Then I’ll tell you its story." When a little girl visits her great-grandfather at his curio-filled home, she chooses an unusual object to learn about: an old cigar box. What she finds inside surprises her: a collection of matchboxes making up her great-grandfather’s diary, harboring objects she can hold in her hand, each one evoking a memory. Together they tell of his journey from Italy to a new country, before he could read and write — the olive pit his mother gave him to suck on when there wasn’t enough food; a bottle cap he saw on his way to the boat; a ticket still retaining the thrill of his first baseball game.

    Imogene, the cook, and the kitchen maid, however, make the best of things, finding unusual uses for Imogene's new horns. Meanwhile, the problem appears to be solved when Imogene awakes the next morning antler-free. But the family (and the reader) are in for a surprise when Imogene comes down to breakfast.

    Laura Ingalls Wilder's classic books, illustrated with Garth Williams' timeless artwork, have been cherished by millions of readers ever since they were first published over sixity years ago.It’s a fond good-bye to the Big Woods as Laura and her family pack up the covered wagon and begin their journey westward to the prairie in this latest addition to the best-selling My First Little House Books series. Renée Graef’s enchanting full-color illustrations, inspired by Garth Williams’s classic artwork, bring Laura and her family lovingly to life in this seventh title in the My First Little House Books series, picture books adapted from Laura Ingalls Wilder’s beloved storybooks.

    But she was just a little girl for a while--and this is her story. Minty, short for Araminta, was a feisty and headstrong young slave, whose rebellious spirit often got her into trouble. She told stories to her doll, released animals from traps, and, above all, dreamed of running away. And when her father began to teach her the skills necessary for escape, she listened carefully, and learned. . . .*Rich with melodrama, suspense, pathos, and, of course, a powerful vision of freedom. This exquisitely crafted book resonates well beyond its few pages.--Kirkus Reviews, starred reviewWinner of the Coretta Scott King AwardAn ALA Notable Book

    Along the way they encounter prejudice, but they also discover The Green Book, a real guide to accommodations which was published for decades to aid African-American travelers as they faced prejudice on the roads across the country.

    . . John [Hancock], Paul [Revere], George [Washington], and Ben [Franklin]. Oh yes, there was also Tom [Jefferson], but he was annoyingly independent and hardly ever around. These lads were always getting into trouble for one reason or another. In other words, they took a few . . . liberties. And to be honest, they were not always appreciated. Until one day, they all played a part in securing America's freedom."Deftly drawn, witty, and instantly appealing, the illustrations creatively blend period elements such as wood-grain and crackle-glaze texturing, woodcut lines, and formal compositions typical of the era, with gaping mouths and stylized, spiraling eyes typical of modern cartoons," wrote Booklist, and School Library Journal declared, "Exercise your freedom to scoop up this one."

    Now years later, another girl discovers the quilt and makes it her own, relying on its warmth to help her feel secure in a new home. "A quilt that provides warmth, fun and comfort to two different generations is the star of this rich picture book . . . dePaola provides a warm, dignified interpretation of Johnston's stroy."--Booklist, starred review. Full color.

    She and her family have to grow, raise, and make everything they need-including their clothes. The time and effort that takes means that nothing is replaced until it's absolutely necessary. As Sarah helps plant flax and raise sheep throughout the year, her one dress gets tighter and tighter. But in the nick of time, wool is spun, fabric is woven, and a brand-new dress is made just for her. The details of colonial life are captured in lively verse and glowing illustrations, making Sarah's joyful spin in her new dress an ending readers will cheer. Illustrated by Ted Rand.

    She hated being a slave, so she escaped slavery on the Underground Railroad. During her life, Harriet helped lead over 300 slaves to freedom on the Underground Railroad. This is her story.

    "An ideal complement to Native American and Texas studies..." Booklist

    Taking with her only her faith, she must creep through the woods with hounds at her feet, sleep for days in a potato hole, and trust people who could have easily turned her in. But she was never alone. In lyrical text, Carole Boston Weatherford describes Tubman's spiritual journey as she hears the voice of God guiding her north to freedom on that very first trip to escape the brutal practice of forced servitude. Tubman would make nineteen subsequent trips back south, never being caught, but none as profound as this first one. Courageous, compassionate, and deeply religious, Harriet Tubman, with her bravery and relentless pursuit of freedom, is a testament to the resilience of the human spirit. This is a unique and moving portrait of one of the most inspiring figures of the Underground Railroad. Kadir Nelson's emotionally charged paintings embody strength, healing, and hope.

    A must read book about persecution of minorities, but also about hope and light.

    Saving his money to build his very own barbershop was a dream that had to be postponed because of his generous heart and the Depression. Then one glorious day, on his 79th birthday, Uncle Jed finally opened the doors of his new shop. Full color.

    Here for a new generation of readers and explorers are the steady astronauts, clicking themselves into gloves and helmets, strapping themselves into sideways seats. Here are their great machines in all their detail and monumentality, the ROAR of rockets, and the silence of the Moon. Here is a story of adventure and discovery—a story of leaving and returning during the summer of 1969, and a story of home, seen whole, from far away.

    Hundreds of Maasai surround an American diplomat to bestow a gift on the American people. The gift is as unsought and unexpected as it is extraordinary. A mere nine months have passed since the September 11 attacks, and hearts are raw. Tears flow freely as these legendary warriors offer their gift to a grieving people half a world away. Word of the gift will travel news wires around the globe. Many will be profoundly touched, but for Americans, this selfless gesture will have deeper meaning still. For a heartsick nation, the gift of fourteen cows emerges from the choking dust and darkness as a soft light of hope and friendship. Master storyteller Carmen Agra Deedy hits all the right notes in this story of generosity that crosses boundaries, nations, and cultures. An afterword by Wilson Kimeli Naiyomah, the Maasai warrior at the center of the story, provides additional information about his tribe and their generosity. Thomas Gonzalez's stunning paintings are saturated with rich hues of oranges and browns and blues and greens, which capture the nobility of the Maasai people and the distinctive landscape of the African plain.