Each tale offers glimpses into familiar, shadowy worlds that push the boundaries of the spirit and leave the mind haunted with the knowledge that black juice runs through us all.Contents:Earthly Uses (2004)House of the Many (2004)My Lord's Man (2004)Perpetual Light (2004)Red Nose Day (2004)Rite of Spring (2004)Singing My Sister Down (2004)Sweet Pippit (2004)Wooden Bride (2004)Yowlinin (2004)

    Experience the horror of Tade Thompson's The Murders of Molly Southbourne.The rule is simple: don't bleed.For as long as Molly Southbourne can remember, she's been watching herself die. Whenever she bleeds, another molly is born, identical to her in every way and intent on her destruction.Molly knows every way to kill herself, but she also knows that as long as she survives she'll be hunted. No matter how well she follows the rules, eventually the mollys will find her. Can Molly find a way to stop the tide of blood, or will she meet her end at the hand of a girl who looks just like her?

    "Robert Aickman was a master of what he called 'strange stories,' and though his fiction has been categorized as horror, it's actually its own beast.As we move further away from the horror boom of the last century and its focus on the mainstream appeal of small town horrors, we are encountering successive generations of writers open to exploring new avenues of the subtly bizarre, an area Aickman frequently mastered.This book is a sampler of how Robert Aickman's work has beoome a significant source of inspiration for contemporary writers."

    In "The New Daughter," a father comes to suspect that a burial mound on his land hides something very ancient, and very much alive; in "The Underbury Witches," two London detectives find themselves battling a particularly female evil in a town culled of its menfolk. And finally, private detective Charlie Parker returns in the long novella "The Reflecting Eye," in which the photograph of an unknown girl turns up in the mailbox of an abandoned house once occupied by an infamous killer. This discovery forces Parker to confront the possibility that the house is not as empty as it appears, and that something has been waiting in the darkness for its chance to kill again.

    In the award-winning title story, the narrator recounts the events of an expedition to the Belgian Congo in 1928 to collects gorillas for the Louisville Museum of Natural History. A mother invents a fairy-tale world for her son in 'Halfway People'. Twin sisters backpacking through Europe receive a mysterious invitation. A rebellious teenager is sent to a brutal reform school hidden away in paradise. A young woman inherits the family submarine. In 'The Dark', a researcher tracking plague outbreaks finds himself in the Viet Cong tunnels of Vietnam. A mystery writer visits an archaeological dig in Egypt and sets a curse in motion. In two stories, 'Booth's Ghost' and 'Standing Room Only', Fowler explores the circumstances of Lincoln's assassination from the perspectives of John Wilkes Booth's family and friends.Fowler, perhaps best known for her novels, is a master of the short story form: the secret history, the account of first contact, the murderous, ordinary tensions of family life. She draws on fairy tales, historical narratives, and war reportage, measuring the human capacities for hope and despair, brutality and kindness in the fantastic tradition of writers such as Shirley Jackson, T.H. White, Karen Russell, and Ursula K. Le Guin.

    "Gone" and "The Box" were honored with the prestigious Bram Stoker Award. Whether you are already familiar with Ketchum's unique brand of suspense or are experiencing it for the first time, here is a book no aficionado of fear can do without.Contents:1 · Introduction · in 5 · The Rifle · ss Cemetery Dance Win ’95 18 · The Box · ss Cemetery Dance Spr ’94 31 · Mail Order · ss Voices from the Night, ed. John Maclay, Maclay & Associates, 1994 45 · Luck · ss Skull Full of Spurs: A Roundup of Weird Westerns, ed. Jason Bovberg & Kirk Whitham, Dark Highway Press, 2000 56 · The Haunt · ss Cemetery Dance #34, 2001 70 · Megan’s Law · ss Subterranean Gallery, ed. Richard T. Chizmar & William K. Schafer, Subterranean Press, 1999 81 · If Memory Serves · ss Darkside, ed. John Pelan, Darkside Press, 1996 93 · Father and Son · ss, 2000 99 · The Business · ss Murder for Mother, ed. Martin H. Greenberg, Signet, 1994 109 · Mother and Daughter · ss The Spook (online) Aug, 2001 120 · When the Penny Drops · ss The Exit at Toledo Blade Boulevard, Obsidian Books, 1998 133 · Rabid Squirrels in Love · ss Cemetery Dance Spr ’97 143 · Sundays · ss, 2000 153 · Twins · ss * 168 · Amid the Walking Wounded · ss The UFO Files, ed. Ed Gorman & Martin H. Greenberg, DAW, 1998 183 · The Great San Diego Sleasy Bimbo Massacre · ss The Exit at Toledo Blade Boulevard, Obsidian Books, 1998 202 · The Holding Cell · ss Bizarre Bazaar #2 ’93 216 · The Work · ss, 1997 226 · The Best · ss, 2000 231 · Redemption · ss Night Screams, ed. Ed Gorman & Martin H. Greenberg, Roc, 1996 245 · The Exit at Toledo Blade Boulevard · ss The Exit at Toledo Blade Boulevard, Obsidian Books, 1998 259 · Chain Letter · ss The Exit at Toledo Blade Boulevard, Obsidian Books, 1998 267 · Forever · ss Imagination Fully Dilated 2, ed. Elizabeth Engstrom, IFD Publishing, 2000 281 · Gone · ss October Dreams, ed. Richard Chizmar & Robert Morrish, CD Publications, 2000 288 · Closing Time · na * 331 · The Rose · ss Deadly After Dark, ed. Jeff Gelb & Michael Garrett, Pocket, 1994 348 · The Turning · ss Vampire Detectives, ed. Martin H. Greenberg, DAW, 1995 354 · To Suit the Crime · ss Bizarre Sex & Other Crimes of Passion #1, ed. Stan Tal, Tal Publications ’92 363 · Lines: or Like Franco, Elvis Is Still Dead · ss * 372 · The Visitor · ss The Exit at Toledo Blade Boulevard, Obsidian Books, 1998 380 · Snakes · ss Fear Itself, ed. Jeff Gelb, Warner, 1995 400 · Firedance · ss Imagination Fully Dilated, ed. Alan M. Clark & Elizabeth Engstrom, CD Publications, 1998 413 · Afterword · aw

    Where tinkerers and dreamers craft and re-craft a world of automatons, clockworks, calculating machines, and other marvels that never were. Where scientists and schoolgirls, fair folk and Romans, intergalactic bandits, utopian revolutionaries, and intrepid orphans solve crimes, escape from monstrous predicaments, consult oracles, and hover over volcanoes in steam-powered airships.

    Blending the miraculous with the macabre, and leavened by a mischievous gallows humor, these bewitching tales are like nothing being written in Russia-or anywhere else in the world-today.

    One legendary music venue. We all know the old cliché: Sex, drugs and rock and roll. Now, add demons, other dimensions, monsters, revenge, human sacrifice, and a dash of the truly inexplicable. This is the story of the (fictional) San Francisco music venue, The Shantyman.In Welcome to the Show, seventeen of today's hottest writers of horror and dark fiction come together in devilish harmony to trace The Shantyman's history from its disturbing birth through its apocalyptic encore.Featuring stories by Brian Keene, John Skipp, Mary SanGiovanni, Robert Ford, Max Booth III, Glenn Rolfe, Matt Hayward, Bryan Smith, Matt Serafini, Kelli Owen, Jonathan Janz, Patrick Lacey, Adam Cesare, Alan M Clark, Somer Canon, Rachel Autumn Deering and Jeff Strand.Compiled by Matt Hayward. Edited by Doug Murano.Bring your curiosity, but leave your inhibitions at the door. The show is about to begin…TOC: Alan M Clark – What Sort of Rube Jonathan Janz – Night and Day and in Between John Skipp – In the Winter of No Love Patrick Lacey – Wolf with Diamond Eyes Bryan Smith – Pilgrimage Rachel Autumn Deering – A Tongue like Fire Glenn Rolfe – Master of Beyond Matt Hayward – Dark Stage Kelli Owen – Open Mic Night Matt Serafini – Beat on the Past Max Booth III – True Starmen Somer Canon – Just to be Seen Jeff Strand – Parody Robert Ford – Ascending Adam Cesare – The Southern Thing Brian Keene – Running Free Mary SanGiovanni – We Sang in Darkness Proudly represented by Crystal Lake Publishing—Tales from the Darkest Depths.

    Where the Wild Ladies Are is populated by these and many other spirited women—who also happen to be ghosts. This is a realm in which jealousy, stubbornness, and other excessive "feminine" passions are not to be feared or suppressed, but rather cultivated; and, chances are, a man named Mr. Tei will notice your talents and recruit you, dead or alive (preferably dead), to join his mysterious company.In this witty and exuberant collection of linked stories, Aoko Matsuda takes the rich, millennia-old tradition of Japanese folktales—shapeshifting wives and foxes, magical trees and wells—and wholly reinvents them, presenting a world in which humans are consoled, guided, challenged, and transformed by the only sometimes visible forces that surround them.

    Blurring the lines between magical realism, horror, and science-fiction, Chung uses elements of the fantastic and surreal to address the very real horrors and cruelties of patriarchy and capitalism in modern society.Anton Hur’s translation skilfully captures the way Chung’s prose effortlessly glides from being terrifying to wryly humorous. Winner of a PEN/Heim Grant.

    Dick wrote more than one hundred short stories, each as mind-bending and genre-defining as his longer works. Philip K. Dick’s Electric Dreams collects ten of the best from across his career. In “Autofac,” Dick shows us one of the earliest examples (and warnings) in science fiction of self-replicating machines. “Exhibit Piece” and “The Commuter” feature Dick exploring one of his favorite themes: the shifting nature of reality, and whether it is even possible to really perceive the world as it is. And “The Hanging Stranger” provides a thrilling, dark political allegory as relevant today as it was when it was written at the height of the Cold War.   Strange, funny, and powerful, the stories in this collection highlight a master at work, drawing on his boundless imagination and deep understanding of the human condition.

    Now he offers us a superb quintet of novellas -- five dazzling masterworks of speculative fiction, including "Orphans of the Helix," his award-winning return to the Hyperion Universe -- that demonstrates the unique mastery, breathtaking invention, and flawless craftsmanship of one of contemporary fiction's true greats.Human colonists seeking something other than godhood encounter their long-lost "cousins"...and an ancient scourge.A devastated man in suicide's embrace is caught up in a bizarre cat-and-mouse game with a young woman possessing a world-ending power.The distant descendants of a once-oppressed people learn a chilling lesson about the persistence of the past.A terrifying ascent up the frigid, snow-swept slopes of K2 shatters preconceptions and reveals the true natures of four climbers, one of whom is not human.At the intersection of a grand past and a threadbare present, an aging American in Russia confronts his own mortality as he glimpses a wondrous future.

    Soon after her untimely death in 1965, Jackson’s children discovered a treasure trove of previously unpublished and uncollected stories, many of which are brought together in this remarkable collection. Here are tales of torment, psychological aberration, and the macabre, as well as those that display her lighter touch with humorous scenes of domestic life. Reflecting the range and complexity of Jackson’s talent, Just an Ordinary Day reaffirms her enduring influence and celebrates her singular voice, rich with magic and resonance.  Praise for Just an Ordinary Day   “Jackson at her best: plumbing the extraordinary from the depths of mid-twentieth-century common. [Just an Ordinary Day] is a gift to a new generation.”—San Francisco Chronicle  Praise for Shirley Jackson   “[Jackson’s] work exerts an enduring spell.”—Joyce Carol Oates   “Shirley Jackson’s stories are among the most terrifying ever written.”—Donna Tartt   “An amazing writer . . . If you haven’t read [Jackson] you have missed out on something marvelous.”—Neil Gaiman   “Shirley Jackson is unparalleled as a leader in the field of beautifully written, quiet, cumulative shudders.”—Dorothy Parker   “An author who not only writes beautifully but who knows what there is, in this world, to be scared of.”—Francine Prose   “The world of Shirley Jackson is eerie and unforgettable.”—A. M. Homes   “Jackson enjoyed notoriety and commercial success within her lifetime, and yet it still hardly seems like enough for a writer so singular. When I meet readers and other writers of my generation, I find that mentioning her is like uttering a holy name.”—Victor LaValle

    There is no better anthology that captures the birth of science fiction as a literary field. Published in 1973 to honor stories that had come before the institution of the Nebula Awards, The Science Fiction Hall of Fame introduced tens of thousands of young readers to the wonders of science fiction and was a favorite of libraries across the country. This volume contains novellas by: Ray Bradbury, James Blish, Algis Budrys, Theodore Cogswell, E. M. Forster, Frederik Pohl, James H. Schmitz, T. L. Sherred, Wilmar H. Shiras, Clifford D. Simak, and Jack Vance.Contents: Introduction · Ben Bova · in · Call Me Joe · Poul Anderson · nv Astounding Apr ’57 · Who Goes There? [as by Don A. Stuart] · John W. Campbell, Jr. · na Astounding Aug ’38 · Nerves · Lester del Rey · na Astounding Sep ’42 · Universe [Hugh Hoyland] · Robert A. Heinlein · na Astounding May ’41 · The Marching Morons · C. M. Kornbluth · nv Galaxy Apr ’51 · Vintage Season [as by Lawrence O’Donnell] · Henry Kuttner & C. L. Moore · na Astounding Sep ’46 · ...And Then There Were None · Eric Frank Russell · na Astounding Jun ’51 · The Ballad of Lost C’Mell · Cordwainer Smith · nv Galaxy Oct ’62 · Baby Is Three · Theodore Sturgeon · na Galaxy Oct ’52 · The Time Machine [Time Machine] · H. G. Wells · na The New Review Jan, 1895 (+4) · With Folded Hands... [Humanoids] · Jack Williamson · nv Astounding Jul ’47