Their windowless van is their home. Speeding across the Texas countryside they pick up hitchhikers and weary travelers who see the pair as a nice couple showing southern hospitality. However, Andy and Bridget are not what they seem. In their plain looking van, there is no telling which town they will pass through or who will they pick up next.

    Pender has been investigating the apparently random disappearances of a dozen women across the country. The only detail the cases have in common is the strawberry blond color of the victims' hair, and the presence of a mystery man with whom they were last seen.Then, in Monterey, California, a routine traffic stop erupts into a scene of horrific violence. The local police are stunned by a disemboweled strawberry blond victim and an ingenious killer with multiple alternating personalities. Pender is convinced he has found his man, but before he can prove it, the suspect stages a cunning jailbreak and abducts his court-appointed psychiatrist, Irene Cogan.In a house on a secluded ridge in Oregon, Irene must navigate through the minefield of her captor's various egos -- male and female, brilliant and naive, murderous and passive -- all of whom are dominated by Max, a seductive killer who views her as both his prisoner and his salvation. Irene knows that to survive she must play along with Max's game of sexual perversion. Only then will she be able to strip back the layers to discover a chilling story of a shattered young boy -- and all the girls he adored.A sexually charged thriller of extraordinary originality and page-turning suspense, The Girls He Adored moves furiously from the inner recesses of the psyche to its final, startling climax. Jonathan Nasaw brilliantly portrays two equally intense characters -- a deviant killer and the expert who can unlock his darkest secrets -- and introduces one of the most likable sleuths in recent fiction.

    He is obsessed with a beautiful stranger, the art student Miranda. When he wins the pools he buys a remote Sussex house and calmly abducts Miranda, believing she will grow to love him in time.

    Here is Lee Harvey Oswald—his family background, troubled marriage, controversial journey to Russia, and return to an “America [waiting] for him like an angry relative whose eyes glare in the heat.” Based on KGB and FBI transcripts, government reports, letters and diaries, and Mailer’s own international research, this is an epic account of a man whose cunning, duplicity, and self-invention were both at home in and at odds with the country he forever altered.  Praise for Oswald’s Tale  “America’s largest mystery has found its greatest interpreter.”—The Washington Post Book World   “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance. . . . From the American master conjurer of dark and swirling purpose, a moving reflection.”—Robert Stone, The New York Review of Books  “A narrative of tremendous energy and panache; the author at the top of his form.”—Christopher Hitchens, Financial Times  “The performance of an author relishing the force and reach of his own acuity.”—Martin Amis, The Sunday Times (London)   Praise for Norman Mailer  “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times   “A writer of the greatest and most reckless talent.”—The New Yorker   “Mailer is indispensable, an American treasure.”—The Washington Post   “A devastatingly alive and original creative mind.”—Life   “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books   “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune   “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post

    But Brendan and Sherilyn look happier that ever, so nothing is wrong. Is it? For the Gutteridges, Samantha was just a thing that threatened to worm its way into their perfect love. For everyone else, her story is the stuff of tabloid headlines. But this time it's not in a newspaper, it's happening right next door . . .

    The Met's crack murder squad, AMIP, is called out by nervous CID detectives to a grim discovery. Five bodies, all young women, all ritualistically murdered and dumped on wasteland near the Dome. As each post-mortem reveals a singular, horrific signature linking the victims, officers realize that they are on the trail of that most dangerous offender: a sexual serial killer. Detective Inspector Jack Caffery - young, driven, unshockable - finds himself facing both hostility within the force and echoes of his past in this, his first case with AMIP. Haunted by the memory of a death long ago, he employs every weapon forensic science can offer for he knows it is only a matter of time before this chaotic, sadistic killer strikes again.

    It is the most toxic drug ever to find its way on to the streets of LA. It destroys the links between the brain's two hemispheres, causing, first, disorientation and then complete and irreversible brain damage.The undercover narcotics agent who calls himself Bob Arctor is desperate to discover the ultimate source of supply. But to find any kind of lead he has to pose as a user and, inevitably, without realising what is happening, Arctor is soon as addicted as the junkies he works among...

    Every day after school, while his classmates swap football stickers, Steven goes digging to lay to rest the ghost of the uncle he never knew, who disappeared aged eleven and is assumed to have fallen victim to the notorious serial killer Arnold Avery.Only Steven's Nan is not convinced her son is dead. She still waits for him to come home, standing bitter guard at the front window while her family fragments around her. Steven is determined to heal the widening cracks between them before it's too late. And if that means presenting his grandmother with the bones of her murdered son, he'll do it.So the boy takes the next logical step, carefully crafting a letter to Arnold Avery in prison. And there begins a dangerous cat-and-mouse game between a desperate child and a bored serial killer . . .

    The man strikes the piano player as forgettable.He looks bland and inconspicuous. Not at all what you think a serial killer looks like. But that’s what he is, and tonight, he has his sights set on a gray haired man. He will not be his first victim.Nor will he be his last.The Last Call Killer preyed upon gay men in New York in the ‘80s and ‘90s and had all the hallmarks of the most notorious serial killers. Yet because of the sexuality of his victims, the skyhigh murder rates, and the AIDS epidemic, his murders have been almost entirely forgotten.This gripping true-crime narrative tells the story of the Last Call Killer and the decades-long chase to find him. And at the same time, it paints a portrait of his victims and a vibrant community navigating threat and resilience.

    Exhaustively researched with transcripts of interviews with killers, and featuring up-to-date information on the apprehension and conviction of the Green River killer and the Beltway Snipers, Vronsky's one-of-a-kind book covers every conceivable aspect of an endlessly riveting true crime phenomenon.INCLUDES PHOTOGRAPHS

    

    Readers will walk a tightrope of suspense with a brilliantly evil serial killer in this chilling debut novel. LG Featured Alternate.

    In graphic scenes of physical and sexual violence, Hazen tries to destroy the young girl's will. It is only Gemma's childlike resilience and fertile imagination that protect her from the worst of the abuse she suffers. And in the end, the healing power of unconditional love gives Gemma the courage to speak out against her abuser at last - reclaiming her dignity as a human being.

    Her mother beat her so severely that she was deaf and nearly blind by her first day in school. Her stepsister thought nothing of pouring boiling water over her, and virtually every day she was raped by her stepfather. At age 10 she was sold to a gang of dockworkers, viciously attacked, and left for dead in a field with a fractured skull. Today, Shy is an internationally respected advocate in the fight for justice for victims of child sexual abuse. Six years ago, her testimony secured the imprisonment of her stepfather and his associates for a catalogue of crimes against children. This success was achieved only after a journey through extensive psychiatric care, prison, and near-suicide. Shy’s experiences expose the extreme wickedness of which some are capable, but also tell a story of hope, strength, and courage.

    There was no apparent motive for the crime, and there were almost no clues. As Truman Capote reconstructs the murder and the investigation that led to the capture, trial, and execution of the killers, he generates both mesmerizing suspense and astonishing empathy. At the center of his study are the amoral young killers Perry Smith and Dick Hickcock, who, vividly drawn by Capote, are shown to be reprehensible yet entirely and frighteningly human. In Cold Blood is a seminal work of modern prose, a remarkable synthesis of journalistic skill and powerfully evocative narrative.