Her sister may be speedy at spelling, her friend fast at braiding hair, and her brother brave with bulls, but when it comes to chickens, nobody is faster or braver than Lami. That is, until the day when Lami chases a little too fast, up the baobab tree, and reaches a little too far…ow! How can she catch chickens with an ankle that’s puffed up like an angry lizard? Could it be, as Nana Nadia says, that quick thinking is more important than quick running? Award-winning author Atinuke celebrates Nigerian village life in a story vibrantly illustrated by Angela Brooksbank with a universal message at its heart.

    But Mommy says this bed is for sleeping, not jumping! What happens when he can't resist jump, jump, jumping on his new fluffy, bouncy bed?

    Two young children pay a visit to Halmoni (grandmother in Korean), only to discover she's not home. As they search for her, noticing animal tracks covering the floor, they discover a pair of traditional Korean doors, slightly ajar, new to their grandmother's home. Their curiosity gets the best of them, and the adventure begins when they crawl through and discover an unfamiliar, fantastical world. As they continue to search for their grandmother and solve the mystery of the tracks, they go deeper into the world of Korean folklore and experience their cultural heritage in unexpected ways, meeting a number of Korean-speaking characters along the way. Translations to Korean text in the story and more about the folktale-inspired characters are included at the end.

    Grabbing an old paper bag and some rusty scissors, the whole family wades into the muck to collect as much of the muddy, snail covered watercress as they can.At first, she's embarrassed. Why can't her family get food from the grocery store? But when her mother shares a story of her family's time in China, the girl learns to appreciate the fresh food they foraged. Together, they make a new memory of watercress.Andrea Wang tells a moving autobiographical story of a child of immigrants discovering and connecting with her heritage, illustrated by award winning author and artist Jason Chin, working in an entirely new style, inspired by Chinese painting techniques. An author's note in the back shares Andrea's childhood experience with her parents.

    Then I’ll tell you its story." When a little girl visits her great-grandfather at his curio-filled home, she chooses an unusual object to learn about: an old cigar box. What she finds inside surprises her: a collection of matchboxes making up her great-grandfather’s diary, harboring objects she can hold in her hand, each one evoking a memory. Together they tell of his journey from Italy to a new country, before he could read and write — the olive pit his mother gave him to suck on when there wasn’t enough food; a bottle cap he saw on his way to the boat; a ticket still retaining the thrill of his first baseball game.

    His eyes are not big and round like his classmates’, and he can’t understand anything the teacher says, even when she speaks s-l-o-w-l-y and loudly at him. As he lies in bed at night, the sky seems smaller and darker. But little by little Hee Jun begins to learn English words and make friends on the playground. And one day he is invited to a classmate’s house, where he sees a flower he knows from his garden in Korea — mugunghwa, or rose of Sharon, as his friend tells him — and Hee Jun is happy to bring a shoot to his grandmother to plant a "piece of home" in their new garden. Lyrical prose and lovely illustrations combine in a gentle, realistic story about finding connections in an unfamiliar world.

    So instead of introducing herself on the first day of school, she tells the class that she will choose a name by the following week.Her new classmates are fascinated by this no-name girl and decide to help out by filling a glass jar with names for her to pick from. But while Unhei practices being a Suzy, Laura, or Amanda, one of her classmates comes to her neighborhood and discovers her real name and its special meaning.On the day of her name choosing, the name jar has mysteriously disappeared. Encouraged by her new friends, Unhei chooses her own Korean name and helps everyone pronounce it—Yoon-Hey.

    Siblings Mintoo and Chintoo are busy gathering flowers to make into colorful powders to toss during the festival. And when at last the big day comes, they gather with their friends, family, and neighbors for a vibrant celebration of fresh starts, friendship, forgiveness, and, of course, fun!

    It makes her feel closer to her paati who lives far away in India. On Saturdays, Neela and Amma go to the green market and today they are buying tomatoes to make Paati's famous sauce. But first, Neela needs to learn about all the different kinds of tomatoes they can pick from. And as Neela and Amma cook together, they find a way for Paati to share in both the love and the flavors of the day.

    Sometimes, it’s downright annoying. When a little girl tires of being treated like she’s TOO little, she sets out to prove to her family that she can do ANYTHING she puts her mind to . . . . . . including putting on a colorful, twinkly, silky sari. Sure, they’re long and unwieldy—but that only means her family will be even more impressed when she puts it on all by herself. Naturally, there are some hiccups along the way, but she discovers that she’s not the only one in her family who has set out with something to prove, with hilariously chaotic results. That’s what photo albums are for!

    It was unlike any other garden she knew. It had no flowers or vegetables. Instead, Ojiichan made it out of stones: “big ones, little ones and ones in-between.” Every summer, Mayumi visits her grandfather in Japan, and they tend the garden together. Raking the gravel is her favorite part. Afterward, the two of them sit on a bench and enjoy the results of their efforts in happy silence. But then one summer, everything changes. Ojiichan has grown too old to care for his home and the garden. He has to move. Will Mayumi find a way to keep the memory of the garden alive for both of them? This gentle picture book story will warm children's hearts as it explores a deep intergenerational bond and the passing of knowledge from grandparent to grandchild over time. The lyrical text by Chieri Uegaki and luminous watercolor illustrations by Genevieve Simms beautifully capture the emotional arc of the story, from Mayumi's contentment through her anger and disappointment to, finally, her acceptance. The story focuses on an important connection to nature, particularly as a place for quiet reflection. It contains character education lessons on caring, responsibility, perseverance and initiative. It's also a wonderful way to introduce social studies conversations about family, aging and multiculturalism. Mayumi lives in North America with her Japanese mother and Dutch father, and visits her grandfather in Japan. Some Japanese words are included.

    But when Zubi sees her mother frowning in the mirror and talking about being “too big,” she starts to worry about her own body and how she looks. As her day goes on, she hears more and more people being critical of each other’s and their own bodies, until her outburst over dinner leads her family to see what they’ve been doing wrong—and to help Zubi see that we can all make the world a more beautiful place by being beautifully ourselves.

    Aleeya loves to ask Mommy if she will always be by her side. Mommy assures her that she will, Insh'Allah. But one day, Mommy becomes sick. Alone, Aleeya waits for her return, and it's in this moment that Aleeya realizes she can always be by Mommy's side. With a hibiscus flower in hand, Aleeya goes to Mommy's bedside to bring her love and hope. Little by little, Mommy sayang gets better.

    / At the bath house / The big bath house. In this celebration of Japanese culture and family and naked bodies of all shapes and sizes, join a little girl--along with her aunties and grandmother--at a traditional bath house. Once there, the rituals leading up to the baths begin: hair washing, back scrubbing, and, finally, the wood barrel drumroll. Until, at last, it's time, and they ease their bodies--their creased bodies, newly sprouting bodies, saggy, jiggly bodies--into the bath. Ahhhhhh!With a lyrical text and gorgeous illustrations, this picture book is based on Kyo Maclear's loving memories of childhood visits to Japan, and is an ode to the ties that bind generations of women together.

    Aunty pins hers up with a beautiful brooch. Jenna puts it under a sun hat when she hikes. Zara styles hers to match her outfit. As a young girl observes six very different women in her life who each wear the hijab in a unique way, she also dreams of the rich possibilities of her own future, and how she will express her own personality through her hijab. Written in sprightly rhyme and illustrated by a talented newcomer, Under My Hijab honors the diverse lives of contemporary Muslim women and girls, their love for each other, and their pride in their culture and faith.