The book features raw, blunt, and in your face poems depicting the darker side of relationships. Readers will find themes such as lies, cheating, and heartache abundant in much of this collection. Midnight Milkshakes, being the second volume of Ray's Ice Cream And Suicide, is great for returning readers to the series. The book focuses on much of the same style and mood that is common in his writings.

    He paints vivid portraits of good kids, bad kids, families clinging to hope, life after the steel mills, gentrifying barrios, and everything in between. Drawing on the rich traditions of Latinx and Chicago writers like Sandra Cisneros and Gwendolyn Brooks, Olivarez creates a home out of life in the in-between. Combining wry humor with potent emotional force, Olivarez takes on complex issues of race, ethnicity, gender, class, and immigration using an everyday language that invites the reader in. Olivarez has a unique voice that makes him a poet to watch.

    Her father is gone, her mother doesn’t notice Cass exists, and her best friend’s battle with cancer was too close of a call. So when she begins her year at a wealthy new private school, Cass’s plan is to suffer through it in anonymity.However, when her cute locker neighbor, Cooper, shows an undeniable attraction toward Cass, keeping him at a safe distance isn’t easy. Even though her Frogtown skater world and his do-gooder preppy one are so different, Cass and Cooper somehow mesh. And once Cass lets her guard down, Cooper is mysteriously murdered—thus proving her original theory.When Cass’s close friend is suspected as the killer, she isn’t sure who she can trust anymore. Between investigating Cooper’s murder and trying to understand what she really meant to him, will Cass even find what she is looking for?Monica Ropal’s tension-filled and emotionally-charged YA debut explores the issues of an outsider looking in, and her desperation to find the impossible answers. Why do people leave? And who will be next?

    Pao needs to take care of some dirty business, but he is no Don Corleone. The rackets he runs are small-time, and the protection he provides necessary, given the minority status of the Chinese in Jamaica. Pao, in fact, is a sensitive guy in a wise guy role that doesn't quite fit. Often mystified by all that he must take care of, Pao invariably turns to Sun Tzu's Art of War. The juxtaposition of the weighty, aphoristic words of the ancient Chinese sage, with the tricky criminal and romantic predicaments Pao must negotiate builds the basis of the novel's great charm. A tale of post-colonial Jamaica from a unique and politically potent perspective, Pao moves from the last days of British rule through periods of unrest at social and economic inequality, through tides of change that will bring about Rastafarianism and the Back to Africa Movement. Pao is an utterly beguiling, unforgettable novel of race, class and creed, love and ambition, and a country in the throes of tumultuous change. Kerry Young was born in Kingston, Jamaica, to a Chinese-African mother and a Chinese father-a businessman in Kingston's shadow economy who provided inspiration for Pao. Young moved to England in 1965 at the age of ten. She earned her MA in creative writing at Nottingham Trent University. This is her first novel.

    They said her grandmother was crazy. Christy knows better. When 13-year-old Christy's grandmother dies, she leaves Christy a mysterious packet of information revealing an amazing secret: the pond in her yard is in fact a portal to another world. And what's more, her grandfather had disappeared in that world nine years earlier. Christy is determined to honor her grandmother's wish to keep the secret, even if it means alienating her best friend Trevor. However, things spiral out of her control when nosy classmate Rob accidentally crosses into other world, the grown-ups think he has drowned, she's forced to tell Trevor, and Danny--the nine-year-old deaf boy next door--follows her through the portal to rescue Rob. Will Trevor be able to convince the grown-ups to trust Christy to get them all home? Or will they let the police drain the pond, stranding the children in an alien world?

    B. Yeats, Tupac Shakur or Sylvia Plath. Slams -- spoken word poetry readings -- are taking place in cities across the country.Slam contains the words of the famous, the infamous, the soon-to-be-famous, as well as the authentic and anonymous voices of real teenagers culled from Alloy.com. From John Ashbury's thoughts on the creative process to Tori Amos' take on rhyme, rhythm, and reason, this book showcases not only these artists' poems, but their inspirations.Brought to life with original artwork, photographs, and unique visual style, Slam speaks to the budding poet in every teen.

    In Sparks of Phoenix—Najwa Zebian’s third book of poetry—she takes her readers on a powerful journey of healing.As the phoenix emerges from its ashes, Zebian emerges ablaze in these pages, not only as a survivor of abuse, but as a teacher and healer for all those who have struggled to understand, reclaim, and rise above a history of pain.The book is divided into six chapters, and six stages of healing: Falling, Burning to Ashes, Sparks of Phoenix, Rising, Soaring, and finally, A New Chapter, which demonstrates a healthy response to new love as the result of authentic healing.With her characteristic vulnerability, courage, and softness, Zebian seeks to empower those who have been made to feel ashamed, silenced, or afraid; she urges them, through gentle advice and personal revelation, to raise their voices, rise up, and soar.

    Chronicling the complexities, joys, and challenges of this transitional phase of life, Please Don’t Go Before I Get Better is a powerful, deeply affecting work that pierces your heart with its refreshing candor and vulnerability. A poignant exploration of self-image, self-discovery, and self-reflection, this anthology brilliantly captures the universal experience of growing up, and you are bound to find yourself reflected in these glimmering pages.

    But as they come of age and venture into a world of underground activists beyond the confines of their tight-knit East Asian community and closely guarded, gated compound, they start to see a country divided by deep ethnic allegiances and on the brink of something very sinister. Soon Leena and Jai find themselves entangled in a shady world of crooked policemen, seedy salesmen, prostitutes, and bohemian artists. As the city tightens its grip, so begins a dangerous game of corruption and conspiracy, where rebellions simmer, and a tangled web of power unravels as dark forces collide and disturbing revelations surface. A powerful tale of love and politics in contemporary Nairobi, Who Will Catch Us As We Fall depicts a Kenya on the cusp of change in all its complexity. Through two of the most memorable and remarkable characters in contemporary African fiction, Iman Verjee has penned a moving portrait of a family torn apart by national politics and prejudice, yet still painfully tethered together.

    These poems give a look into the heartbreak, anguish, and ultimately, acceptance that comes to those afflicted with Mental Illness. Spanning across three years, they are an anthology of her relationships -- with those who loved her, those who did not, those whom she loved and the way she tried to love herself.

    Containing more than fifty new poems and a generous gathering from his collections of the past decade-Horoscopes for the Dead, Ballistics, The Trouble with Poetry, and Nine Horses-Aimless Love showcases the best of his poetic maneuvers: the everyday ends in the infinite, playfulness is paired with empathy, irony gives way to wonder. Possessed of a unique voice that is at once plain and melodic, Billy Collins has managed to enrich American poetry while greatly widening the circle of its audience.

    Over the course of one summer, and through several unlikely friendships, Talia learns that stories have the power to connect us, to provide hope, and to pull us out of the darkness"--

    Sentences have been relentlessly trimmed, tuned, and teased for maximum impact, and a ferocious attention to rhythm and sound results in a palpable pulse of excitability and distress. The nature of love is questioned at a golf course, a flower shop, an all-you-can-eat buffet. The clay head of a man is bought and displayed as a trophy. Interior life manifests on the physical plane, where characters--human and animal--eat and breathe, provoke and injure one another.With exquisite control, Scanlan moves from expansive moods and fine afternoons to unease and violence--and also from deliberate and generative ambiguity to shocking, revelatory exactitude. Disturbances accrue as the collection progresses. How often the conclusions open--rather than tie--up. How they twist alertly. No mercy, a character says--and these stories are merciless and strange and absolutely masterful.

    . . VIOLETS ARE RED."She's the next Stephen King." - Horror Society"The best horror-thriller novel of the year." -- Top10Novels.com"The greatest battle of 'wife versus mistress' ever told." - Great-Novels.comForty-nine-year-old Violet Ramspeck is the envy of the Upper East Side. Wealthy, witty, and childless, she harbors secrets of self-destruction, devoting all of her time to others as an artistic socialite turned trophy wife.Without warning, Violet discovers her adoring husband of twenty-four years is having an affair with a twenty-three-year-old bartender who is an exact, younger replica of Violet. Upon learning of his plans for divorce, Violet's inner sanctum deteriorates as she morphs into a sadistic captor of the strong-willed, millennial mistress she keeps naked in the basement of her expansive townhome.Meanwhile, Violet's prisoner--Allegra Adams--spends every waking moment trying to escape her luxurious prison. She soon discovers her mental games prove more effective than her physical attempts to run, challenging everything Violet has ever known about her husband, her values, and her sanity.The epic struggle between two flawed women fighting over the same man is profound.Lovers of Grimm's fairy tales will enjoy this suspense-filled, action-packed battle of two minds. With unforeseen twists and turns, the shocking twist ending will have you talking about VIOLETS ARE RED for years to come.

    Continuing conversations begun by Citizen and Between the World and Me, Silencer sings out the dangers of unspoken taboos present on quiet Midwestern cul-de-sacs and in stifling professional settings, the dangers in closing the window on “a rainbow coalition of cops doing calisthenics around/a six-foot, three-hundred-fifty-pound man, choked back into the earth for what/looked a lot, to me, like sport.”Here, the language and cadences of hip-hop and academia meet prayer—these poems are crucibles, from which emerge profound allegories and subtle elegies, sharp humor and incisive critiques.