When he gets shanghaied aboard a clipper bound for Hong Kong, he finds the sailor’s life a bit rougher than his romantic nautical fantasies. He helps rebuff a pirate assault, survives a gunshot to the eye, and learns to live—and love—a Conradian life on the sea, all the while writing poetry about pirates, bad food, unceremonial funerals, foreign ports, and unexpected epiphanies. By the end of his life, he’s found satisfaction in living a life of adventure and finding a receptive and appreciative readership. What more could one ask for?This is Drew Weing’s debut graphic novel, after honing his craft with numerous, lovingly produced self-published comic stories. Drawn in an elaborate crosshatched style that falls somewhere between Gustave Doré engravings and E. C. Segar’s Popeye, Set to Sea is part rollicking adventure, part maritime ballad told in visual rhyme. Every page is a single panel, every panel is a stunning illustration, every illustration a part of a larger whole that tells a story in the deft language of cartooning.

    They fought their enslavers throughout the Americas. And then they were erased from history.Wake tells the story of Dr. Rebecca Hall, a historian, granddaughter of slaves, and a woman haunted by the legacy of slavery. The accepted history of slave revolts has always told her that enslaved women took a back seat. But Rebecca decides to look deeper, and her journey takes her through old court records, slave ship captain’s logs, crumbling correspondence, and even the forensic evidence from the bones of enslaved women from the “negro burying ground” uncovered in Manhattan. She finds women warriors everywhere.Using in-depth archival research and a measured use of historical imagination, Rebecca constructs the likely pasts of Adono and Alele, women rebels who fought for freedom during the Middle Passage, as well as the stories of women who led slave revolts in Colonial New York. We also follow Rebecca’s own story as the legacy of slavery shapes life, both during her time as a successful attorney and later as a historian seeking the past that haunts her.Illustrated beautifully in black and white, Wake will take its place alongside classics of the graphic novel genre, like Marjane Satrapi’s Persepolis and Art Spiegelman’s Maus. The story of both a personal and national legacy, it is a powerful reminder that while the past is gone, we still live in its wake.

    Contained in this volume are the following essays: Civil Disobedience, Natural History of Massachusetts, A Walk to Wachusett, The Landlord, A Winter Walk, The Succession of Forest Trees, Walking, Autumnal Tints, Wild Apples, Night and Moonlight, Aulus Persius Flaccus, Herald of Freedom, Life Without Principle, Paradise (to be) Regained, A Plea for John Brown, The Last Days of John Brown, After the Death of John Brown, The Service, Slavery in Massachusetts, and Wendell Phillips Before Concord Lyceum.

    This 1991 paperback includes stories from Eightball #1-6, along with strips Clowes created for alternative comics anthologies Blab!, Young Lust, and Weirdo. It includes several of the cartoonist’s one-page collaborations with The Duplex Planet creator David Greenberger and two of his most well-known comic-strip rants: “I Hate You Deeply” and “I Love You Tenderly.”

    Chanie’s home was 400 miles away. He didn’t know that. He didn’t know where it was, nor how to find it, but, like so many kids—more than anyone will be able to imagine—he tried.

    *30 short stories staring female trailblazers of today and yesterday*Over 50 diverse writers and artists

    The Instinct for Cooperation innovatively balances those real-life stories of struggle with conversations the author has had with Chomsky on how best to understand them. Although the themes are wide-ranging, this book is ultimately about the importance and need for spaces of resistance in countering state and other institutional forms of violence. For example, when discussing the removal of books by police and sanitation workers from Zuccotti Park in November of 2011, Chomsky paused to say "Arizona knows all about that," referring to the 2010 ban of Mexican American Studies in Tucson schools under Arizona House Bill 2281, which deemed classes that taught "ethnic solidarity" to be illegal. Rather than footnote the reference, Wilson tells that story. Like Joe Sacco's animated political journalism, this book offers a unique perspective on current issues, while providing a major contribution to the understanding of Chomsky's political theories.

    "It won't work. Even though the comic is engorged with Dante's Hell and though Jimbo mouths a super-condensed version of what happens in The Inferno, canto by canto, characters are fused, actions inverted, parodied, subject to mutation by my odd memories and obsessions and whims…"That said, Jimbo's Inferno is the hugely anticipated sequel (or prequel, as it was actually completed first) to Jimbo In Purgatory. In this oversize hardcover cloth-and-gold-finished volume, produced to the same exacting standards as 2004's Purgatory, Jimbo, accompanied by his trusty guide and ride Valise, visits Hell (here envisioned as a gigantic subterranean shopping mall called Focky Bocky), and in so doing runs across minotaurs, drug-addled punkettes, UFOs, giant robots, and more, leading him to such profound questions as, "Why do so many recreational activities involve smoke and heat?"Panter's wild Albrecht-Dürer-meets-Jack-Kirby graphics are wilder and more hallucinatory than ever, and given the full, expansive treatment they so richly deserve.

    In Passing for Human, Finck is on a quest for self-understanding and self-acceptance, and along the way she seeks to answer some eternal questions: What makes us whole? What parts of ourselves do we hide or ignore or chase away—because they’re embarrassing, or inconvenient, or just plain weird—and at what cost?Passing for Human is what Finck calls “a neurological coming-of-age story”—one in which, through her childhood, human connection proved elusive and her most enduring relationships were with plants and rocks and imaginary friends; in which her mother was an artist whose creative life had been stifled by an unhappy first marriage and a deeply sexist society that seemed expressly designed to snuff out creativity in women; in which her father was a doctor who struggled in secret with the guilt of having passed his own form of otherness on to his daughter; and in which, as an adult, Finck finally finds her shadow again—and, with it, her true self.Melancholy and funny, personal and surreal, Passing for Human is a profound exploration of identity by one of the most talented young comic artists working today. Part magical odyssey, part feminist creation myth, this memoir is, most of all, an extraordinary, moving meditation on what it means to be an artist and a woman grappling with the desire to pass for human.

    There are more than 130 illustrators represented and 190 literary works over three volumes—many newly commissioned, some hard to find—reinterpreted here for readers and collectors of all ages.Volume 1 takes us on a visual tour from the earliest literature through the end of the 1700s. Along the way, we're treated to eye-popping renditions of the human race's greatest epics: Gilgamesh, The Iliad, The Odyssey (in watercolors by Gareth Hinds), The Aeneid, Beowulf, and The Arabian Nights, plus later epics The Divine Comedy and The Canterbury Tales (both by legendary illustrator and graphic designer Seymour Chwast), Paradise Lost, and Le Morte D'Arthur. Two of ancient Greece's greatest plays are adapted—the tragedy Medea by Euripides and Tania Schrag’s uninhibited rendering of the very bawdy comedy Lysistrata by Aristophanes (the text of which is still censored in many textbooks). Also included is Robert Crumb’s rarely-seen adaptation of James Boswell’s London Journal, filled with philosophical debate and lowbrow debauchery.Religious literature is well-covered and well-illustrated, with the Books of Daniel and Esther from the Old Testament, Rick Geary’s awe-inspiring new rendition of the Book of Revelation from the New Testament, the Tao te Ching, Rumi’s Sufi poetry, Hinduism’s Mahabharata, and the Mayan holy book Popol Vuh, illustrated by Roberta Gregory. The Eastern canon gets its due, with The Tale of Genji (the world’s first novel, done in full-page illustrations reminiscent of Aubrey Beardsley), three poems from China’s golden age of literature lovingly drawn by pioneering underground comics artist Sharon Rudahl, the Tibetan Book of the Dead, a Japanese Noh play, and other works from Asia.Two of Shakespeare’s greatest plays (King Lear and A Midsummer Night’s Dream) and two of his sonnets are here, as are Plato’s Symposium, Gulliver’s Travels, Candide, A Vindication of the Rights of Woman, Renaissance poetry of love and desire, and Don Quixote visualized by the legendary Will Eisner.Some unexpected twists in this volume include a Native American folktale, an Incan play, Sappho’s poetic fragments, bawdy essays by Benjamin Franklin, the love letters of Abelard and Heloise, and the decadent French classic Dangerous Liaisons, as illustrated by MollyCrabapple.   Edited by Russ Kick, The Graphic Canon is an extraordinary collection that will continue with Volume 2: "Kubla Khan" to the Bronte Sisters to The Picture of Dorian Gray in Summer 2012, and Volume 3: From Heart of Darkness to Hemingway to Infinite Jest in Fall 2012. A boxed set of all three volumes will also be published in Fall 2012.

    This is the story of that journey... Journey by Starlight follows Albert Einstein and his traveling companion through space and time as they travel on a beam of light from a star over 3,000 light years away to Earth. Along the way, Einstein explains the science behind everything from the origins of the universe to the meaning of life, relativity, black holes, quantum mechanics (for beginners), climate change, evolution vs. intelligent design, and how the brain works, all delivered in fun, easy-to-understand, bite-sized chunks. Based on the popular blog of the same name, Journey By Starlight has been given the graphic novel treatment, pairing the narrative with fantastic, whimsical artwork to assist in simplifying what can be difficult-to-understand ideas.

    Recipes for poetic terror, anarcho -black magic, post-situ psychotropic surgery, denunciations of spiritual addictions to vapid infotainment cults - this is the bastard classic, the watermark impressed upon our minds. Where conscience informs praxis, and action infects consciousness, T.A.Z. is beginning to worm its way into above-ground culture. This book offers inspired blasts of writing, from slogans to historical essays, on the need to insert revolutionary happiness into everyday life through poetic action, and celebrating the radical optimism present in outlaw cultures. It should appeal to alternative thinkers and punks everywhere, as it celebrates liberation, love and poetic living. The new edition contains the full text of Chaos: The Broadsheets of Ontological Anarchism, the complete communiques and flyers of the Association fo Ontological Anarchy, the long essay 'The Temporary Autonomous Zone, ' and a new preface by the author

    At this blues bar on the Tel Aviv beachfront, an international cast of characters mingles with the locals, and everyone is welcome to grab a beer and forget the conflict outside. At least, that's the story Jack and Joshua want to tell in their documentary.But less than a month after they begin filming, Mike's Place is the target of a deadly suicide bombing. Jack, Joshua, and the Mike's Place family survive the only way they know how-by keeping the camera rolling.Written by filmmakers Jack Baxter and Joshua Faudem and illustrated by award-winning cartoonist Koren Shadmi, Mike's Place chronicles the true story of an infamous terrorist attack in painstaking detail. Rarely has the slow build to tragedy, and the rebirth that follows, been captured with such a compassionate and unflinching eye.

    In the aftermath of the Angels’ devastating defeat in the war for Heaven, Satan determines to seek his revenge. Meanwhile, Adam and Eve have newly awakened in the Garden of Eden . . .First published nearly three hundred and fifty years ago, Paradise Lost has now been reimagined by the Spanish artist Pablo Auladell. His astonishing artwork portrays the complexity and tragedy of one of the great stories of all time. His bleak and surprising imagery captures the lyricism of Milton’s original for a new audience—and is a masterful tribute to a literary classic.

    Stanford White was one of New York’s most famous architects, having designed many mansions and the first Madison Square Garden; his influence on New York’s look at the turn of the century was pervasive. As he became popular and in demand, he also became quite self-indulgent: he had a taste for budding young showgirls on Broadway, even setting up a private apartment to entertain them in, including a room with a red velvet swing. When he met Evelyn Nesbit—an exquisite young nymph, cover girl, showgirl, inspiration for Charles Dana Gibson’s drawing The Eternal Question and later for the movie The Girl in the Red Velvet Swing—he knew he was on to something special. However, Evelyn eventually married a young Pittsburgh decadent heir with a dark side who developed a deep hatred for White and what he may or may not have done to her.