King Arthur and His Knights of the Round Table


Roger Lancelyn Green - 1953
    This retelling brings to life King Arthur and the adventures of his Knights, from the quest for the Holy Grail to the final tragedy of the Last Battle.

The Emperor's New Clothes


Hans Christian Andersen - 1837
    This is the imaginative tale of a vain Emperor who is hilariously deceived due to his own vanity and dihonesty.The Emperor, who is swindled by two crooks posing as weavers, is fooled because of his desire to be both handsome and wise.In the end, the naked truth is made known by an innocent child, and the Emperor is exposed as the greatest fool of all.

Peter Pan in Kensington Gardens


J.M. Barrie - 1906
    Barrie. Peter Pan, the boy who refused to grow up, is one of the immortals of children's literature. J.M. Barrie first created Peter Pan as a baby, living in secret with the birds and fairies in the middle of London, but as the children for whom he invented the stories grew older, so too did Peter, reappearing in Neverland, where he was aided in his epic battles with Red Indians and pirates by the motherly and resourceful Wendy Darling. With their contrary lures of home and escape, childhood and maturity, safety and high adventure, these unforgettable tales are equally popular with children and adults.

At the Back of the North Wind


George MacDonald - 1871
    His life is transformed by a brief glimpse of the beautiful country -- at the back of the north wind. This Victorian fairy tale has enchanted readers for more than a hundred years, and combines a Dickensian regard for the working class of mid-19th-century England with the invention of an ethereal landscape.

The Selfish Giant


Oscar Wilde - 1888
    It was always winter in the garden, for no other season would venture there. Then one morning, a special child brought Spring back, and the giant's heart melted along with the snow.

English Fairy Tales


Joseph Jacobs - 1898
    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

D'Aulaires' Book of Norse Myths


Ingri d'Aulaire - 1967
    Children meet Bragi, the god of poetry, and the famous Valkyrie maidens, among other gods, goddesses, heroes, and giants. Illustrations throughout depict the wondrous other world of Norse folklore and its fantastical Northern landscape.

A Book of Nonsense


Edward Lear - 1846
    The owls, hen, larks, and their nests in his beard, are among the fey fauna and peculiar persons inhabiting the uniquely inspired nonsense rhymes and drawings of Lear (20th child of a London stockbroker), whose Book of Nonsense, first published in 1846, stands alone as the ultimate and most loved expression in English of freewheeling, benign, and unconstricted merriment.

The Aesop for Children


Aesop - 1919
    His moral animal fables have delighted young and old for centuries. This fabulous full-color edition of the classic Aesop features the original illustrations of Milo Winter. This unique collection features 126 of the best-loved fables, including such favorites as "The Town Mouse and the Country Mouse," "The Ants and the Grasshopper," "The Goose and the Golden Egg," "The Wolf in Sheep's Clothing," and "The Hare and the Tortoise" and all their wonderful and amusing animal characters. Now, with THE AESOP FOR CHILDREN, a whole new generation can appreciate and enjoy these whimsical tales. 9 1/2" x 11 3/4". Ages 6-10

Tales from Shakespeare


Charles Lamb - 1807
    Presents an introduction to Shakespeare's greatest plays including Hamlet Othello, As You Like It, The Taming of the Shrew, The Tempest and Pericles.

The Young Visiters


Daisy Ashford - 1919
    The notebook containing the novel was rediscovered by her in adult life and sent by a friend to Frank Swinnerton, the English novelist, critic, editor and essayist. Published in 1919 by Chatto and Windus, with its original misspellings and an arch introduction by “Peter Pan” author J. M. Barrie, it was an immediate bestseller. Its child's view of high society (dukes and earls having ‘levies’ and residing in the ‘Crystall Pallace’) and its heavily romantic plot make it an engaging and enduring popular work. Source: jrank.org

Black Beauty


Anna Sewell - 1877
    But when circumstances change, he learns that not all humans are so kind. Passed from hand to hand, Black Beauty witnesses love and cruelty, wealth and poverty, friendship and hardship . . . Will the handsome horse ever find a happy and lasting home? Carefully retold in clear contemporary language, and presented with delightful illustrations, these favorite classic stories capture the heart and imagination of young readers. By retelling the story in a shorter, simpler form, these books become highly engaging for children, and the color illustrations help with both comprehension and interest level. Black Beauty is part of a collectible series that has strong gift appeal.

The World of Winnie-the-Pooh


A.A. Milne - 1926
    The world of Pooh is the Thousand Acre Wood of Winnie-the-Pooh and his friends Piglet, Eeyore, Tigger, Kanga, Christopher Robin, and more. He is a whimsical philosopher, staunch friend, plump, and fond of honey. He calls himself a Bear of Very Little Brain, but is wise and loving. Delicate paintings loved by centuries of children.

Snow White


Jacob Grimm - 1812
    This edition presents the unabridged version of the Grimms' tale, with an original interpretation by renowned artist Camille Rose Garcia that artfully combines wit and dark romance

A Little Princess


Frances Hodgson Burnett - 1905
    Now penniless and banished to a room in the attic, Sara is demeaned, abused, and forced to work as a servant. How this resourceful girl's fortunes change again is at the center of A Little Princess, one of the best-loved stories in all of children's literature. This unique and fully annotated edition appends excerpts from Frances Hodgson Burnett's original 1888 novella Sara Crewe and the stage play that preceded the novel, as well as an early story, "Behind the White Brick," allowing readers to see how A Little Princess evolved. In his delightful introduction, U. C. Knoepflmacher considers the fairy-tale allusions and literary touchstones that place the book among the major works of Victorian literature, and shows it to be an exceptionally rich and resonant novel.