And he has certainly never gotten to know anyone other than his mother, a fiercely loving yet wildly eccentric agoraphobe who drowns in panic at the thought of opening the front door. Their little world comprises only the rooms in their home, each named for various exotic locales and filled with Will's art projects. Soon the confines of his world close in on Will. Despite his mother's protestations, Will ventures outside clad in a protective helmet and braces himself for danger. He eventually meets and befriends Jonah, a quiet boy who introduces Will to skateboarding. Will welcomes his new world with enthusiasm, his fears fading and his body hardening with each new bump, scrape, and fall. But life quickly gets complicated. When a local boy goes missing, Will and Jonah want to uncover what happened. They embark on an extraordinary adventure that pulls Will far from the confines of his closed-off world and into the throes of early adulthood and the dangers that everyday life offers. If I Fall, if I Die is a remarkable debut full of dazzling prose, unforgettable characters, and a poignant and heartfelt depiction of coming of age.

    Life was beautiful and bright, and every day soared with music. Now Ingrid is on a summertime wilderness survival trek for at-risk teens: addicts, runaways, and her. She’s fighting to survive crushing humiliations, physical challenges that push her to her limits, and mind games that threaten to break her. Then When the curtain fell on Margot-Sophia’s singing career, they buried the past and settled into a small, painfully normal life. But Ingrid longed to let the music soar again. She wanted it so much that, for a while, nothing else mattered. Now Ingrid is never going to make it through this summer if she can’t figure out why she’s here . . . and why the music really stopped.

    In the basement, she makes a shocking discovery — two dead girls curled into the bottom of her mother’s chest freezers. She remembers a pair of foster children who lived with the family in 1988: Casey and Jamie Cheng — troubled, beautiful, and wild teenaged sisters from Vancouver’s Chinatown. After six weeks, they disappeared; social workers, police officers, and Jessica herself assumed they had run away.As Jessica learns more about Casey, Jamie, and their troubled immigrant Chinese parents, she also unearths dark stories about Donna, whom she had always thought of as the perfect mother. The complicated truths she uncovers force her to take stock of own life.Moving between present and past, this riveting novel unflinchingly examines the myth of social heroism and traces the often-hidden fractures that divide our diverse cities.

    I read it in one go. I was totally hooked.’ MARIAN KEYES ‘Utterly addictive. Compulsive, twisty, tense.’ CLAIRE DOUGLAS, author of Local Girl Missing Her name was Rose. You watched her die. And her death has created a vacancy. When Emily lets a stranger step out in front of her, she never imagines that split second will change her life. But after Emily watches a car plough into the young mother – killing her instantly – she finds herself unable to move on.And then she makes a decision she can never take back.Because Rose had everything Emily had ever dreamed of. A beautiful, loving family, a great job and a stunning home. And now Rose’s husband misses his wife, and their son needs a mother. Why couldn’t Emily fill that space?But as Emily is about to discover, no one’s life is perfect … and not everything is as it seems. 'A powerful and emotional psychological thriller that will keep you guessing and leave you breathless.' C. L. TAYLOR, author of The Fear ‘I devoured it in a couple of days. Claire Allan managed to maintain an unsettling sense of unease that started at the very beginning and didn't let up at all.’ ELLE CROFT, author of The Guilty Wife ‘A psychological thriller with a heart: taut, emotionally challenging and unlike so many thrillers, each twist and turn is here because it deserves to be and not for the sake of it.’ JOHN MARRS, author of THE ONE

    Linda Calvey writes what she lived.They grew up with nothing. Just a regular family scraping by, living an honest life while crime ruled the East End. Until all that honesty and all that hard work left them with nothing.Poor, destitute and hungry, young Ruby decides to pull them from the ashes. It starts as one job, one step outside the law. Yet that one step sets her on a path – straight to the top.But in the East End you don't build an empire without making a few enemies . . .Welcome to the underbelly of London, where criminals run the streets and one woman will do anything to protect her family.The crime debut novel of the year, perfect for readers who loved No Mercy and Queenie.

    He's got a choice. Stay or leave. Go back to where it all went wrong, or simply get out of the county. Disappear. Start again as someone else.But it's not as simple as that.There's the matter of the man he killed. It wasn't murder, but even so. You tell that to the family. Especially when that family is the Mintons, who own half that's profitable and two-thirds of what's crooked between the Wolds and the coast. And who could have got to Matlock as easy as you like in prison, but who haven't touched him. Not yet.And like Matlock found out in prison, there's no getting away from yourself, so what would the point be in not facing up to other people?It's time to go home.East of England blends a rural take on the noir thriller with a fascination with the British industrialised countryside that lies east of the Wolds, between the Humber and the Wash. Unlit byways rather than the neon-bright and rain-slicked city. A world of caravan parks, slot machines, and low-rise battery farms.The flatlands of the east coast; decaying market towns and run-down resorts, and the distant throb of offshore windfarms. Where the smell you're trying to get out of your clothes is the cigarette taint of old phone boxes and bus shelters, and where redemption, like life, is either hard-earned or fought for, one way or another.

    On the night she meets Jonathan Alkaitis, a hooded figure scrawls a message on the lobby’s glass wall: Why don’t you swallow broken glass. High above Manhattan, a greater crime is committed: Alkaitis is running an international Ponzi scheme, moving imaginary sums of money through clients’ accounts. When the financial empire collapses, it obliterates countless fortunes and devastates lives. Vincent, who had been posing as Jonathan’s wife, walks away into the night. Years later, a victim of the fraud is hired to investigate a strange occurrence: a woman has seemingly vanished from the deck of a container ship between ports of call. In this captivating story of crisis and survival, Emily St. John Mandel takes readers through often hidden landscapes: campgrounds for the near-homeless, underground electronica clubs, the business of international shipping, service in luxury hotels, and life in a federal prison. Rife with unexpected beauty, The Glass Hotel is a captivating portrait of greed and guilt, love and delusion, ghosts and unintended consequences, and the infinite ways we search for meaning in our lives.

    “Few crimes are reported as quickly as a snatched kid.”That’s what the officer tells single mother Aubrey Finch after she reports a kidnapping. So why hasn’t anyone reported the little boy missing? Aubrey knows what she saw: a boy being taken against his will from the park. It doesn’t matter that the mother can’t be found. It doesn’t matter if no one reported it. Aubrey knows he’s missing.Instead, people question her sanity. Aubrey hears the whispers. She’s a former stay-at-home mom who doesn’t have primary custody of her daughter, so there must be something wrong with her, right? Others may not understand her decision to walk away from her safe life at home, but years of hiding her past – even from the people she loves – were taking their toll, and Aubrey knows she can’t be the mother or wife she envisions until she learns to leave her secrets behind.When the police refuse to believe her, she realizes that rescuing the boy is up to her alone. But after all the secrets, how far is she willing to go? Even to protect a child.

    But when Scarlett’s killer is released early from prison with a cast-iron alibi, Greg realizes that his past is about to explode into his present, with terrifying consequences.To expose the truth he must open up old wounds. As a talk therapist, Greg knows all about dark secrets, but when a childhood friendship comes to the fore and the police turn their spotlight on him, the thought of analyzing his own psyche is a disturbing prospect. How far can he trust his own memories?With his life coming apart at the seams, and his grip on reality beginning to unravel, Greg must face the ghosts of his past if he hopes to prove his innocence and live to see another day.

    They say it was suicide.But June doesn’t believe it.June and Delia used to be closer than anything. Best friends in that way that comes before everyone else—before guys, before family. It was like being in love, but more. They had a billion secrets, binding them together like thin silk cords.But one night a year ago, everything changed. June, Delia, and June’s boyfriend Ryan were just having a little fun. Their good time got out of hand. And in the cold blue light of morning, June knew only this—things would never be the same again.And now, a year later, Delia is dead. June is certain she was murdered. And she owes it to her to find out the truth…which is far more complicated than she ever could have imagined.Sexy, dark, and atmospheric, Suicide Notes from Beautiful Girls will keep you guessing until the very last page.

    His wife, Joan, vaults between denial and rage as the community she loved turns on her. Their daughter, Sadie, a popular over-achieving high school senior, becomes a social pariah. Their son, Andrew, assists in his father’s defense, while wrestling with his own unhappy memories of his teen years. A local author tries to exploit their story, while an unlikely men’s rights activist attempts to get Sadie onside their cause. With George locked up, how do the members of his family pick up the pieces and keep living their lives? How do they defend someone they love while wrestling with the possibility of his guilt?With exquisite emotional precision, award-winning author Zoe Whittall explores issues of loyalty, truth, and the meaning of happiness through the lens of an all-American family on the brink of collapse.

    No one was ever charged with the crime.Now, after their parents’ sudden deaths, the MacAllister siblings return to camp to read the will and decide what to do with the prime real estate the camp occupies. Ryan needs to sell. Margaux hasn’t made up her mind. Mary believes in leaving well enough alone. Kate and Liddie—the twins—have opposing views. And Sean Booth, the groundskeeper, just hopes he still has a home when all is said and done.But it’s more complicated than a simple vote. The will stipulates that until they unravel the mystery of what happened to Amanda, they can’t settle the estate. Any one of them could have done it, and each one is holding a piece of the puzzle. Will they work together to finally discover the truth, or will their secrets finally tear the family apart?

    Even better, her life is coming together: she’s got a great job, her own place, and a boyfriend, Paolo, who adores her. So when Paolo suggests a weekend sailing trip, Emily agrees—wine, water, and the man she loves? What could be better? But when Emily wakes the morning after they set sail, the boat is still adrift…and Paolo is gone.A strong swimmer, there’s no way Paolo drowned, but Emily is at a loss for any other explanation. Where else could he have gone? And why? As the hours and days pass by, each moment marking Paolo’s disappearance, Emily’s hard-won stability begins to slip.But when Emily uncovers evidence suggesting Paolo was murdered, the investigation throws her mania into overdrive, even as she becomes a person of interest in her own personal tragedy. To clear her name, Emily must find the truth—but can she hold onto her own sanity in the process?

     Marie Antoine is the charismatic, spoiled daughter of a sugar baron. At 12 years old, with her blond curls and her unparalleled sense of whimsey, she's the leader of all the children in the Golden Mile, an affluent strip of 19th century Montreal. Until one day in 1873, when Sadie Arnett, dark-haired, sly, and brilliant, moves to the neighborhood.Marie and Sadie are immediately united by their passion and intensity, and they attract and repel each other in ways that light each of them on fire. Marie with her bubbly charm sees the light and sweetness of the world, whereas Sadie's obsession with darkness is all consuming. Soon their childlike games take on a thrill of danger and then become deadly.Forced to separate, they spend their teenage years engaged in acts of alternating innocence and depravity--until a singular event unites them once more, with dizzying effects. And after Marie inherits her father's sugar empire and Sadie disappears into the city's gritty underworld, a revolution of the working class begins to foment. Each of them will have unexpected roles to play in events that upend their city--the only question is whether they will find each other once more.Traveling from a repressive finishing school to a vibrant brothel, taking readers firsthand into the brutality of factory life and the opulent lives of Montreal's wealthy, When We Lost Our Heads dazzlingly explores gender and power, sex and desire, class and status, and the terrifying power of the human heart when it can't let someone go.

    The phone rings.The man on the other end says his daughter is missing.Your daughter. The baby you gave away over fifteen years ago. What do you do? Nora Watts isn't sure that she wants to get involved. Troubled, messed up, and with more than enough problems of her own, Nora doesn't want to revisit the past. But then she sees the photograph. A girl, a teenager, with her eyes. How can she turn her back on her? But going in search of her daughter brings Nora into contact with a past that she would rather forget, a past that she has worked hard to put behind her, but which is always there, waiting for her . . . In Eyes Like Mine, Sheena Kamal has created a kick-ass protagonist who will give Lisbeth Salander a run for her money. Intuitive, not always likeable, and deeply flawed, Nora Watts is a new heroine for our time.