Earlier in the summer, a vulnerable teenage girl met the same fate. They are not the first women lost to these dark waters, but their deaths disturb the river and its history, dredging up secrets long submerged. Left behind is a lonely fifteen-year-old girl. Parentless and friendless, she now finds herself in the care of her mother's sister, a fearful stranger who has been dragged back to the place she deliberately ran from—a place to which she vowed she'd never return. With the same propulsive writing and acute understanding of human instincts that captivated millions of readers around the world in her explosive debut thriller, The Girl on the Train, Paula Hawkins delivers an urgent, twisting, deeply satisfying read that hinges on the deceptiveness of emotion and memory, as well as the devastating ways that the past can reach a long arm into the present. Beware a calm surface—you never know what lies beneath.

    Luke had been dead for just three days.Rose Wilks' life is shattered when her newborn baby Joel is admitted to intensive care. Emma Hatcher has all that Rose lacks. Beauty. A loving husband. A healthy son. Until tragedy strikes and Rose is the only suspect.Now, having spent nearly five years in prison in Ipswich, Rose is just weeks away from freedom. Her probation officer Cate must decide whether Rose is remorseful for her crime, or whether she remains a threat to society. As Cate is drawn in, she begins to doubt her own judgement.Where is the line between love and obsession, can justice be served and, if so... by what means?

    . . The perfect husband... After a difficult pregnancy, Esther is grateful that her forward-thinking husband Robin offers to put his career on hold so that she can return to the job she loves. The perfect father... Robin flourishes in his new role of stay-at-home parent, but Esther finds leaving her daughter behind to go to work more challenging than she'd thought, and soon the imbalance in their relationship brings old tensions to the surface. A perfect lie? Then one day Esther arrives home from work to find Robin and Riley are missing. As the police investigate their disappearance, it becomes clear that nothing about this modern- day family is what it seems...Was Robin the perfect father everyone thought he was? Or was it all a perfect lie?

    One runs for her life. One is left behind.Twenty-eight years ago, Charlotte and Samantha Quinn's happy small-town family life was torn apart by a terrifying attack on their family home. It left their mother dead. It left their father—Pikeville's notorious defense attorney—devastated. And it left the family fractured beyond repair, consumed by secrets from that terrible night.Twenty-eight years later, Charlotte has followed in her father's footsteps to become a lawyer herself—the ideal good daughter. But when violence comes to Pikeville again, and a shocking tragedy leaves the whole town traumatized, Charlotte is plunged into a nightmare. Not only is she the first witness on the scene, but it's a case that unleashes the terrible memories she's spent so long trying to suppress--because the shocking truth about the crime that destroyed her family nearly thirty years ago won't stay buried forever. Packed with twists and turns, brimming with emotion and heart, The Good Daughter is fiction at its most thrilling.

    Conspiracies rule history. Jesuits plot against Freemasons. Italian republicans strangle priests with their own intestines. French criminals plan bombings by day and celebrate Black Masses at night. Every nation has its own secret service, perpetrating forgeries, plots, and massacres. From the unification of Italy to the Paris Commune to the Dreyfus Affair to The Protocols of the Elders of Zion, Europe is in tumult and everyone needs a scapegoat. But what if, behind all of these conspiracies both real and imagined, lay one lone man? What if that evil genius created its most infamous document?　 Eco takes his readers here on an unforgettable journey through the underbelly of world-shattering events. This is Eco at his most exciting, a book immediately hailed as his masterpiece.

    She watches, unmoving, as someone dressed in a rabbit costume kidnaps a young girl. Devastated over having done nothing, Rhonda joins the investigation. But the closer she comes to identifying the abductor, the nearer she gets to the troubling truth about another missing child: her best friend, Lizzy, who vanished years before.From the author of the acclaimed Promise Not to Tell comes a chilling and mesmerizing tale of shattered innocence, guilt, and ultimate redemption.

    No help for miles. What would you do?On her way to Utah to see her dying mother, college student Darby Thorne gets caught in a fierce blizzard in the mountains of Colorado. With the roads impassable, she’s forced to wait out the storm at a remote highway rest stop. Inside are some vending machines, a coffee maker, and four complete strangers.Desperate to find a signal to call home, Darby goes back out into the storm . . . and makes a horrifying discovery. In the back of the van parked next to her car, a little girl is locked in an animal crate.Who is the child? Why has she been taken? And how can Darby save her?There is no cell phone reception, no telephone, and no way out. One of her fellow travelers is a kidnapper. But which one?Trapped in an increasingly dangerous situation, with a child’s life and her own on the line, Darby must find a way to break the girl out of the van and escape.But who can she trust?

    At 9pm, Nick is being held in jail, accused of Mary's murder. He saw her bloody corpse; he knows that she is dead. That's when a grey haired gentleman presents him with a talisman that allows him to go back in time, one hour at a time, for a total of twelve hours. With each hour that Nick journeys back in time, he finds more clues to the identity of Mary's real killer, but he also discovers that his actions in the past have unexpected repercussions on the future. All his good intentions of saving Mary's life may in fact lead to a far greater catastrophe than he could have imagined. If he hasn't set things right by the thirteenth hour, all will be lost. A surprising and utterly original thriller that blends a dash of fantasy with page-turning suspense, The 13th Hour has all the ingredients of a massive international bestseller.

    When she returns only two hours later, she swears the baby in the crib is not her child. Despite her distress, David is adamant that she is wrong.The police are called to the scene. Detective Constable Simon Waterhouse is sympathetic, but he doubts Alice's story. His superior, Sergeant Charlie Zailer, thinks that Alice must be suffering from some sort of delusion brought on by postpartum depressions.With an increasingly hostile and menacing David swearing she must either be mad or lying, how can Alice make the police believe her before it's too late?

    But there are nightmares humanity doesn't dream are real.The BAU sends those cases down the hall. There, Stephen Reyes and his team pursue criminals transformed by a mysterious force: the anomaly.Welcome to Shadow Unit.The Shadow Unit series was created by award-winning authors Emma Bull and Elizabeth Bear.Contains four novellas:“Breathe” by Emma Bull“Knock On Coffins” by Elizabeth Bear“Dexterity” by Sarah Monette“A Handful of Dust” by Will Shetterlyplus bonus material.

    This time it takes an emergency room to keep her from death. Now, the beautiful and talented photographer retreats to an island paradise off Georgia's coast to find solitude - and herself. As she becomes increasingly involved with the strange and handsome twin scions of the powerful Drummond family, she feels her traumatic memories begin to fade. But when a killer launches a series of gruesome murders, Liz discovers that there is no place to hide - not even in her lover's arms.

    figures his luck's about to change when Detroit used-car salesman Frank Ryan catches him trying to boost a ride from Ryan's lot. Frank's got some surefire schemes for getting rich quick--all of them involving guns--and all Stickley has to do is follow "Ryan's Rules" to share the wealth.But sometimes rules need to be bent, maybe even broken to succeed in the world of crime, especially when the "brains" of the operation knows less than nothing.

    . .Ellen was just trying to help a stranger. That was how it started: giving a few minutes respite to a flustered young mother sitting opposite her on the train. A few minutes holding her baby while the mother makes an urgent call. The weight of the child in her arms making Ellen's heart ache for what she can never have.Five minutes pass.Ten.The train pulls into a station and Ellen is stunned to see the mother hurrying away down the platform, without looking back. Leaving her baby behind. Ellen is about to raise the alarm when she discovers a note in the baby's bag, three desperate lines scrawled hastily on a piece of paper:Please protect MiaDon't trust the policeDon't trust anyoneWhy would a mother abandon her child to a stranger? Ellen is about to discover that the baby in her arms might hold the key to an unspeakable crime. And doing the right thing might just cost her everything . . .

    And right after the organization had given him ""Not Just a send-off, a modern send-off...""an A-1 Cecil B. DeMille extravaganza of a funeral. They had also unwittingly put to rest a quarter of a million worth of heroin in Charlie's burial suit. And when Aloysius Eugene Engel, the organization's top man's right hand and reluctant grave digger finds the coffin empty it's the signal for a madcap series of events that almost make poor Aloysius a reluctant substitute for the corpse. Merriment, mayhem and a plot that really keeps you guessing...

    He was discovered holding a knife, her blood beneath his nails. He himself doesn’t know whether he’s guilty or innocent. To reconstruct the story, the writer must now become the protagonist, searching the corridors of his life and the city he loves. Soon Drew closes in on clues he may or may not have left for himself, and as another young woman is similarly murdered he has to ask difficult questions not of others but of himself. Beautifully crafted and heartbreakingly told, The Crime Writer confronts our inherent fear of what we might truly be capable of—good or evil. Like nothing he’s written before, The Crime Writer takes Hurwitz in an exciting new direction and is sure to reach a whole new audience.