Its vampiric rulers have indulged their bloodlust in every shadow-clad alley, turning the once-proud metropolis into a charnel house. Already crushed beneath the tyranny of Radukar the Wolf and his Thirsting Court, a spate of vicious murders plunges the mortal inhabitants into fresh terror. Emerging to uncover a connection between the attacks is an unlikely group of heroes: a vampire hunter from Carstinia, a slum-born vigilante, a ruthless wizard, and a soldier who is the last survivor of her noble bloodline. Arrayed against them are the undead monsters that thrive upon Radukar's gory regime. But a daring search for answers turns into a fight for survival when the Wolf himself descends his Ebon Citadel and joins the carnage in the streets…

    R. Martin's "The Thousand Worlds" setting.

    In our language, in our stories (many written by men), we underline the idea that women who step out of bounds--who are angry or greedy or ambitious, who are overtly sexual or not sexy enough--aren't just outside the norm. They're unnatural. Monstrous. But maybe, the traits we've been told make us dangerous and undesirable are actually our greatest strengths.Through fresh analysis of 11 female monsters, including Medusa, the Harpies, the Furies, and the Sphinx, Jess Zimmerman takes us on an illuminating feminist journey through mythology. She guides women (and others) to reexamine their relationships with traits like hunger, anger, ugliness, and ambition, teaching readers to embrace a new image of the female hero: one that looks a lot like a monster, with the agency and power to match.Often, women try to avoid the feeling of monstrousness, of being grotesquely alien, by tamping down those qualities that we're told fall outside the bounds of natural femininity. But monsters also get to do what other female characters--damsels, love interests, and even most heroines--do not. Monsters get to be complete, unrestrained, and larger than life. Today, women are becoming increasingly aware of the ways rules and socially constructed expectations have diminished us. After seeing where compliance gets us--harassed, shut out, and ruled by predators--women have never been more ready to become repellent, fearsome, and ravenous.

    

    

    “We Have Always Fought” is the title of the first blog post to be nominated for a Hugo Award, and is included in this collection.

    Anderson has written 160 books—nearly fifteen million words!—most of them by dictating into a hand-held recorder while hiking. Award-winning novelist and short story writer Martin L. Shoemaker dictates chapters and stories while driving, turning his daily commute into a productive work session. These two die-hard “dictators,” share their techniques and insights into how dictation can help you *Improve your writing productivity *Use otherwise lost time to brainstorm, plot, develop characters, write articles, and more *Get inspired by leaving your confined office and getting a fresh perspective elsewhere *Stay in shape while writing On Being a Dictator, part of the Million Dollar Writing Series, will help you think outside the box, consider a different writing method, and up your game in the fast-paced ever-changing world of publishing.

    Five Dark-Hunter stories in one terrific set! From the #1 New York Times bestselling author Sherrilyn Kenyon comes the Dark-Hunter Boxed set, containing one copy each of the Dark-Hunter novels, Night Pleasures, Night Embrace, Dance with the Devil, Kiss of the Night, and Night Play.

    Clough FOR I AM A JEALOUS PEOPLE! by Lester del Rey LUVVER, by Mack Reynolds FROG LEVEL, by Bud Webster CAPTAINS CONSPIRING AT THEIR MUTINIES, by Jay Lake SHIFTING SEAS, by Stanley G. Weinbaum THROUGH TIME AND SPACE WITH FERDINAND FEGHOOT: 8, by Grendel Briarton ROCK GARDEN, by Kevin O'Donnell, Jr. THE GENOA PASSAGE, by George Zebrowski EIGHT O'CLOCK IN THE MORNING, by Ray Faraday Nelson I AM TOMORROW, by Lester del Rey WHEN THEY COME FROM SPACE, by Mark Clifton THE SEALED SKY, by Cynthia Ward METEOR STRIKE! by Donald E. Westlake WAITING FOR THE COIN TO DROP, by Dean Wesley Smith BEYOND THE DARKNESS, by S. J. Byrne THE SMALLEST GOD, by Lester del Rey THE SCIENCE FICTION ALPHABET, by Allen Glasser CANAL, by Carl Jacobi THE LOCH MOOSE MONSTER, by Janet Kagan MY FAIR PLANET, by Evelyn E. Smith BEFORE EDEN, by Arthur C. Clarke SEQUENCE, by Carl Jacobi PREFERRED RISK, by Frederik Pohl and Lester del Rey INTEVIEW: FREDERIK POHL, conducted by Darrell SchweitzerIf you enjoy this book, search your favorite ebook store for "Wildside Press Megapack" to see the more than 100 other entries in the series, covering science fiction, modern authors, mysteries, westerns, classics, adventure stories, and much, much more!

    Can Superman make a baby with Lois Lane, or is he doomed to be the last of his kind? This article discusses the scientific and medical issues involved in copulating with a Kryptonian.27 minutes

    Sure to mesmerize fans of Deborah Harkness, Laurell K. Hamilton, and Karen Marie Moning, these novels introduce a trio of kickass heroines who perfectly showcase Armstrong’s thrilling imagination.  DIME STORE MAGIC   Paige Winterbourne was always either too young or too rebellious to succeed her mother as leader of the elite American Coven of Witches. Now that she’s twenty-three, the Elders can no longer deny her. But even Paige’s wildest antics can’t hold a candle to those of her new charge, Savannah, who is all too willing to use her budding powers for evil, and evil is all too willing to claim her. For this girl is being pursued by a dark faction of the supernatural underworld. It’s an initiation into adulthood, womanhood, and the brutal side of magic—and Paige will have to do everything within her power to make sure they both survive.  INDUSTRIAL MAGIC  Someone is murdering the teenage offspring of the underworld’s most influential Cabals—a circle of families that makes the mob look like amateurs. And none is more powerful than the Cortez Cabal, a faction with which Paige is intimately acquainted. Her boyfriend is none other than Lucas Cortez, the rebel son and unwilling heir. But love isn’t blind, and Paige has her eyes wide open as she is drawn into a hunt for an unnatural-born killer. Pitted against shamans, demons, and goons, it’s a battle chilling enough to make a wild young woman grow up in a hurry. If Paige gets the chance.  HAUNTED   Eve Levine—half-demon, black witch, and devoted mother—has been dead for three years. She has a great house and an interesting love life, and she can’t be killed again, which comes in handy when you’ve made as many enemies as Eve has. All she needs to do is find a way to communicate with her daughter, Savannah, and she’ll be happy. But the Fates have other plans. They want Eve to hunt down an evil spirit called the Nix, who has escaped from hell, before she does any more damage. But the Nix is a dangerous enemy: The only way to stop her is with an angel’s sword—and Eve is no angel.  Praise for Kelley Armstrong and the Otherworld series  “Gripping . . . [a] sexy supernatural romance [whose] special strength lies in its seamless incorporation of the supernatural into the real world.”—Publishers Weekly, on Dime Store Magic   “One of my favorite writers.”—New York Times bestselling author Karin Slaughter   “Up there with the big girls of the genre like Laurell K. Hamilton.”—The Kansas City Star   “Armstrong writes page-turning prose.”—Booklist   “One of the masters of urban fantasy.”—Fresh Fiction

    Simpson documentary, and in between: Moore on the writing of fiction (the work of V. S. Pritchett, Don DeLillo, Philip Roth, Joyce Carol Oates, Alice Munro, Stanley Elkin, Dawn Powell, Nicholson Baker, et al.) . . . on the continuing unequal state of race in America . . . on the shock of the shocking GOP . . . on the dangers (and cruel truths) of celebrity marriages and love affairs . . . on the wilds of television (The Wire, Friday Night Lights, Into the Abyss, Girls, Homeland, True Detective, Making a Murderer) . . . on the (d)evolving environment . . . on terrorism, the historical imagination, and the world's newest form of novelist . . . on the lesser (and larger) lives of biography and the midwifery between art and life (Ana�s Nin, Marilyn Monroe, John Cheever, Edna St. Vincent Millay, Eudora Welty, Bernard Malamud, among others) . . . and on the high art of being Helen Gurley Brown . . . and much, much more. "Fifty years from now, it may well turn out that the work of very few American writers has as much to say about what it means to be alive in our time as that of Lorrie Moore" (Harper's Magazine).

    The ISBN for the set is 9780307595577.On Stieg Larsson, a previously unpublished collection of essays about and correspondence with the author.

    

    intelligence agencies wracked by internal power struggles and paralyzed by bureaucracy, the president has been forced to establish his own clandestine group--Covert-One. It's activated only as a last resort, when the threat is on a global scale and time is running out.THE UTOPIA EXPERIMENTWhen Dresner Industries unveils the Merge, a device that is destined to revolutionize the world and make the personal computer and smartphone obsolete, Covert-One operative Colonel Jon Smith is assigned to assess its military potential. He discovers that enhanced vision, real-time battlefield displays, unbreakable security, and near-perfect marksmanship are only the beginning of a technology that will change the face of warfare forever--and one that must be kept out of the hands of America's enemies at all costs.Meanwhile, in the mountains of Afghanistan, CIA operative Randi Russell encounters an entire village of murdered Afghans--all equipped with enhanced Merge technology that even the Agency didn't know existed. As Smith and Russell delve into the circumstances surrounding the Afghans' deaths, they're quickly blocked by someone who seems to have access to the highest levels of the military--a person that even the president knows nothing about.Is the Merge really as secure as its creator claims? And what secrets about its development is the Pentagon so desperate to hide? Smith and Russell are determined to learn the truth. But they may pay for it with their lives . . .