When she begins using her gift of pyrokinesis to take the law into her own hands and punish violent criminals, her executions attract the attention of two very different groups: the Guardians, a secretive vigilante organization that tries to recruit her, and the arson squad of the Tokyo Metropolitan Police Department. Soon the police are on Junko's trail, most notably Detective Chikako Ishizu, a rationalist who must come to terms with the existence of paranormal forces. As Junko's crusade against evil escalates and she finds it harder to control her power, we are taken on a breathtaking and brutal journey through the urban landscape of Tokyo on a journey that challenges us, along with Chikako, to think about what's right and what's wrong in the name of justice.Atmospheric, suspenseful, provocative, and even romantic, Crossfire is a tour de force sure to secure Miyuki Miyabe's place in the pantheon of today's top mystery writers.

    Upon their return to England, Amy is ungratefully reluctant to maintain their friendship, but the skeins of their existence seem inextricably linked as grief gives way to resilience and again to tragedy. Reversals of fortune and a compelling cast of characters, including Ernie, ex-sailor turned housekeeper, and Amy's wonderfully precocious granddaughters, add spice to a novel that delights even as it unveils the most uncomfortable human emotions.

    He is also a compulsive storyteller and an exile. As he travels a route that takes him from India to Spain, he leaves behind a labyrinthine tale of mad passions and volcanic family hatreds, of titanic matriarchs and their mesmerised offspring, of premature deaths and curses that strike beyond the grave. The Moor's Last Sigh is a spectacularly ambitious, funny, satirical and compassionate novel. It is a love song to a vanishing world, but also its last hurrah.~from the back cover

    So when he agrees to return to India to visit his ailing grand­father, he is sure he’ll be able to resist his family’s pleas that he marry a “good” Indian girl. With a girlfriend and a promising career back in San Francisco, the last thing Neel needs is an arranged marriage.Leila is a thirty-year-old teacher in Neel’s family’s village who has watched too many prospective husbands come and go to think her newest suitor will be any different. She is well past prime marrying age; her family has no money for a dowry; and then there’s the matter of an old friendship with a Muslim boy named Janni.Neel and Leila struggle to reconcile their own desires with the expectations of others in this riveting story of two people, two countries, and two ways of life that may be more compatible than they seem.

    Arranged Marriage, her first collection of stories, spent five weeks on the San Francisco Chronicle bestseller list and garnered critical acclaim that would have been extraordinary for even a more established author.For the young girls and women brought to life in these stories, the possibility of change, of starting anew, is both as terrifying and filled with promise as the ocean that separates them from their homes in India. From the story of a young bride whose fairy-tale vision of California is shattered when her husband is murdered and she must face the future on her own, to a proud middle-aged divorced woman determined to succeed in San Francisco, Divakaruni's award-winning poetry fuses here with prose for the first time to create eleven devastating portraits of women on the verge of an unforgettable transformation.

    In an idyllic setting of countryside and woods, Colette spent her childhood surrounded by a warm and loving family. Years later, her memories and experiences inspired her to create a series of snapshots of the innocence of provincial life. At once poignant and vividly alive, her recollections portray a magical world, filled with the beauty and the warmth of human relationships—and, above all, the lasting impressions made by her wonderful mother. French novelist Colette is most famous for her portraits of childhood in the Claudine books and for Gigi.

    Rupa Mehra, are both trying to find—through love or through exacting maternal appraisal—a suitable boy for Lata to marry. Set in the early 1950s, in an India newly independent and struggling through a time of crisis, A Suitable Boy takes us into the richly imagined world of four large extended families and spins a compulsively readable tale of their lives and loves. A sweeping panoramic portrait of a complex, multiethnic society in flux, A Suitable Boy remains the story of ordinary people caught up in a web of love and ambition, humor and sadness, prejudice and reconciliation, the most delicate social etiquette and the most appalling violence.

    It is told in the first-person by the narrator, Horse Badorties, a down-at-the-heels hippie living a life of drug-fueled befuddlement in New York City c. 1970. The book is written in a colorful, vernacular "hippie-speak" and tells the story of the main character's hapless attempts to put together a benefit concert featuring his own hand-picked choir of 15-year-old girls.Horse is a somewhat tragic, though historically humorous, character with echoes of other famous characters in popular culture such as Reverend Jim Ignatowski of Taxi fame. In his inability to follow anything through to completion he displays symptoms of attention-deficit disorder though this could equally be drug-induced. His defining characteristic is his joy in renting or commandeering apartments which he fills with street-scavenged junk articles until full to bursting he moves on to his next "pad". The name "fan man" is a reference to another of his traits; the collecting of fans of all shapes and sizes.

    Charles is a modern libertine, dedicated to vice and depravity, while his twin Robert is a priest so devout that he is nicknamed L'Abbé'. When the sexually wild Eponine intrudes upon their suffocating relationship, anguish, delirium, and death ensue.Other works by Georges Bataille published by Marion Boyars include Blue of Noon and My Mother Madame Edwarda and the Dead Man.

    All signs being auspicious, the villagers triumphantly assured Sampath's proud parents that their son was destined for greatness. Twenty years of failure later, that unfortunately does not appear to be the case. A sullen government worker, Sampath is inspired only when in search of a quiet place to take his nap. "But the world is round," his grandmother says. "Wait and see Even if it appears he is going downhill, he will come up the other side. Yes, on top of the world. He is just taking a longer route." No one believes her until, one day, Sampath climbs into a guava tree and becomes unintentionally famous as a holy man, setting off a series of events that spin increasingly out of control. A delightfully sweet comic novel that ends in a raucous bang, Hullabaloo in the Guava Orchard is as surprising and entertaining as it is beautifully wrought.

    After he marries a woman he had seen eight years earlier, the story becomes, on one level, an analogy between his temporary sexual impotence and the position of intellectuals. A year later he is ready to abandon his wife and escape from the camp. Cameo appearances by philosophic and literary figures (Marx and Meng-tz, Othello and Song Ji) and discussing China and sex allow the incorporation of non-novelistic elements while indulging in gallows humor.

    From Wittgenstein’s Mistress to Reader’s Block to Springer’s Progress to This Is Not a Novel, he has delighted and amazed readers for decades. And now comes his latest masterwork, Vanishing Point, wherein an elderly writer (identified only as "Author") sets out to transform shoeboxes crammed with notecards into a novel — and in so doing will dazzle us with an astonishing parade of revelations about the trials and calamities and absurdities and often even tragedies of the creative life — all the while trying his best (he says) to keep himself out of the tale. Naturally he will fail to do the latter, frequently managing to stand aside and yet remaining undeniably central throughout — until he is swept inevitably into the narrative’s startling and shattering climax. A novel of death and laughter both — and of extraordinary intellectual richness.

    When her mother-in-law suddenly dies of a stroke, Akiko becomes the sole caregiver for her selfish father-in-law Shegezo.The Twilight Years raises important issues about the quality of life at the end of life, caregiving for the old, and the dilemma of women who have both career and family obligations.

    The mind- and language-bending adventures of Hemon's endearing protagonist Jozef Pronek.

    The central figure of the novel is Calman Jacoby, who stands between the old and the new, unable to embrace either whole-heartedly.