At the turn of the twentieth century, a former spy is called into service to hunt down a vampire killer...Once a spy for Queen Victoria, James Asher has fought for Britain on every continent, using his quick wits to protect the Empire at all costs. After years of grueling service, he marries and retires to a simple academic’s life at Oxford. But his peace is shattered one night with the arrival of a Spanish vampire named Don Simon. Don Simon can disappear into fog, move faster than the eye can see, and immobilize Asher—and his young bride—with a wave of his hand. Asher is at his mercy, and has no choice but to give his help. Because someone is killing the vampires of London, and James Asher must find out who—before he becomes a victim himself. This ebook features an illustrated biography of Barbara Hambly, including rare photos and never-before-seen documents from the author’s personal collection.

    Armed only with crucifixes, holy water, and a rifle, he prays to survive a single night, the longest of his life. Desperate to record what he has witnessed, Bram scribbles down the events that led him here...A sickly child, Bram spent his early days bedridden in his parents' Dublin home, tended to by his caretaker, a young woman named Ellen Crone. When a string of strange deaths occur in a nearby town, Bram and his sister Matilda detect a pattern of bizarre behavior by Ellen--a mystery that deepens chillingly until Ellen vanishes suddenly from their lives. Years later, Matilda returns from studying in Paris to tell Bram the news that she has seen Ellen--and that the nightmare they've thought long ended is only beginning.

    All across the nation they ride, spreading fear and violence among the vulnerable. They plan to bring Hell to Earth. But even Ku Kluxes can die.Standing in their way is Maryse Boudreaux and her fellow resistance fighters, a foul-mouthed sharpshooter and a Harlem Hellfighter. Armed with blade, bullet, and bomb, they hunt their hunters and send the Klan's demons straight to Hell. But something awful's brewing in Macon, and the war on Hell is about to heat up.Can Maryse stop the Klan before it ends the world?

    THEY’RE LOST FOREVER. Nellie Clay married Hobbs Pritchard without even noticing he was a spell conjured into a man, a walking, talking ghost story. But her mama knew. She saw it in her tea leaves: death. Folks told Nellie to get off the mountain while she could, to go back home before it was too late. Hobbs wasn’t nothing but trouble. He’d even killed a man. No telling what else. That mountain was haunted, and soon enough, Nellie would feel it too. One way or another, Hobbs would get what was coming to him. The ghosts would see to that. . . . Told in the stunning voices of five women whose lives are inextricably bound when a murder takes place in rural Depression-era North Carolina, Ann Hite’s unforgettable debut spans generations and conjures the best of Southern folk-lore—mystery, spirits, hoodoo, and the incomparable beauty of the Appalachian landscape.

    And as Gods, they might have remade the world.But like the mad holy man Rasputin, who destroyed Russia through his own powerful influence... in the end, the psychic spies for the Motherland were only in it for themselves.* * *It is the 1990s.The Cold War is long finished.In a remote Labrador fishing village, an old woman known only as Babushka foresees her ending through the harbour ice, in the giant eye of a dying kraken – and vows to have none of it.Beaten insensible and cast adrift in a life raft, ex- KGB agent Alexei Kilodovich is dragged to the deck of a ship full of criminals, and with them he will embark on a journey that will change everything he knows about himself.And from a suite in an unseen hotel in the heart of Manhattan, an old warrior named Kolyokov sets out with an open heart, to gather together the youngest members of his immense, and immensely talented, family.They are more beautiful, and more terrible, than any who came before them.They are Rasputin's bastards.And they will remake the world.

    Since its publication in 1895, The King in Yellow has inspired other horror-genre writers including H. P. Lovecraft, and the text is referenced by many works of fiction, in music, and by the hit television series True Detective, starring Matthew McConaughey and Woody Harrelson. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library_We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

    Michael McDowell was proclaimed “the finest writer of paperback originals in America” by Stephen King, and “one of the best writers of horror in this country” by Peter Straub.Now, McDowell’s masterpiece—the serial novel, Blackwater—returns to thrill and terrify a new generation of readers, with all six volumes available for the first time as a single e-book.Featuring an insightful new introduction by John Langan, Blackwater traces more than fifty years in the lives of the powerful Caskey family of Perdido, Alabama, under the influence of the mysterious and beautiful—but not quite human—Elinor Dammert.The Flood heralds the arrival of a visitor who will change the Caskey family—and the town—forever…When the town builds The Levee, it proves a vain attempt to control a horrific power that can never be contained…The House hides terrible secrets that whisper in closed rooms and scrabble at locked doors…The War reveals family secrets more deadly and devastating than anything Perdido has ever dreamed in its deepest nightmares…The Fortune brings happiness and power—but even greater terror…And finally, the mysterious saga of the Caskey family ends the only way it can—in terrible judgment and fury delivered under the cover of a relentless, earth-shattering Rain.Will Errickson (Too Much Horror Fiction) writes, “Michael McDowell has written a rich, layered historical novel with many Southern Gothic touches, filled out with memorable characters and satisfying moments of death and shock.”

    She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

    Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, the lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.

    When the remains of Jack the Ripper’s first five victims are discovered in present day Louisiana, an English detective and a local sheriff form an unlikely alliance to unravel the mystery…and find themselves caught up in a modern-day conspiracy.

    For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster

    Waking up psychic? Not in my wildest dreams. My name is Erin Stone. I’m forty-three with a daughter away at college and a successful career as a communications officer with the 911 dispatch center for the Toronto Police Service. My life had just returned to new normal after my divorce and everything was going along smoothly. Then BOOM! Turns out the universe had other plans for me. I dreamed of a plane crash—only it wasn’t just a dream. The crash happened in real life. Eighty-three dead. A vision, plain and simple. Not exactly. My family certainly wouldn’t understand. And me…psychic? I’d dabbled in new-age spirituality in the past but never plunged into the deep end. Now I’m in over my head. Why was I given this vision, and does it hold clues as to what caused the crash? My best friend Trish is convinced it does, and a handsome stranger with the National Transportation Safety Board is willing to partner with me to solve the mystery. But if I’m going to embrace the vision as telling of newfound psychic abilities, I will need to keep my paranormal gift a secret from my daughter, brother, and aunt. Little good that might do them though. Someone out there has their own secrets and is willing to go to great lengths to protect them. Now the very gift I was given has put the lives of my loved ones at risk. Will my psychic abilities be strong enough to save them? This work of paranormal women’s fiction features a strong-willed heroine in her forties with enough baggage to check some, along with a heavy dose of magic and a splash of romance.

    The most mysterious is that of Sara Harrison Shea, who, in 1908, was found dead in the field behind her house just months after the tragic death of her daughter.Now, in present day, nineteen-year-old Ruthie lives in Sara's farmhouse with her mother, Alice, and her younger sister. Alice has always insisted that they live off the grid, a decision that has weighty consequences when Ruthie wakes up one morning to find that Alice has vanished. In her search for clues, she is startled to find a copy of Sara Harrison Shea's diary hidden beneath the floorboards of her mother's bedroom. As Ruthie gets sucked into the historical mystery, she discovers that she's not the only person looking for someone that they've lost. But she may be the only one who can stop history from repeating itself.

    They're spoken of in stories and superstitions, relics of an unenlightened age, old wives' tales, passed down through generations. And yet, no matter how wary and jaded we have become, as individuals or as a society, a part of us remains vulnerable to them. Werewolves and wendigos, poltergeists and vampires, angry elves and vengeful spirits.In this beautifully illustrated volume, the host of the hit podcast Lore serves as a guide on a fascinating journey through the history of these terrifying creatures, and explores not only the legends but what they tell us about ourselves. Aaron Mahnke invites us to the desolate Pine Barrens of New Jersey, where the notorious winged, red-eyed Jersey Devil dwells. Mahnke delves into harrowing accounts of cannibalism-some officially documented, others the stuff of speculation . . . perhaps. He visits the dimly lit rooms where séances take place, the European villages where gremlins make mischief, and Key West, Florida, home of a haunted doll named Robert.The monsters of folklore have become not only a part of our language but a part of our collective psyche. Whether these beasts and bogeymen are real or just a reflection of our primal fears, we know, on some level, that not every mystery has been explained, and that the unknown still holds the power to strike fear deep in our hearts and souls. As Aaron Mahnke reminds us, sometimes the truth is even scarier than the lore...

    Wimbourne Books presents the first in a series of rare or out-of-print ghost stories from Victorian authors. With an introduction by author Alastair Gunn, Volume 1 in the series spans the years 1852 to 1899 and includes stories from a wide range of female authors; English, Irish, Scottish, Welsh and American. Includes tales by Mary Elizabeth Braddon, Charlotte Riddell, Isabella Banks and Gertrude Atherton. Readers new to this genre will discover its pleasures; the Victorian quaintness, the sometimes shocking difference in social norms, the almost comical politeness and structured etiquette, the archaic and precise language, but mostly the Victorians’ skill at stoking our fears and trepidations, our insecurities and doubts. Even if you are already an aficionado of the ghostly tale there is much within these pages to interest you. Wait until the dark of the stormy night arrives, lock the doors, shutter the windows, light the fire, sit with your back to the wall and bury yourself in the Victorian macabre. Try not to let the creaking floorboards, the distant howl of a dog, the chill breeze that caresses the candle, the shadows in the far recesses of your room, disturb your concentration.