The posed portrait photos were stiff, formal affairs, partly because subjects needed to stay still for the exposure and partly because in Victorian England life was a serious business.In reality, the character of Alexandrina Victoria, Queen of Great Britain and Ireland, and latterly in her long reign, Empress of India, is rather different. In private, at least, Victoria had a reputation for being fun-loving and entertaining. Victoria kept a daily journal from the age of thirteen, which by the time of her death ran to 122 volumes. She writes openly and in great detail, revealing herself to be emotional and honest about her own feelings and experiences, as well as her opinions of other people. She praises Albert and pours out her love and desire for her husband, her adored lover, friend and companion.This book shows the redoubtable Victoria at her most human, whether enthusing over her hobbies and interests, delighting in her children and grandchildren, commenting on the ten different Prime Ministers who served during her reign, or sharing her love for her dearest, dearest Albert.

    For the first time, all the contenders for the crown were female.In 1553, England was about to experience the ‘monstrous regiment’ - the unnatural rule - of a woman. But female rule in England also had a past. Four hundred years before Edward’s death, Matilda, daughter of Henry I and granddaughter of William the Conquerer, came tantalisingly close to securing her hold on the power of the crown. And between the 12th and the 15th centuries three more exceptional women - Eleanor of Aquitaine, Isabella of France, and Margaret of Anjou - discovered, as queens consort and dowager, how much was possible if the presumptions of male rule were not confronted so explicitly.The stories of these women - told here in all their vivid humanity - illustrate the paradox which the female heirs to the Tudor throne had no choice but to negotiate. Man was the head of woman; and the king was the head of all. How, then, could a woman be king, how could royal power lie in female hands?

    Her father, Maharajah Duleep Singh, was heir to the Kingdom of the Sikhs, one of the greatest empires of the Indian subcontinent, a realm that stretched from the lush Kashmir Valley to the craggy foothills of the Khyber Pass and included the mighty cities of Lahore and Peshawar. It was a territory irresistible to the British, who plundered everything, including the fabled Koh-I-Noor diamond. Exiled to England, the dispossessed Maharajah transformed his estate at Elveden in Suffolk into a Moghul palace, its grounds stocked with leopards, monkeys and exotic birds. Sophia, god-daughter of Queen Victoria, was raised a genteel aristocratic Englishwoman: presented at court, afforded grace and favor lodgings at Hampton Court Palace and photographed wearing the latest fashions for the society pages. But when, in secret defiance of the British government, she travelled to India, she returned a revolutionary. Sophia transcended her heritage to devote herself to battling injustice and inequality, a far cry from the life to which she was born. Her causes were the struggle for Indian Independence, the fate of the lascars, the welfare of Indian soldiers in the First World War – and, above all, the fight for female suffrage. She was bold and fearless, attacking politicians, putting herself in the front line and swapping her silks for a nurse's uniform to tend wounded soldiers evacuated from the battlefields. Meticulously researched and passionately written, this enthralling story of the rise of women and the fall of empire introduces an extraordinary individual and her part in the defining moments of recent British and Indian history.

    Caterina Riario Sforza was one of the most prominent women in Renaissance Italy—and one of the most vilified. In this glittering biography, Elizabeth Lev reexamines her extraordinary life and accomplishments.Raised in the court of Milan and wed at age ten to the pope’s corrupt nephew, Caterina was ensnared in Italy’s political intrigues early in life. After turbulent years in Rome’s papal court, she moved to the Romagnol province of Forlì. Following her husband’s assassination, she ruled Italy’s crossroads with iron will, martial strength, political savvy—and an icon’s fashion sense. In finally losing her lands to the Borgia family, she put up a resistance that inspired all of Europe and set the stage for her progeny—including Cosimo de Medici—to follow her example to greatness.A rich evocation the Renaissance,The Tigress of Forlì reveals Caterina Riario Sforza as a brilliant and fearless ruler, and a tragic but unbowed figure.

    Barbara Tuchman anatomizes the century, revealing both the great rhythms of history and the grain and texture of domestic life as it was lived.

    As official biographer, the author had access to private papers which helped unfold the moving story of Princess May of Teck's impoverished childhood, her significant reign and her old age as the much admired Queen Dowager; she saw her fiancee, husband and three sons die, and another abdicate before her own death in 1953.

    The royal mistress was at the center of that world -- admired for her beauty and sensuality; feared for the power she wielded; even vilified, envied, and resented. In times when women had very little power, the royal mistress had enormous influence, and yet she is seldom mentioned in official histories. In Cupid and the King, Her Royal Highness Princess Michael of Kent recounts the stories of five very different women, each of whom became a celebrated -- or notorious -- courtesan: Nell Gwyn, the bawdy, vivacious orange seller turned actress who endeared herself to Charles II -- and the country -- with her wit and down-to-earth manner Madame de Pompadour, the extravagant, elegant maitresse-en-titre of Louis XV who became one of the great patrons of her time while enraging the people of France Marie Walewska, who became Napoleon's mistress to save her country Lola Montez, the flamboyant, scandalous Irish beauty who reinvented herself as a Spanish aristocrat to win the heart of Ludwig I of Bavaria Lillie Langtry, the legendary beauty immortalized by the most famous artists of her day and the only woman to completely monopolize Edward, Prince of Wales, later Edward VII Written with an insider's keen understanding of court life and filled with delicious details born of impeccable research, Cupid and the King explores a little-known chapter of the history of women's roles in the royal bedrooms of Europe.

    This is a page-turning, revisionist history of the villainised and misunderstood Mary Tudor, the first queen of England.

    Earlier this year, the remains of a man with a curving spine, who possible was killed in battle, were discovered underneath the paving of a parking lot in Leicester, England. Phillipa Langley, head of The Richard III Society, spurred on by the work of the historian Michael Jones, led the team of who uncovered the remains, certain that she had found the bones of the monarch. When DNA verification later confirmed that the skeleton was, indeed, that of King Richard III, the discovery ranks among the great stories of passionate intuition and perseverance against the odds. The news of the discovery of Richard's remains has been widely reported by the British as well as worldwide and was front page news for both the New York Times and The Washington Post. Many believe that now, with King Richard III's skeleton in hand, historians will finally begin to understand what happened to him following the Battle of Bosworth Field (twenty miles or so from Leicester) and, ultimately, to know whether he was the hateful, unscrupulous monarch of Shakespeare's drama or a much more benevolent king interested in the common man. Written in alternating chapters, with Richard's 15th century life told by historian Michael Jones (author of the critically acclaimed Bosworth - 1485) contrasting with the 21st century eyewitness account of the search and discovery of the body by Philippa Langley, The King's Grave will be both an extraordinary portrait of the last Plantagenet monarch and the inspiring story of the archaeological dig that finally brings the real King Richard III into the light of day.

    Her childhood was loving and secure, his turbulent: the Duke's grandfather was assassinated, his father arrested, his family exiled, his parents separated by the time he was ten. For almost sixty years theirs have been among the most famous faces in the world—yet the personalities behind the image remain elusive, and the nature of their marriage is an enigma.Gyles Brandreth has met all the principal players in the story. He quotes no anonymous sources; he has known the Duke of Edinburgh for twenty-five years and has interviewed him. This is a unique and revealing portrait of a remarkable partnership.

    What was so dangerous about this artistic, tempestuous royal that her life has been documented more by rumor and gossip than hard facts? When Lucinda Hawksley started to investigate, often thwarted by inexplicable secrecy, she discovered a fascinating woman, modern before her time, whose story has been shielded for years from public view.Louise was a sculptor and painter, friend to the Pre-Raphaelites and a keen member of the Aesthetic movement. The most feisty of the Victorian princesses, she kicked against her mother's controlling nature and remained fiercely loyal to her brothers-especially the sickly Leopold and the much-maligned Bertie. She sought out other unconventional women, including Josephine Butler and George Eliot, and campaigned for education and health reform and for the rights of women. She battled with her indomitable mother for permission to practice the "masculine" art of sculpture and go to art college-and in doing so became the first British princess to attend a public school.The rumors of Louise's colorful love life persist even today, with hints of love affairs dating as far back as her teenage years, and notable scandals included entanglements with her sculpting tutor Joseph Edgar Boehm and possibly even her sister Princess Beatrice's handsome husband, Liko. True to rebellious form, she refused all royal suitors and became the first member of the royal family, since the sixteenth century, to marry a commoner. She moved with him to Canada when he was appointed Governor-General.Spirited and lively, Queen Victoria's Mysterious Daughter is richly packed with arguments, intrigues, scandals, and secrets, and is a vivid portrait of a princess desperate to escape her inheritance.

    In The Sisters of Henry VIII, Maria Perry brings history alive by examining the lives of these extraordinary women and their influence on Europe in the Tudor Age. Margaret became queen of Scotland at age thirteen; family members arranged beautiful Mary's betrothal to the aging king of France when she was twelve. But both women chose their second husbands for love: Margaret married and divorced twice after Henry's advancing armies slaughtered her first husband and kidnapped her children; Mary risked execution by proposing to the handsome duke of Suffolk. Groundbreaking in both depth and scope, Perry's work rescues two remarkable princesses from the shadows of history and offers a fresh interpretation of a royal family and an era sure to fascinate readers of Alison Weir and Antonia Fraser.

    Philippa Gregory and two historians, leading experts in their field who helped Philippa to research the novels, tell the extraordinary 'true' stories of the life of these women who until now have been largely forgotten by history, their background and times, highlighting questions which are raised in the fiction and illuminating the novels. With a foreword by Philippa Gregory - in which Philippa writes revealingly about the differences between history and fiction and examines the gaps in the historical record - and beautifully illustrated with rare portraits, The Women of the Cousins' War is an exciting new addition to the Philippa Gregory oeuvre.

    "Haslip writes with vividness and immediacy... a serious book which is highly readable." --Edward Crankshaw.

    A privileged, happy Victorian childhood was touched by tragedy not only with the early deaths of her youngest brother and sister but also that of her young mother. Close to Queen Victoria, Ella spent some of her happiest times in Britain. At 20, however, much against the wishes of her grandmother, who despised everything Russian, Ella became engaged to Grand Duke Serge Alexandrovich, the authoritarian younger brother of Tsar Alexander III. It was at their wedding that her younger sister, Alix, formed a love match with the future Tsar Nicholas II; an event which not only sealed the fate of both sisters, but that of the Imperial House of Romanov. But for these two marriages, the history of Russia might have been very different. With the assassination of her husband, Ella renounced society and, against considerable opposition, founded the first religious Order of its kind in Russia, working for the poor and destitute of Moscow. Though loved for her charitable works and pionerering achievements, Ella, like Nicholas, Alexandra, and fourteen members of their family, met a brutal death at the hands of the Bolsheviks. At the height of the Russian Revolution, she was taken captive to Siberia where, having been clubbed with rifle butts, she was hurled alive into a disused mineshaft and left to die of her injuries. Later retrieved, her incorrupt body was eventually laid to rest on the Mount of Olives. She was subsequently canonized by the Russian Orthodox Church as the Holy Imperial Martyr Saint Elisabeth Romanova.