Christmas is a time for Peace on Earth and Good Will Toward Men. Holiday bloodshed feels like a sacrilege, but it does happen. Whether by accident or deliberate malice, scores of people have been killed on December 25 or the days surrounding it. This volume contains seven accounts of unnatural deaths that occurred on or around Christmas Day: • The Ashland Tragedy: On December 24, 1881, three burned corpses were pulled from a house in Ashland, Kentucky. They belonged to teenagers Robert Gibbons, Fannie Gibbons, and Emma Carrico, who had all been bludgeoned to death. The girls had also been sexually assaulted. A formerly quiet Kentucky town was plunged into a nightmare fueled by grief and lust for revenge. • Christmas Eve Combustion: On Christmas Day, 1885, Patrick Rooney and his wife were found dead in their home in Seneca, Illinois. Rooney died from smoke inhalation, caused by his wife’s body suddenly bursting into flames. It is an early and sensational case of spontaneous human combustion. • Delia’s Gone: Early on Christmas morning in 1900, fourteen-year-old Moses “Cooney” Houston murdered his lover, Delia Green, who was the same age. Because Georgia had no youth justice system, Cooney Houston was charged as an adult. The senseless crime shocked the citizens of Savannah, Georgia, and inspired songs later recorded by Johnny Cash and Bob Dylan. • The Holyhead Horror: On Christmas Day, 1909, a horrific murder took place in North Wales. Gwen-Ellen Jones was killed by her ex-soldier lover, William Murphy, in a manner so depraved that even in an era when domestic violence was commonplace, people were shocked. The murder and subsequent execution of William Murphy are still talked about in Holyhead today. • Changing of the Guard: Early on the morning of December 26, 1920, New York underworld legend Edward “Monk” Eastman, was shot down by a crooked Prohibition agent, ending a thirty-plus year career marked by murder and mayhem. Eastman, who had once ruled the roost in Manhattan’s Lower East Side, died in a freezer gutter. • The Adonis Club Massacre: December 25, 1925 was the last Christmas on earth for Irish gangster Richard “Pegleg” Lonergan. He and his White Hand gang had taunted, abused, and killed their Italian rivals for years. Finally, when Lonergan and his boys went to the Italian-owned Adonis Social Club, their resentful enemies got even. • Lawson Family Massacre: On December 25, 1929, North Carolina tobacco farmer Charlie Lawson murdered his wife and six of their seven children. The reason for this brutal act is a subject of debate even today, but may be attributable to a terrible family secret that remained hidden until 1990. All of these events took place in the distant past. People who knew the victims, remembered the circumstances of their demise, or were directly involved in the investigations are dead. That’s why these cases were chosen for this book. The passage of time has transmuted them into tragic mysteries, ensuring that they arouse astonishment, sympathy, and indignation instead of the grief and personal loss that is at odds with the holiday season. Scroll back up and grab your copy now!

    There was nothing surprising about men turning up dead in the Second City. Life was cheaper than a quart of illicit gin in the gangland capital of the world. But two murders that spring were special - worthy of celebration. So believed Maurine Watkins, a wanna-be playwright and a "girl reporter" for the Chicago Tribune, the city's "hanging paper." Newspaperwomen were supposed to write about clubs, cooking and clothes, but the intrepid Miss Watkins, a minister's daughter from a small town, zeroed in on murderers instead. Looking for subjects to turn into a play, she would make "Stylish Belva" Gaertner and "Beautiful Beulah" Annan - both of whom had brazenly shot down their lovers - the talk of the town. Love-struck men sent flowers to the jail and newly emancipated women sent impassioned letters to the newspapers. Soon more than a dozen women preened and strutted on "Murderesses' Row" as they awaited trial, desperate for the same attention that was being lavished on Maurine Watkins's favorites. In the tradition of Erik Larson's The Devil in the White City and Karen Abbott's Sin in the Second City, Douglas Perry vividly captures Jazz Age Chicago and the sensationalized circus atmosphere that gave rise to the concept of the celebrity criminal. Fueled by rich period detail and enlivened by a cast of characters who seemed destined for the stage, The Girls of Murder City is crackling social history that simultaneously presents the freewheeling spirit of the age and its sober repercussions.

    Hazelwood's specialty, is sexual crime—sexually motivated serial killers to rapists to the frightening psychology that drives sexual sadists to the bizarre scenarios behind autoerotic deaths. Hazelwood consulted on the notorious "Barbie and Ken" case, the Atlanta child murderer, and the explosion aboard the USS Iowa. This is a fascinating look at the human dark side from an expert on the subject.

    But what about Tillie Klimek, Moulay Hassan, and Kate Bender? The narrative we're comfortable with is one where women are the victims of violent crime-not the perpetrators. In fact, serial killers are thought to be so universally male that, in 1998, FBI profiler Roy Hazelwood infamously declared that There are no female serial killers. Inspired by Telfer's Jezebel column of the same name, Lady Killers disputes that claim and offers fourteen gruesome examples as evidence. Although largely forgotten by history, female serial killers rival their male counterparts in cunning, cruelty, and appetite. Each chapter explores the crimes and history of a different female serial killer and then proceeds to unpack her legacy and her portrayal in the media as well as the stereotypes and sexist cliches that inevitably surround her.

    A reprint of a hardcover edition.The most bizarre series of murders since Jack the Ripper triggered the greatest man-hunt in the annals of modern crime for Albert deSalvo, brutal sexual psychopath, who murdered thirteen women and held a city in the icy grip of terror for eighteen months.

    Thompson and Errol Morris, Bruce Robinson offers a radical reinterpretation of Jack the Ripper, contending that he was not the madman of common legend, but the vile manifestation of the Victorian Age's moral bankruptcy.In exploring the case of Jack the Ripper, Robison goes beyond the who that has obsessed countless others and focuses on the why. He asserts that any "gentlemen" that walked above the fetid gutters of London, the nineteenth century's most depraved city, often harbored proclivities both violent and taboo—yearnings that went entirely unpunished, especially if he also bore royal connections. The story of Jack the Ripper hinges on accounts that were printed and distributed throughout history by the same murderous miscreants who frequented the East End of her Majesty's London, wiping the fetid muck from their boots when they once again reached the marble floors of society's finest homes.Supported by primary sources and illustrated with 75 to 100 black and white photographs, this breathtaking work of cultural history dismisses the theories of previous "Ripperologists." A Robinson persuasively makes clear with his unique brilliance, The Ripper was far from a poor resident of Whitechapel . . . he was a way of life.

    Author Peter Lalor covered the case for a top daily newspaper in Australia and interviewed Knight's ex-lovers, family, friends, and a former cop who worked on the investigation to present this chilling true story.

    And as only he can, Phelps delivers a heart-pounding narrative and insightful account of parents crazed with grief.

    At runs and clubhouses, between rides and riots, Dobyns befriends bad-ass bikers, meth-fueled “old ladies,” gun fetishists, psycho-killer ex-cons, and even some of the “Filthy Few”–the elite of the Hells Angels who’ve committed extreme violence on behalf of their club. Eventually, at parties staged behind heavily armed security, he meets legendary club members such as Chuck Zito, Johnny Angel, and the godfather of all bikers, Ralph “Sonny” Barger. To blend in with them, he gets full-arm ink; to win their respect, he vows to prove himself a stone-cold killer.Hardest of all is leading a double life, which has him torn between his devotion to his wife and children, and his pledge to become the first federal agent ever to be “fully patched” into the Angels’ near-impregnable ranks. His act is so convincing that he comes within a hairsbreadth of losing himself. Eventually, he realizes that just as he’s been infiltrating the Hells Angels, they’ve been infiltrating him. And just as they’re not all bad, he’s not all good.Reminiscent of Donnie Brasco’s uncovering of the true Mafia, this is an eye-opening portrait of the world of bikers–the most in-depth since Hunter Thompson’s seminal work–one that fully describes the seductive lure criminal camaraderie has for men who would otherwise be powerless outsiders. Here is all the nihilism, hate, and intimidation, but also the freedom–and, yes, brotherhood–of the only truly American form of organized crime.

    Like other immigrant groups before them, they showed up with little money but with an intense work ethic and an unshakeable belief in the promise of the United States. Many of them lived in a world outside the law, working in a shadow economy overseen by the ruthless gangs that ruled the narrow streets of New York’s Chinatown.The figure who came to dominate this Chinese underworld was a middle-aged grandmother known as Sister Ping. Her path to the American dream began with an unusual business run out of a tiny noodle store on Hester Street. From her perch above the shop, Sister Ping ran a full-service underground bank for illegal Chinese immigrants. But her real business-a business that earned an estimated $40 million-was smuggling people. As a “snakehead,” she built a complex—and often vicious—global conglomerate, relying heavily on familial ties, and employing one of Chinatown's most violent gangs to protect her power and profits. Like an underworld CEO, Sister Ping created an intricate smuggling network that stretched from Fujian Province to Hong Kong to Burma to Thailand to Kenya to Guatemala to Mexico. Her ingenuity and drive were awe-inspiring both to the Chinatown community—where she was revered as a homegrown Don Corleone—and to the law enforcement officials who could never quite catch her. Indeed, Sister Ping’s empire only came to light in 1993 when the Golden Venture, a ship loaded with 300 undocumented immigrants, ran aground off a Queens beach. It took New York’s fabled “Jade Squad” and the FBI nearly ten years to untangle the criminal network and home in on its unusual mastermind.THE SNAKEHEAD is a panoramic tale of international intrigue and a dramatic portrait of the underground economy in which America’s twelve million illegal immigrants live. Based on hundreds of interviews, Patrick Radden Keefe’s sweeping narrative tells the story not only of Sister Ping, but of the gangland gunslingers who worked for her, the immigration and law enforcement officials who pursued her, and the generation of penniless immigrants who risked death and braved a 17,000 mile odyssey so that they could realize their own version of the American dream. The Snakehead offers an intimate tour of life on the mean streets of Chinatown, a vivid blueprint of organized crime in an age of globalization and a masterful exploration of the ways in which illegal immigration affects us all.www.doubleday.com

    Cave, an ex-cheerleader, had just landed an exciting new job, while a big-money scholarship to UT's prestigious business school lured Pitonyak to Austin. Yet the former altar boy had a dark, unpredictable streak, one that ensnared him in the perilous underworld of drugs and guns. When Jennifer failed to show up for work on August 18, 2005, her mother became frightened. Sharon Cave's search led to Colton's West Campus apartment, where Jennifer's family discovered a scene worthy of the grisliest horror movie. Meanwhile, Colton Pitonyak was nowhere to be found.A Descent Into Hell is the gripping true story of one of the most brutal slayings in UT history—and the wild "Bonnie and Clyde-like" flight from justice of a cold-blooded young killer and his would-be girlfriend, who claimed that her unquestioning allegiance to Pitonyak was "just the way I roll."

    Never before had a medium possessed such power to influence. Yet Hollywood’s glittering ascendency was threatened by a string of headline-grabbing tragedies—including the murder of William Desmond Taylor, the popular president of the Motion Picture Directors Association, a legendary crime that has remained unsolved until now.In a fiendishly involving narrative, bestselling Hollywood chronicler William J. Mann draws on a rich host of sources, including recently released FBI files, to unpack the story of the enigmatic Taylor and the diverse cast that surrounded him—including three beautiful, ambitious actresses; a grasping stage mother; a devoted valet; and a gang of two-bit thugs, any of whom might have fired the fatal bullet. And overseeing this entire landscape of intrigue was Adolph Zukor, the brilliant and ruthless founder of Paramount, locked in a struggle for control of the industry and desperate to conceal the truth about the crime. Along the way, Mann brings to life Los Angeles in the Roaring Twenties: a sparkling yet schizophrenic town filled with party girls, drug dealers, religious zealots, newly-minted legends and starlets already past their prime—a dangerous place where the powerful could still run afoul of the desperate.A true story recreated with the suspense of a novel, Tinseltown is the work of a storyteller at the peak of his powers—and the solution to a crime that has stumped detectives and historians for nearly a century.

    The account she pieces together from interviews, psychological research, criminal profiling, and genetic studies, is as un- settling as it is undeniable. The scars of abuse, and cold- blooded logic all emerge as Fezzani dissects serial killers' personalities in a quest to understand those who have committed unthinkable crimes. "Through the Eyes of Serial Killers" explores the leading theories on the psychology of serial killing, victim selection, and telling signs of potentially dangerous mental disturbance. It is hoped that a clear-headed understanding of serial killings can unlock better strategies to prevent, or even predict this rarest and most evil of crimes.

    A young, highly intelligent man named Christian Longo, on the FBI's Ten Most Wanted list for killing his entire family, has recently been captured in Mexico, where he'd taken on a new identity -- Michael Finkel of the New York Times.The next day, on page A-3 of the Times, comes another bit of troubling news: a note, written by the paper's editors, explaining that Finkel has falsified parts of an investigative article and has been fired. This unlikely confluence sets the stage for a bizarre and intense relationship. After Longo's arrest, the only journalist the accused murderer will speak with is the real Michael Finkel. And as the months until Longo's trial tick away, the two men talk for dozens of hours on the telephone, meet in the jailhouse visiting room, and exchange nearly a thousand pages of handwritten letters.With Longo insisting he can prove his innocence, Finkel strives to uncover what really happened to Longo's family, and his quest becomes less a reporting job than a psychological cat-and-mouse game -- sometimes redemptively honest, other times slyly manipulative. Finkel's pursuit pays off only at the end, when Longo, after a lifetime of deception, finally says what he wouldn't even admit in court -- the whole, true story. Or so it seems.

    However, very rarely do we hear from the women he left behind—the ones forgotten as mere footnotes in this tragedy. This updated and expanded reissue of Elizabeth Kendall’s 1981 book The Phantom Prince chronicles her intense, six-year relationship with Ted Bundy and its eventual unraveling. Featuring a new introduction and a new afterword by the author, never-before-seen photos, and a new chapter from the author’s daughter, Molly, this gripping account presents a remarkable examination of obsession, intrigue, and the darkness that love can mask.