From acclaimed director Guillermo del Toro.

    She has a good life as a music teacher now, and might rekindle her relationship with her one true love. However, the number 314 haunts her, and threatens to bring her back to the day that her brother disappeared. When a reporter shows up, just days before March 14th, Alma realizes that her past is coming back to haunt her. What happened on March 14th, at 3:14, 16 years ago? No one but The Skeleton Man can remember.

    Black rocks roll beneath the surface, drowning ghosts. And out of the swell like a finger of light, the salt-scratched tower stands lonely and magnificent.It's New Year's Eve, 1972, when a boat pulls up to the Maiden Rock lighthouse with relief for the keepers. But no one greets them. When the entrance door, locked from the inside, is battered down, rescuers find an empty tower. A table is laid for a meal not eaten. The Principal Keeper's weather log describes a storm raging round the tower, but the skies have been clear all week. And the clocks have all stopped at 8:45. Two decades later, the wives who were left behind are visited by a writer who is determined to find the truth about the men's disappearance. Moving between the women's stories and the men's last weeks together in the lighthouse, long-held secrets surface and truths twist into lies as we piece together what happened, why, and who to believe.In her riveting and suspenseful novel, Emma Stonex writes a story of isolation and obsession, of reality and illusion, and of what it takes to keep the light burning when all else is swallowed by dark.

    At its heart was a beautiful, enigmatic woman called Pandora Gibson-Hoare, a photographer of genius whose only legacy is a handful of photographs and the clues to a mystery.Just weeks after four students cross the threshold of the derelict Fischer House, one of them has committed suicide and the other three are descending into madness.Nick Mason's sister is one of them. To save her, Nick must join ranks with Paul Seaton--the only person to have visited the house and survive. But Paul is a troubled man, haunted by otherworldly visions that even now threaten his sanity.Desperate, Nick forces Paul to go back into the past, to the secret journal of beautiful photographer Pandora Gibson-Hoare and a debauched gathering in the 1920s, and to the dark legacy of Klaus Fischer--master of the unspeakable crime and demonic proceedings that have haunted the mansion for decades.Because now, the Fischer House is beckoning, and some old friends have gathered to welcome Paul back. . . .

    After all, how bad could it be? Answer: pretty bad. Grandma was a hoarder, and her house is stuffed with useless rubbish. That would be horrific enough, but there’s more—Mouse stumbles across her step-grandfather’s journal, which at first seems to be filled with nonsensical rants…until Mouse encounters some of the terrifying things he described for herself. Alone in the woods with her dog, Mouse finds herself face to face with a series of impossible terrors—because sometimes the things that go bump in the night are real, and they’re looking for you. And if she doesn’t face them head on, she might not survive to tell the tale. From Hugo Award–winning author Ursula Vernon, writing as T. Kingfisher.

    There was no mistaking them. She had seen their likeness painstakingly sketched in her father's journal. This was his greatest secret, his treasure and his undoing. The Tree of Lies. Now it was hers, and the journey he had never finished stretched out before her.When Faith's father is found dead under mysterious circumstances, she is determined to untangle the truth from the lies. Searching through his belongings for clues, she discovers a strange tree. A tree that feeds off whispered lies and bears fruit that reveals hidden secrets.But as Faith's untruths spiral out of control, she discovers that where lies seduce, truths shatter...

    Suddenly the words DON'T LOOK INSIDE scratch furiously into the leather, as if carved by an invisible hand. Lizzie jolts, terrified. She intends to heed the warning. No way in hell is she opening the book now.But her curiosity gets the better of her. She feels compelled to look inside. Her hands move with a will of their own, opening the book. Her heart hammers in her chest as she reads the first line. No. She reels in horror. What have I done? She should have obeyed the warning. She never should have looked inside. But now it's too late, because the book is about to exact a hideous punishment...Spike Black's Don't Look Inside is an unrelenting, fast-paced supernatural horror novel. Written in an arresting and irresistible style, it's a high concept, must-read ghost story that will haunt you long after its uncompromising and spectacular conclusion.

    Loo and her sister Bee live in a run-down cottage in the middle of nowhere, with their artistic parents and wild siblings. Their mother, Cathy, had hoped to escape to a simpler life; instead the family find themselves isolated and shunned by their neighbours. At the height of the stifling summer, unexplained noises and occurences in the house begin to disturb the family, until they intrude on every waking moment . . .NOW Loo, now Lucy, is called back to her childhood home. A group of strangers are looking to discover the truth about the house and the people who lived there. But is Lucy ready to confront what really happened all those years ago?

    Trouble was, he didn’t ask Rose what she thought of the idea.It’s been more than sixty years since that night, and she’s still sixteen, and she’s still running.They have names for her all over the country: the Girl in the Diner. The Phantom Prom Date. The Girl in the Green Silk Gown. Mostly she just goes by “Rose,” a hitchhiking ghost girl with her thumb out and her eyes fixed on the horizon, trying to outrace a man who never sleeps, never stops, and never gives up on the idea of claiming what’s his. She’s the angel of the overpass, she’s the darling of the truck stops, and she’s going to figure out a way to win her freedom. After all, it’s not like it can kill her.You can’t kill what’s already dead.

    But it comes at a cost. He has to kill the shining girls: bright young women, burning with potential. Curtis stalks them through their lives across different eras until, in 1989, one of his victims, Kirby Mazrachi, survives and starts hunting him back.Working with a former homicide reporter who is falling for her, Kirby races against time and reason to unravel an impossible mystery.

    The days are long, her kids are ungrateful, her husband is distant, and her to-do list is never really done. The one thing she has to look forward to is her book club, a group of Charleston mothers united only by their love for true-crime and suspenseful fiction. In these meetings, they're more likely to discuss the FBI's recent siege of Waco as much as the ups and downs of marriage and motherhood.But when an artistic and sensitive stranger moves into the neighborhood, the book club's meetings turn into speculation about the newcomer. Patricia is initially attracted to him, but when some local children go missing, she starts to suspect the newcomer is involved. She begins her own investigation, assuming that he's a Jeffrey Dahmer or Ted Bundy. What she uncovers is far more terrifying, and soon she--and her book club--are the only people standing between the monster they've invited into their homes and their unsuspecting community.

    Unable to write, and plagued by vivid nightmares set at the western Maine summerhouse he calls Sara Laughs, Mike reluctantly returns to the lakeside getaway. There, he finds his beloved Yankee town held in the grip of a powerful millionaire, Max Devore, whose vindictive purpose is to take his three-year-old granddaughter, Kyra, away from her widowed young mother, Mattie. As Mike is drawn into Mattie and Kyra's struggle, as he falls in love with both of them, he is also drawn into the mystery of Sara Laughs, now the site of ghostly visitations and escalating terrors. What are the forces that have been unleashed here—and what do they want of Mike Noonan?It is no secret that King is one of our most mesmerizing storytellers. In Bag of Bones, he proves to be one of our most moving as well.(back cover)

    Now grown, her search takes her to Pleasant Valley, Wisconsin, in 1908. When clues lead her to a mental asylum, Thea uses her experience as a post-mortem photographer to gain access and assist groundskeeper Simeon Coyle in photographing the patients and uncovering the secrets within. However, she never expected her personal quest would reawaken the legend of Misty Wayfair, a murdered woman who allegedly haunts the area and whose appearance portends death.A century later, Heidi Lane receives a troubling letter from her mother--who is battling dementia--compelling her to travel to Pleasant Valley for answers to her own questions of identity. When she catches sight of a ghostly woman who haunts the asylum ruins in the woods, the long-standing story of Misty Wayfair returns--and with it, Heidi's fear for her own life.As two women across time seek answers about their identities and heritage, can they overcome the threat of the mysterious curse that has them inextricably intertwined?

    Drab even. That all that changed after an accident left her in a coma for three days. That's when the spookshow really began, when Billie realized that she could see the dead.And the dead could see her. Now, they won't leave her alone. Accompanying two friends through a haunted house, Billie uncovers a terrible secret that brings, not only the police, but the homicide detective responsible for putting her into the hospital in the first place. He's also the one man she sworn to stay away from.

    Eager to begin a new life there with Luke, her husband, and Tom, her small son, she is also impatient to find out about her newly discovered family who lived there for generations.But not long after they move in, Tom wakes screaming at night. Joss hears echoing voices and senses an invisible presence, watching her from the shadows. Are they spirits from the past? Or is she imagining them? As she learns, with mounting horror, of Belheddon's tragic and dramatic history, her fear grows very real, for she realises that both her family and her own sanity are at the mercy of a violent and powerful energy which seems beyond anyone's control.