That's what Harriet and Arthur Bloomsbury think, but that comforting feeling is a fiction. Hiding among the stone walls, picturesque barns, and hay bales is a horror they can't imagine. It's deadly, impossible -- maybe even paranormal. This short story isn’t your average murder mystery, because this time, the threat isn’t quite so clear. Is it the serial killers hunting you? Your own paranoia? Or the very laws of nature? The suspense is free.

    It's a place where high school kids drink and get into the kind of trouble high school kids have always gotten into. It's the place where Pete Simmons goes when his older brother, who's supposed to be looking out for him, heads off to the gravel pit to play "paratroopers over the side." Pete, armed only with the magnifying glass he got for his tenth birthday, finds a discarded bottle of vodka in the boarded up burger shack and drinks enough to pass out. Not much later, a mud-covered station wagon (which is strange because there hadn't been any rain in New England for over a week) veers into the Mile 81 rest area, ignoring the sign that says "closed, no services." The driver's door opens but nobody gets out.Doug Clayton, an insurance man from Bangor, is driving his Prius to a conference in Portland. On the backseat are his briefcase and suitcase and in the passenger bucket is a King James Bible, what Doug calls "the ultimate insurance manual," but it isn't going to save Doug when he decides to be the Good Samaritan and help the guy in the broken down wagon. He pulls up behind it, puts on his four-ways, and then notices that the wagon has no plates.Ten minutes later, Julianne Vernon, pulling a horse trailer, spots the Prius and the wagon, and pulls over. Julianne finds Doug Clayton's cracked cell phone near the wagon door—and gets too close herself. By the time Pete Simmons wakes up from his vodka nap, there are a half a dozen cars at the Mile 81 rest stop. Two kids—Rachel and Blake Lussier—and one horse named Deedee are the only living left. Unless you maybe count the wagon...

    

    A new homeowner discovers her property comes with a deadly addition. And dark forces stalk a troop of innocent boy scouts when they spend the night on a haunted aircraft carrier…Scare Street delves into the darkness to bring you a new collection of spine-tingling terror. This diabolical tome is bursting with thirteen sinister stories of supernatural horror, featuring ghastly ghosts, cold-blooded killers, and fiendish visions torn from your worst fears.Just be careful you don’t lose track of time as you meander through this shadowy landscape of dreams and nightmares. Because once the sun sets, something waits for you in the darkness of night.And if it finds you, you may never see daylight again…This bone-chilling supernatural collection contains:1. Cool Air by Peter Cronsberry2. The Presentation by Tarphy W. Horn3. The Homeowner's Guide to Sanity by K. M. McKenzie4. Retrospective: Florne's Ghost by Emil Pellim5. 7734 by Ryan Benson6. Aisle 3 by Rosie O'Carroll7. Pumpkin Patch by C. B. Channell8. The Third Father by A. M. Todd9. Troop 94’s Last Scouting Trip by Karl Melton10. Play It, Win It, Kill It by J. M. White11. Satan's Town by Bob Johnston12. Everything as It Was by Warren Benedetto13. Summer Camp by Ron Ripley

    Throughout the story Blackwood personifies the surrounding environment—river, sun, wind—and imbues them with a powerful and ultimately threatening character. Most ominous are the masses of dense, desultory, menacing willows, which "moved of their own will as though alive, and they touched, by some incalculable method, my own keen sense of the horrible.""The Willows" is one of Algernon Blackwood's best known short stories. American horror author H.P. Lovecraft considered it to be the finest supernatural tale in English literature. "The Willows" is an example of early modern horror and is connected within the literary tradition of weird fiction.

    There once was a killer who knew the night, its secrets and rhythms. How to hide within its shadows. When to hunt. He roamed from town to town, city to city, choosing his prey for their beauty and innocence. His cruelties were infinite, his humanity long since forfeit. But still . . . he had not yet discovered how to make his special mark among monsters, how to come fully alive as Death. This is the story of how he learned those things, and of what we might do to ensure that he does not visit us.

    Though known by many for novels like I Am Legend and his sixteen Twilight Zone episodes, Matheson truly shines in his chilling, masterful short stories. Since his first story appeared in 1950, virtually every major writer of science fiction, horror, and fantasy has fallen under his influence, including Stephen King, Neil Gaiman, Peter Straub, and Joe Hill, as well as filmmakers like Stephen Spielberg and J.J. Abrams. Matheson revolutionized horror by taking it out of Gothic castles and strange cosmos and setting it in the darkened streets and suburbs we recognize as our own. He infused tales of the fantastic and supernormal with dark explorations of human nature, delving deep into the universal dread of feeling alone and threatened in a dangerous world. The Best of Richard Matheson brings together his greatest hits as chosen by Victor LaValle, an expert on horror fiction and one of its brightest talents, marking the first major overview of Matheson's legendary career.

    Campbell classic about an antarctic research camp that discovers and thaws the ancient, frozen body of a crash-landed alien. The creature revives with terrifying results, shape-shifting to assume the exact form of animal and man, alike. Paranoia ensues as a band of frightened men work to discern friend from foe, and destroy the menace before it challenges all of humanity! The story, hailed as "one of the finest science fiction novellas ever written" by the SF Writers of America, is best known to fans as THE THING, as it was the basis of Howard Hawks' The Thing From Another World in 1951, and John Carpenter's The Thing in 1982. With a new Introduction by William F. Nolan, author of Logan's Run, and his never-before-published, suspenseful Screen Treatment written for Universal Studios in 1978, this is a must-have edition for scifi and horror fans!

    Irene indulges him by telling the tale of her tragic family history, speaking of the glowing eyes of a panther that have caused her family only sorrow.HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.

    Thankfully not. Super Dave is dumpster fire of regret and disappointment for anyone who relies on him. Colonel Ekaterina Varatchevsky of the Russian GRU doesn't want to rely on him. A deep cover agent operating in the US as Karen Warat, a successful New York art dealer, Karin is gifted with superpowers courtesy of killing a Threshrend Daemonum which attacks her gallery and eats rather a large number of Manhattan's 1%. Now she doesn't have to rely on Dave any more. She has to target him. This is her story. Not told by Dave. Because you can't trust that guy.

    Considered one of the English language's greatest writers, he was acclaimed for his rich storytelling and memorable characters, and achieved massive worldwide popularity in his lifetime. The popularity of his novels and short stories has meant that not one has ever gone out of print. Dickens wrote serialised novels, the usual format for fiction at the time, and each new part of his stories was eagerly anticipated by the reading public. Among his best-known works are Sketches by Boz (1836), The Pickwick Papers (1837), Oliver Twist (1838), Nicholas Nickleby (1839), Barnaby Rudge (1841), A Christmas Carol (1843), Martin Chuzzlewit (1844), David Copperfield (1850), Bleak House (1853), Little Dorrit (1857), A Tale of Two Cities (1859), Great Expectations (1861) and Our Mutual Friend (1865).

    May of these stories are from the pages of Weird Tales and other classic magazines which brought the work of masters like H.P. Lovecraft, Seabury Quinn, Clark Ashton Smith, August Derleth, Robert E. Howard, and many others to the public. Includes an active table of contents.

    This excerpt from The Hazel Wood—Melissa Albert's fiercely stunning contemporary fantasy perfect for fans of The Magicians—contains the first six chapters.Everyone is talking about The Hazel Wood!“Thoroughly, creepily captivating.” —Kristin Cashore, author of Graceling and Jane, Unlimited “This book is pure imagination candy.” —Stephanie Garber, author of Caraval “Destined to be a classic.” —Kami Garcia, author of The Lovely Reckless “Absolutely breathtaking.” —Seanan McGuire, author of Every Heart a Doorway “Terrifying, magical, and surprisingly funny.” —Jennifer Niven, author of All the Bright Places “Unlike anything else I’ve ever read before.” —Evelyn Skye, author of The Crown’s Game “A part of me will never leave The Hazel Wood.” —Heidi Heilig, author of The Girl from Everywhere “An elegant dark fairy tale, full of the power of story.” —Kat Howard, author of Roses and Rot

    

    But now for the first time - suddenly, shockingly, horribly - the balance of power had shifted and the rats began to prey on the human population.