It is a crossways, a place where the dead and the living can find no peace. Not that Forest, an 18-year-old foster kid who works the graveyard shift at Lincoln Hospital, knew this when she applied for the job. Lincoln is a huge state mental institution, a good place for Forest to make some money to pay for college. But along with hundreds of very unstable patients, it also has underground tunnels, bell towers that ring unexpectedly, and a closet that holds more than just donated clothing....When the dead husband of one of Forest's patients makes an appearance late one night, seemingly accompanied by an agent of the Devil, Forest loses all sense of reality and all sense of time. Terrified, she knows she has a part to play, and when she does so, she finds a heritage that she never expected. With her deep knowledge of mental illness and mental institutions, Susan Vaught brings readers a fascinating and completely creepy new book intertwining the stories of three young people who find themselves haunted beyond imagining in the depths of Lincoln Hospital.

    After all, how bad could it be? Answer: pretty bad. Grandma was a hoarder, and her house is stuffed with useless rubbish. That would be horrific enough, but there’s more—Mouse stumbles across her step-grandfather’s journal, which at first seems to be filled with nonsensical rants…until Mouse encounters some of the terrifying things he described for herself. Alone in the woods with her dog, Mouse finds herself face to face with a series of impossible terrors—because sometimes the things that go bump in the night are real, and they’re looking for you. And if she doesn’t face them head on, she might not survive to tell the tale. From Hugo Award–winning author Ursula Vernon, writing as T. Kingfisher.

    Then he meets Willy, and the other boy - charismatic and strange - saves him ... or damns him. WILLY, an atmospheric novel of suspense by the author of THE PINES, THE SHORE and MARTYRS & MONSTERS, becomes both an evocation of painful growth and a dark psychological thriller.

    Editor Paul Sammon--himself a talented writer and moviemaker--has assembled the first and only book to emcompass this dynamic literary movement. Features the works of Edward Bryant, Craig Spector, Rex Miller, Clive Barker and more.

    Peter Proud’s ordinary life as a professor in California is threatened by recurrent dreams that all end the same: with his murder in a lake at night by a mysterious woman named Marcia. These dreams—which he comes to believe may be flashbacks from a previous life—become so disturbing that he seeks answers from a sleep researcher, a clairvoyant, and an expert in psychic phenomena in order to recover his past. But he soon discovers a new dimension to his dilemma while watching a television show called “America, Past and Present”—and realizes the show is set in the town in his dreams. He travels to Springfield, Massachusetts, and comes face to face with the woman from his nightmares. The woman, Marcia Curtis, is shocked to see in Peter personality traits and characteristics that precisely recall those of her dead husband, Jeff, including his voice. Peter meets and falls in love with Marcia’s daughter, Ann, just as Marcia realizes that he is a reincarnation of Jeff. Will a second tragedy occur just as Peter is about to unravel the mystery behind his dreams?   In this classic suspense novel first published in 1973, Max Ehrlich expertly interweaves multiple themes of life after death, romance, tragedy, and altered consciousness into an unforgettable tale.

    But we weren’t witches. We were five Chicanas living in San Antonio, Texas, one year out of high school.” One hot summer night, best friends Lourdes, Fernanda, Ana, Perla, and Pauline hold a séance. It’s all fun and games at first, but their tipsy laughter turns to terror when the flames burn straight through their prayer candles and Fernanda starts crawling toward her friends and chanting in Nahuatl, the language of their Aztec ancestors. Over the next few weeks, shy, modest Fernanda starts acting strangely—smearing herself in black makeup, shredding her hands on rose thorns, sucking sin out of the mouths of the guilty. The local priest is convinced it's a demon, but Lourdes begins to suspect it’s something else—something far more ancient and powerful. As Father Moreno's obsession with Fernanda grows, Lourdes enlists the help of her “bruja Craft crew” and a professor, Dr. Camacho, to understand what is happening to her friend in this unholy tale of possession-gone-right.

    their doctors."It was the dog who found me."Such is the stark confession launching the harrowing scene that begins The Asylum for Wayward Victorian Girls as Emilie Autumn, a young musician on the verge of a bright career, attempts suicide by overdosing on the antipsychotics prescribed to treat her bipolar disorder. Upon being discovered, Emilie is revived and immediately incarcerated in a maximum-security psych ward, despite her protestations that she is not crazy, and can provide valid reasons for her actions if someone would only listen.Treated as a criminal, heavily medicated, and stripped of all freedoms, Emilie is denied communication with the outside world, and falls prey to the unwelcome attentions of Dr. Sharp, head of the hospital's psychiatry department. As Dr. Sharp grows more predatory by the day, Emilie begins a secret diary to document her terrifying experience, and to maintain her sanity in this environment that could surely drive anyone mad. But when Emilie opens her notebook to find a desperate letter from a young woman imprisoned within an insane asylum in Victorian England, and bearing her own name and description, a portal to another world is blasted wide open.As these letters from the past continue to appear, Emilie escapes further into this mysterious alternate reality where sisterhoods are formed, romance between female inmates blossoms, striped wallpaper writhes with ghosts, and highly intellectual rats speak the Queen's English.But is it real? Or is Emilie truly as mad as she is constantly told she is?The Asylum for Wayward Victorian Girls blurs harsh reality and magical historical fantasy whilst issuing a scathing critique of society's treatment of women and the mental health care industry's treatment of its patients, showing in the process that little has changed throughout the ages.Welcome to the Asylum. Are you committed?

    Now, armed with his father's mysterious and deadly athame, Cas travels the country with his kitchen-witch mother and their spirit-sniffing cat. They follow legends and local lore, destroy the murderous dead, and keep pesky things like the future and friends at bay.Searching for a ghost the locals call Anna Dressed in Blood, Cas expects the usual: track, hunt, kill. What he finds instead is a girl entangled in curses and rage, a ghost like he's never faced before. She still wears the dress she wore on the day of her brutal murder in 1958: once white, now stained red and dripping with blood. Since her death, Anna has killed any and every person who has dared to step into the deserted Victorian she used to call home.Yet she spares Cas's life.

    But behind the sunny retail space bursting with overwhelming scents and homemade fudge, seventeen-year-old Poppy Palladino discovers something dark and unsettling: a back room filled with dozens of startlingly life-like wax sculptures, crafted by one very strange old lady. Poppy hightails it home, only to be shocked when one of the figures—a teenage boy who doesn’t seem to know what he is—jumps naked and screaming out of the trunk of her car. She tries to return him to the candle factory, but before she can, a fire destroys the mysterious workshop—and the old woman is nowhere to be seen.With the help of the wax boy, who answers to the name Dud, Poppy resolves to find out who was behind the fire. But in the course of her investigation, she discovers that things in Paraffin aren’t always as they seem, that the Grosholtz Candle Factory isn’t as pure as its reputation—and that some of the townspeople she’s known her entire life may not be as human as they once were. In fact, they’re starting to look a little . . . waxy. Can Poppy and Dud extinguish the evil that's taking hold of their town before it’s too late?

    No one ever imagined that conditions were perfect for multiple breeding, that it was a warm womb, fetid, moist and with food so plentiful that everything crawling, creeping and slithering could gorge to satiation. Then the change in poison control was made and the huge mutants began to leave their nest - in search of human flesh...

    Prestigious Blackwood-Patterson isn’t the perfect fit, but a bizarre set of circumstances leads to her hire and a firm mandate: Lussi must find the next horror superstar to compete with Stephen King, Anne Rice, and Peter Straub. It’s the ’80s, after all, and horror is the hottest genre.But as soon as she arrives, Lussi finds herself the target of her co-workers' mean-spirited pranks. The hazing reaches its peak during the company’s annual Secret Santa gift exchange, when Lussi receives a demonic-looking object that she recognizes but doesn't understand. Suddenly, her coworkers begin falling victim to a series of horrific accidents akin to a George Romero movie, and Lussi suspects that her gift is involved. With the help of her former author, the flamboyant Fabien Nightingale, Lussi must track down her anonymous Secret Santa and figure out the true meaning of the cursed object in her possession before it destroys the company—and her soul.

    College life isn’t what Emily expected.She expected to spend freshman year strolling through the ivy-covered campus with new friends, finally feeling like she belonged. Instead, she walks the campus alone, still not having found her place or her people so far away from home. But then the Kingdom finds her. The Kingdom, an exclusive on-campus group, offers everything Emily expected of college and more: acceptance, friends, a potential boyfriend, and a chance to spend the summer in Italy on a mission trip. But the trip is not what she thought it would be. Emily and the others are stripped of their passports and money. They’re cut off from their families back home. The Kingdom’s practices become increasingly manipulative and dangerous. And someone ends up dead.At times unsettling and always riveting, Those Who Prey looks at the allure of cult life, while questioning just how far we’re willing to go to find where we belong.