Realist, Politics, Prudence, Representative Men, Self-Reliance, The American Scholar, The Conservative, The Method of Nature, The Over-Soul, The Poet, The Transcendentalist, The Young American, HENRY DAVID THOREAU: An Excursion to Canada, A Plea for Captain John Brown, A Week on the Concord and Merrimack Rivers, Autumnal Tints, Civil Disobedience, Life Without Principle, Night and Moonlight, Slavery in Massachusetts, The Landlord, Walden, Walking

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.

    She kept it from 12 June 1942 to 1 August 1944. In this diary, which she addressed to an imaginary friend called Kitty, Anne wrote about her life - first in Nazi-occupied Amsterdam and then, when the Nazi persecution of Jews forced her family into hiding, in the sealed-off back rooms of an Amsterdam office building, which they referred to as 'the Secret Annexe'. Anne had always dreamed of being a writer and hoped one day to publish her diary.

    Presents two classic tales of terror, in which the protagonists put their souls in peril by their criminal activities and hope their evil deeds do not catch up to them.

    

    In this single, from n+1 (Issue 12), Kent Russell gives a remarkable (and very funny) report on the festival and a sympathetic account of the situation of the white poor in the US.

    It concerns an impoverished young man named Aladdin. He is recruited by a sorcerer from the Maghreb, who passes himself off as the brother of Aladdin's late father and convinces Aladdin and his mother of his goodness by making arrangements to set up the lad as a wealthy merchant. His real motive is to persuade young Aladdin to retrieve a wonderful oil lamp from a booby-trapped magic cave.

    An Ivory seagull loses his Arctic home when his iceberg melts. He meets a friendly snail, Poco, who helps him on his journey to find a new home. But, the seagull is afraid of the world and cannot find a home. He moves slow and cannot keep up with the other Ivory seagulls, earning him the nickname, "Slow Moe". As a result, the other seagulls shun him and force him off the docks. When Slow Moe crash-lands in a dark forest, he encounters a lost group of children and their puppy. However, a hungry pack of coyotes are lurking in the darkness. Can the group escape danger and find their way home? Can they rescue their puppy who was taken by the coyotes ? And who will lead them through the darkness ? Slow Moe learns the most important lesson. He discovers that his real home is among his friends.The story is an action-packed adventure that will keep you on the edge of your seat waiting to read the next page. Stunning, colorful, and detailed graphics will make you feel as if you are in the forest with the group.

    but where will it stop?Webster's Email is a wonderfully witty rhyming story that gathers pace as the little spider begins to regret emailing a funny picture of his sister. Count with Webster in this number book as his email reaches more and more people, while gently introducing young readers to the vocabulary and etiquette of email technology.

    They make books together in the world's coolest treehouse! They've got loads of different storeys in their home in the sky: you can find a marshmallow machine, the world's most powerful whirlpool, a penguin ice-skating rink, a tank full of sharks and a human pinball machine, among many other things. But none of these help them agree on their special story for World Book Day – and it's not just Mr Big Nose keeping an eye on them now, but the story police too!Terry's Dumb Dot Story is a special World Book Day Treehouse adventure from Andy Griffiths and Terry Denton, told through a combination of laugh-out-loud text and fantastic cartoon-style illustrations.Well, what are you waiting for? Come on up!

    In this lively collection, learn how an ordinary young man, Mahesh Das, became the beloved Raja Birbal we all know today, and how he uses his famous wit, time and again, to build a ‘celestial palace’ for Emperor Akbar, order a census of crows, trap a thief using a magic bamboo, and much more.Replete with wisdom and wit, and brought to life by Tapas Guha’s beautiful illustrations, this clever collection of stories also offers valuable life lessons hidden beneath its humour.

    He enjoys his life in the carnival, thank you very much – until he meets a young boy called Sebastian, who has a rather peculiar gift. Sebastian can read Stargazer’s mind, and what starts as a fairground fun, turns into a great adventure. Their lives collide, and nothing will ever be quite the same again… Wild Horses will not Tear you Away! About Magical Adventures & Pony Tales Magical Adventures & Pony Tales is a collection of six enchanting pony inspired children’s short stories, drawing readers into magical lands with unforgettable characters and ponies. Fantastic friendships, battles between good and bad and magical mysteries all come together in this unforgettable world. About the Author Angharad Thompson Rees is a rather strange individual. She believes in the magical, revels in the whimsical and owns a pet unicorn. Angharad has spent a lifetime working with horses and ponies of all sorts, from Olympic show jumpers and world class racehorses to taming wild ponies using the art of Horse Whispering. She has always been horse mad and her love for these magnificent beasts can be seen on every page of the new children's book series, Magical Adventures & Pony Tales.

    Suitable for ages 4 to 8 years, this work is illustrated so that the child easily understands the story.